IMDb रेटिंग
7.2/10
9.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंWhen one of two truck-driving brothers loses an arm, they both join a transport company where the other is falsely charged as an accessory in the murder of the owner.When one of two truck-driving brothers loses an arm, they both join a transport company where the other is falsely charged as an accessory in the murder of the owner.When one of two truck-driving brothers loses an arm, they both join a transport company where the other is falsely charged as an accessory in the murder of the owner.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 2 जीत
Eddie Acuff
- Driver in Café
- (बिना क्रेडिट के)
William Bendix
- Truck Driver Watching Pinball Game
- (बिना क्रेडिट के)
Marie Blake
- Waitress
- (बिना क्रेडिट के)
Chet Brandenburg
- Man Griping at Farnsworth
- (बिना क्रेडिट के)
Eddy Chandler
- Driver
- (बिना क्रेडिट के)
Richard Clayton
- Young Man
- (बिना क्रेडिट के)
Joyce Compton
- Sue Carter
- (बिना क्रेडिट के)
Alan Davis
- Driver
- (बिना क्रेडिट के)
Joe Devlin
- Fatso
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Not much action here for a "film noir" and really more of a melodrama than a crime story, but I still like this because the story's decent and it features a top-flight cast of actors who are usually fun to watch.
That cast includes George Raft, Ann Sheridan, Ida Lupino, Humphrey Bogart and Gale Page. My favorite of the group - in this film, at least - is Sheridan, a wise-cracking waitress. Raft and Bogart are truck drivers and Lupino plays the boss' wife. In here, the two women are more interesting than the men, which says a lot considering its Raft and Bogart.
Sheridan not only is easy on the eyes but delivers some great film-noir-type lines. Unfortunately, the edge is taken off her once she leave the diner and hitches a ride with Raft to Los Angeles.
Bogart plays more of a low-key family man whose wife (Page) is the nice- looking, wholesome type. This is one of the last movies Bogart made before he became a star. Hence, he gets fourth billing in here.
Lupino is very good as the vicious scorned woman, a role she found herself playing in a number of films.
As mentioned above, I'm not really sure how one would classify this film since there is humor, film noir, soap opera, straight drama and romance all in it. The combination makes the film interesting and recommended.
That cast includes George Raft, Ann Sheridan, Ida Lupino, Humphrey Bogart and Gale Page. My favorite of the group - in this film, at least - is Sheridan, a wise-cracking waitress. Raft and Bogart are truck drivers and Lupino plays the boss' wife. In here, the two women are more interesting than the men, which says a lot considering its Raft and Bogart.
Sheridan not only is easy on the eyes but delivers some great film-noir-type lines. Unfortunately, the edge is taken off her once she leave the diner and hitches a ride with Raft to Los Angeles.
Bogart plays more of a low-key family man whose wife (Page) is the nice- looking, wholesome type. This is one of the last movies Bogart made before he became a star. Hence, he gets fourth billing in here.
Lupino is very good as the vicious scorned woman, a role she found herself playing in a number of films.
As mentioned above, I'm not really sure how one would classify this film since there is humor, film noir, soap opera, straight drama and romance all in it. The combination makes the film interesting and recommended.
Let's get this out of the way first: Humphrey Bogart's legions of fans seem impelled to insult George Raft as often as possible, no matter how inappropriate or clearly wrong. Those not so blinded will thoroughly enjoy this odd, mixed bag of a picture. Raft and Bogey play brothers - very believably so - who are wildcat truck drivers trying to get ahead in a tough business during the Depression. The film is odd because it seems like two separate movies. It starts out as a seeming social commentary on the hard life of truckers with fine characterizations. But as soon as Ida Lupino appears it veers straight into film noir. I, personally, would have preferred a continuation of the tone of the first part of the film rather than be subjected to the "crazy b----" act that so many call "classic" and "stealing the picture." There either should have been more foreshadowing of this switch early in the film, or the screenwriters should have found something more consistent. At any rate, Raft and Bogart get to step away from gangster roles for a breather. They're still tough guys, but they're vulnerable to the whims of fate. Raft, in fact, is adorable here, uncharacteristically blue-collar and common, desperate to be in charge of his own life. He has instant chemistry with no-nonsense Ann Sheridan. Raft works so comfortably under Walsh's direction, it's rather refreshing. If rumors are true and Bogart and Raft were not getting along at this point, they were both professionals and hid it very well. Blame Lupino, but by the second half of the film, Bogart practically disappears just when we'd like to see more development of his very sympathetic character. For Bogart fans, this is not a "Bogey" film. He's simply prepping for legend-status just around the corner. It would have been nice to see more of Sheridan, as well. I don't recall Alan Hale ever being better than he is here - watch the small things he does with such a loud character. Lupino is definitely unforgettable, and her cult following will love this. Roscoe Karns is again a fun comic foil. The editing of the picture is sometimes a bit rough, and there is a telephone sequence that does not visually work. Arthur Edeson was a frustratingly inconsistent cinematographer, ranging from brilliant work like "Casa Blanca" to B level work. This is somewhere in the middle, but the road sequences are great.
I get more respect for director Raoul Walsh with every film of his I see. In this one for Warner Brothers he does an excellent job with a strong cast telling a story about California Long Haul Truckers in the late 1930's. The realism is there all the way through.
This is one of George Rafts better performances, and Ida Lupino is excellent as the woman he scorns. Ann Sheridan is very good as the woman he loves. Humphrey Bogart in a supporting role is very good as Rafts brother. Alan Hale Sr. does a fine job as Lupinos husband.
The film gives the viewer a very strong flavor for what the early long haul trucking was like before World War 2. With the roads the way they were in that era, Long Haul in this is shorter than today & trucks were really just getting started, the railroads still dominated freight then in the US.
The story while more predictable than Dark Command which Walsh had just finished, still does a good job of pulling in the viewer with Raft & Bogarts characters flying on the edge of failure early in the film. The accident sequences are done crudely but this was in a day when the special effects were still developing. The main action in this film is truck accidents & a couple of fist fights.
This is a very fundamentally sound film as Raol Walsh always seems to deliver. In this case, the truckers deliver a good story.
This is one of George Rafts better performances, and Ida Lupino is excellent as the woman he scorns. Ann Sheridan is very good as the woman he loves. Humphrey Bogart in a supporting role is very good as Rafts brother. Alan Hale Sr. does a fine job as Lupinos husband.
The film gives the viewer a very strong flavor for what the early long haul trucking was like before World War 2. With the roads the way they were in that era, Long Haul in this is shorter than today & trucks were really just getting started, the railroads still dominated freight then in the US.
The story while more predictable than Dark Command which Walsh had just finished, still does a good job of pulling in the viewer with Raft & Bogarts characters flying on the edge of failure early in the film. The accident sequences are done crudely but this was in a day when the special effects were still developing. The main action in this film is truck accidents & a couple of fist fights.
This is a very fundamentally sound film as Raol Walsh always seems to deliver. In this case, the truckers deliver a good story.
With a cast of Humphrey Bogart, George Raft, Ida Lupino and Ann Sheridan, it would virtually be impossible to make a mediocre film. And this is not mediocre. The plot of this film has several complications, which enrich the enjoyment of the movie. There are both dramatic and romantic surprises in the film. Enjoy these Golden Age performances by some of the best in the business. Good family fare.
Two truck driving brothers (George Raft, Humphrey Bogart) get tired of being screwed over by bosses and decide to strike out on their own and start their own trucking company. But tragedy strikes and their dreams come crashing down. That's just the beginning of their problems.
Gritty, ballsy WB crime drama with a cast of colorful characters. Best truck driver movie ever. Raft and Bogart are great. This is Bogey pre-leading man but at least he's not the villain this time so he was making progress. Lovely Ann Sheridan is good as the tough working class dame who falls for Raft. Ida Lupino is particularly wicked as the sarcastic woman after Raft who goes completely bonkers before it's all said and done. Her performance is over the top in the best way. Great WB supporting cast includes people like Alan Hale and Henry O'Neill. Love getting to see the inner workings of the trucking industry back then and seeing how things have changed (and how they haven't). Love those old trucks, too. Fantastic movie. An underrated classic.
Gritty, ballsy WB crime drama with a cast of colorful characters. Best truck driver movie ever. Raft and Bogart are great. This is Bogey pre-leading man but at least he's not the villain this time so he was making progress. Lovely Ann Sheridan is good as the tough working class dame who falls for Raft. Ida Lupino is particularly wicked as the sarcastic woman after Raft who goes completely bonkers before it's all said and done. Her performance is over the top in the best way. Great WB supporting cast includes people like Alan Hale and Henry O'Neill. Love getting to see the inner workings of the trucking industry back then and seeing how things have changed (and how they haven't). Love those old trucks, too. Fantastic movie. An underrated classic.
क्या आपको पता है
- ट्रिवियाThe wife of producer Mark Hellinger, Gladys Glad, a former showgirl for Broadway producer Florenz Ziegfeld Jr., was responsible for getting this film made. Hellinger had brought home a large stack of scripts that he was to read for filming consideration. He had leafed through the script and read the summary, but felt that "nobody would pay money to see a bunch of truck drivers." His wife read this script, liked it, and pressured Hellinger to read it. Reluctantly, he did, the film eventually got made, and it became the sleeper hit of the year for Warners. It was made for an estimated $400,000 and grossed more than $4 million. (Source: Book "The Mark Hellinger Story" by Jim Bishop, New York: Appleton-Century-Crofts, 1952)
- गूफ़When Joe and Paul's truck crashes, a motorist in a 1933 Cadillac with California license number 2N 214 stops to give assistance. Later, at Ed and Lana Carlson's anniversary party the same car (and same license number) is shown as one of Ed's cars as he demonstrates his garage door opener.
- भाव
Ed Carlsen: Early to rise and early to bed, makes a man healthy, but socially dead!
- कनेक्शनFeatured in Hollywood: The Great Stars (1963)
- साउंडट्रैकWhen the Swallows Come Back to Capistrano
(1940) (uncredited)
Music by Leon René
Played at Mandel's Cafe
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is They Drive by Night?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $4,00,000(अनुमानित)
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- पक्ष अनुपात
- 1.33 : 1
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