The Four Just Men

Edgar Wallace's thrillers usually tended to be tricky with a lot of confusing details, the intrigues were generally overburdened with both active people and amassed complications, and this is no exception, but it is as well written and contrived as any thriller by Hitchcock, as "The Foreign Correspondent" is bound to enter the mind. This is a pre-war thriller, but the war is more than impending, and the author impressingly anticipates the dangers ahead. Nothing is mentioned about Germany, not even the beginning of the film in a foreign prison reveals anything of any foreign nation, but instead the thriller is altogether thoroughly British and couldn't be more so. Edgar Wallace was a Fleet Street man, and there is a lot of journalism here, and every time he includes his expertise in that field, the matter beomes interesting and successful. All the actors here are forgotten today, except possibly Francis L. Sullivan, well known from many later classics, but they all act well enough and especially Anna Lee as the journalist getting mixed up in the intriguing mess but actually helping it to get through in the end. It is great entertainment, great action, constantly on a tremendous move, and the suspense of the intrigue prevents it from becoming disturbing for its superficiality, which usually is a trait in Edgar Wallace's more than prolific output. So it is a fascinating study in the awareness in certain circles of what was ahead in the immediate coming decade.

Four men - Hugh Sinclair, Griffith Jones, Francis L. Sullivan and Frank Lawton - begin a program of sabotage and assassination around London. Newspaperwoman Anna Lee is on their trail. What do these four very English gentlemen hope to accomplish? Are they spies for a foreign government? Or are they patriots, hoping to cleanse Britain of traitors before the inevitable war?

Walter Forde's bizarre and violent movie is derived from a Edgar Wallace story. Although it looks like a shocker, there were lots of movies in the era that supported the idea of vigilante justice. In the US, the Production Code ended most of those- with the occasional exception of a Gower Gulch producer urging people to rise up and shoot down gangsters. You would think that Britain, with its own censorship,would not permit the production of a movie like this, but the writing was on the wall, and people clearly saw World War Two coming. Even so, it was a near thing. Although there were showings of this in London in June, it didn't go into general release until November, and didn't show in the US until April of 1940, with an epilogue showing goose-stepping Nazi troops and,an appeal to US involvement.

There's an air of constant frustration rather than suspense about the movie, with the four men uncertain of their faltering plans, and Anna Lee's baffled investigation contributing. I think it was a deliberate choice by the film makers, but it makes it more difficult to watch the film.

"The Four Just Men" is a film which has two versions. Apparently, shortly after its first release WWII began and a new epilogue was stuck onto the end of the movie. There, it's shows the Nazis--the enemies of the British Empire. In the original version, the filmmakers never mentioned Germany and the enemy was of an unnamed nation. In fact, even in this newer version, the characters never talk about this either...just the epilogue.

The Four Just Men is an organization which works to preserve the British Empire against enemy nations. So, instead of letting the British government take care of this or getting its hands dirty, these four do it on behalf of the nation! In essence, these are private spies working for the nation's good. In the course of the film, they get their hands dirty often....and were not above killing enemy agents or politicians who are working against the UK.

This is mildly exciting stuff....not the best of spy films but a solid and enjoyable one. If you do want to see it, you can currently find it on YouTube.

This is a fast-moving thriller with a lot of merit. Anna Lee shines in her role as a young woman reporter in London, who's eager to get on a crime beat, and in particular to investigate the "Four Just Men," a secret quartet of vigilantes who dispense their own justice, up to and including the coup de grace, to baddies. Her scenes in the newsroom with an editor and another reporter are fun to watch.

The film benefits from the presence of other fine British actors. Francis L. Sullivan, an A-1 performer who appeared in the 1940s classics "Oliver Twist and "Great Expectations," has a big part here. The film has good banter between Anna and Griffith Jones; they were also paired in "Young Man's Fancy," that same year. You can tell money was spent on this production: the scenes in Parliament look very authentic, and the exterior of Parliament too. All the sets are very good with a nice 1930's feel. There is a great print of this film on Ealing Studios Rarities Collection, vol. 2. It's pal format, so you'll need a region free DVD player if you're in the USA, like me.

I don't tend to spend time having a go at other reviewers on this site as we are all entitled to our opinions.however how on earth can you post a review on a film when you have never seen it.Also to say that Edgar Wallace is forgotten is to say the least controversial,given his contribution ,if any,to King Kong.The thing about Wallace is that he knew when he was on to a good thing.Unknown masterminds.killing.robbing,a law unto themselves.The Frog,The squeaker etc.If a formula works then just use it again.Here Michael Balcon reuses it just as the country is on the verge of war.At the beginning of the film,the identity of the captors is not revealed.however the film ends with a climactic speech aimed fairly and squarly at Hitler.. So this film starts out as a political thriller and ends up as a morale boosting flag waver.