Too Many Husbands

I wasn't expecting much from this Jean Arthur comedy vehicle, and as a result, I was pleasantly surprised by it.

Arthur plays a woman married to the best friend of her dead husband, who's mighty surprised when her dead husband turns out not to be so dead after all. Now she's got two men fighting over her, a state of affairs she settles back to enjoy, much to the dismay of her father, played by that terrific character actor Harry Davenport.

Jean Arthur is absolutely adorable, even if she is a bit of a brat in this. You want to hug her even as you want to see her kicked in the seat of her pants. Fred MacMurray plays the back from the dead husband, while Melvyn Douglas plays the best friend. I felt MacMurray straining a bit at the screwball comedy antics he was asked to tackle, but Douglas navigates the material expertly and probably gives the film's best performance.

I will say that the film is utterly unpredictable -- I could not guess how it was going to turn out right up until its closing credits.

Grade: B

Too Many Husbands is a prime example of the screwball comedy. All the usual elements are in place -- romance out of whack, a collection of goofy but likable characters, frenetic, sometimes slapstick action, fast-delivery, witty dialog, a ridiculous situation, class satire, and the cops further gumming up the works -- all breaking off in unexpected directions like the baseball pitch the genre is named after.

A flighty rich dame (Jean Arthur) finds herself married to two different men at the same time, and she loves both of them. She is not an intentional bigamist. Hubby number one, sexy but ever wandering Fred MacMurry was lost at sea and declared legally dead, so the lonely widow marries his best friend, reliable, hard-working smoothie Melvin Douglas. When hubby number one shows up alive after all and ready for action with his beautiful wife, the fun ensues. Poor Jean, she just can't make up her mind which husband to choose. With one a reckless adventurer and the other a neglectful workaholic no sensible woman would want either, but this is Jean Arthur! She's having a whale of a time as the two compete to show her more attention than either ever had in the past. She may just take forever to make up her mind!

Jean Arthur, who was reportedly a serious dingbat in real life, seems perfectly cast in this type of role. MacMurry and Douglas are in their element here, too. The three bright stars, all at their peaks, make this one a delight all the way through. Good support comes from Henry Davenport, another mainstay of the screw-baller, as Jean's harried father, and Edgar Buchanan, looking younger than you thought he ever was, as a suspicious cop.

Too Many Husbands is a bit of a slow-starter, but give it a chance. Under Wesley Ruggles' sure direction, it soon picks up steam, getting wackier and funnier as it goes along. The great acting, gorgeous, luminous, old nitrate black and white cinematography and smooth editing you have come to expect from big studio productions of the 'thirties and the 'forties make this one a pleasure to watch. Smooth, glossy entertainment from Old Hollywood's Golden Era.

The problem with this movie is that it keeps only the original premise of the play (Home and Beauty, 1918) by Somerset Maugham--that a man who has been presumed dead returns home to find his wife has remarried. In the play the comedy derived from the fact that neither husband wanted the wife and each kept trying to out-noble the other and step aside. (The wife is very pretty and charming, but each husband has been married to her long enough to discover that she is selfish and vain.) At the end of the play the wife married a third man, who did not know her well enough to know her true character. In a movie, however, one could hardly have a heroine whom both male leads disowned, so one is left only with the clumsy and repetitious jokes of one woman, two husbands, and which one will she pick.

When I first heard the premise;a spouse declared dead comes back home after months alone on an island , only to find his beloved wife has re-entered marital bliss with his best friend, I thought 'it'll be interesting to see if they come anywhere near the brilliance of "My Favorite Wife"' And I also presumed this had to be a rather blatant rip-off of the Cary Grant-Irene Dunne classic released ,incidentally, in the same year. Boy was I wrong! For starters this appears to have been released months earlier and the screenplay,comic timing,and acting are easily in the same league as the best of the so-called 'screwball comedies'. When Jean Arthur is "on" there is no actress who can beat her and she looks about as good in this rarely shown film as she ever has . Fred MacMurry and Melvyn Douglas hold up their end, but the surprise, for me, was good old Harry Davenport who gets many lines , many chances to display bravado mugging and line readings, and never fails. This is a Jean Arthur film that needs immediate release on the DVD market!!

Fred MacMurray is the long lost husband who returns to the scene to find that his wife, Jean Arthur is married to new husband, Melvyn Douglas. Arthur's character must choose which husband to keep. The viewer is compelled to want both men to win Arthur's hand; they are both charming. The plot is simple but the fun, witty dialog and situations that develop are very entertaining. I loved MacMurray and Douglas' tails and top hats. The ball gowns were lovely to look at. It's amusing to watch the dancing style in the party scene; lively, silly and fun. A fine, light movie to enjoy with popcorn and the family or champagne with a friend.