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IMDbPro

Rebecca

  • 1940
  • Approved
  • 2 घं 10 मि
IMDb रेटिंग
8.1/10
1.6 लाख
आपकी रेटिंग
लोकप्रियता
3,190
325
Joan Fontaine and Laurence Olivier in Rebecca (1940)
Home Video Trailer from Universal Studios Home Entertainment
trailer प्ले करें0:21
2 वीडियो
99+ फ़ोटो
Dark RomancePsychological DramaPsychological ThrillerSuspense MysteryDramaMysteryRomanceThriller

एक आत्म-जागरूक महिला एक अभिजात की पत्नी के रूप में अपनी नई पहचान और उसके पति की पहली पत्नी की वर्णक्रमीय उपस्थिति के बीच संघर्ष करती है.एक आत्म-जागरूक महिला एक अभिजात की पत्नी के रूप में अपनी नई पहचान और उसके पति की पहली पत्नी की वर्णक्रमीय उपस्थिति के बीच संघर्ष करती है.एक आत्म-जागरूक महिला एक अभिजात की पत्नी के रूप में अपनी नई पहचान और उसके पति की पहली पत्नी की वर्णक्रमीय उपस्थिति के बीच संघर्ष करती है.

  • निर्देशक
    • Alfred Hitchcock
  • लेखक
    • Daphne Du Maurier
    • Robert E. Sherwood
    • Joan Harrison
  • स्टार
    • Laurence Olivier
    • Joan Fontaine
    • George Sanders
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.1/10
    1.6 लाख
    आपकी रेटिंग
    लोकप्रियता
    3,190
    325
    • निर्देशक
      • Alfred Hitchcock
    • लेखक
      • Daphne Du Maurier
      • Robert E. Sherwood
      • Joan Harrison
    • स्टार
      • Laurence Olivier
      • Joan Fontaine
      • George Sanders
    • 469यूज़र समीक्षाएं
    • 210आलोचक समीक्षाएं
    • 86मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 ऑस्कर जीते
      • 10 जीत और कुल 10 नामांकन

    वीडियो2

    Rebecca
    Trailer 0:21
    Rebecca
    Rebecca: Listen To The Sea
    Clip 2:04
    Rebecca: Listen To The Sea
    Rebecca: Listen To The Sea
    Clip 2:04
    Rebecca: Listen To The Sea

    फ़ोटो199

    पोस्टर देखें
    पोस्टर देखें
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    + 191
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    टॉप कलाकार32

    बदलाव करें
    Laurence Olivier
    Laurence Olivier
    • 'Maxim' de Winter
    Joan Fontaine
    Joan Fontaine
    • Mrs. de Winter
    George Sanders
    George Sanders
    • Jack Favell
    Judith Anderson
    Judith Anderson
    • Mrs. Danvers
    Nigel Bruce
    Nigel Bruce
    • Major Giles Lacy
    Reginald Denny
    Reginald Denny
    • Frank Crawley
    C. Aubrey Smith
    C. Aubrey Smith
    • Colonel Julyan
    Gladys Cooper
    Gladys Cooper
    • Beatrice Lacy
    Florence Bates
    Florence Bates
    • Mrs. Van Hopper
    Melville Cooper
    Melville Cooper
    • Coroner
    Leo G. Carroll
    Leo G. Carroll
    • Dr. Baker
    Leonard Carey
    Leonard Carey
    • Ben
    Lumsden Hare
    Lumsden Hare
    • Tabbs
    Edward Fielding
    Edward Fielding
    • Frith
    Philip Winter
    • Robert
    Forrester Harvey
    Forrester Harvey
    • Chalcroft
    Bunny Beatty
    • Maid
    • (बिना क्रेडिट के)
    Billy Bevan
    Billy Bevan
    • Policeman
    • (बिना क्रेडिट के)
    • निर्देशक
      • Alfred Hitchcock
    • लेखक
      • Daphne Du Maurier
      • Robert E. Sherwood
      • Joan Harrison
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं469

    8.1159.6K
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    सारांश

    Reviewers say 'Rebecca' is acclaimed for its atmospheric storytelling and psychological tension, showcasing Alfred Hitchcock's masterful direction. The film's haunting ambiance, complex characters, and enigmatic Rebecca are highlighted. Key themes include identity, memory, and the struggle of the second Mrs. de Winter. Performances by Joan Fontaine, Laurence Olivier, and Judith Anderson are praised. Cinematography and set design enhance the gothic suspense. Some find the plot uneven and the ending less satisfying, but it remains a significant work in Hitchcock's career.
    यूज़र की समीक्षाओं के टेक्स्ट से AI द्वारा जेनरेट किया गया

    फ़ीचर्ड समीक्षाएं

    Infofreak

    If you want to be totally enthralled for two hours just watch 'Rebecca'!

    Hitchcock felt 'Rebecca', his first Hollywood film, was a compromise, but as a viewer I just can't fault it. It's a masterpiece in my opinion, full of suspense, mystery and brooding atmosphere. It's also one of the most romantic movies I've ever seen. I've watched it several times over the years, and even now that I know all the plot twists and turns (quite shocking on your first viewing), it never fails to hook me in. One of the reasons it really works is the flawless casting. I'm not much of an Olivier fan but he's superb as de Winter, with just the right mixture of charm and coldness. And Joan Fontaine is just perfect as de Winter's new bride. I can't spot an unconvincing moment in her performance and can't imagine any other actress in the role. Hitchcock subsequently used her in 'Suspicion' with Cary Grant. She was also excellent in that but 'Rebecca' is a much stronger movie. The supporting cast also includes some brilliant performances, especially Judith Anderson ('Laura') as the extremely creepy Mrs. Danvers, George Sanders who plays Rebecca's slimy cousin, and Nigel Bruce in a typical role as de Winter's bumbling brother-in-law Major Lacy. Sanders subsequently worked again with Hitchcock in 'Foreign Correspondent', and Bruce played Cary Grant's lovable pal "Beaky" in 'Suspicion'. I sometimes think that Hitchcock's 1940s movies are overlooked by many because they are regarded as being too "old fashioned", but for me movies like 'Suspicion', 'Saboteur', 'Lifeboat' and 'Spellbound' are some of the most entertaining movies Hitchcock ever made, and 'Rebecca' is the best of the lot. If you want to be totally enthralled for two hours just watch 'Rebecca'!
    Snow Leopard

    A Fine Classic

    This fine classic combines a great director, a great story, and a great cast. Any one of those would have made for a good movie, but all three make it an excellent one. Hitchcock's style and eye for detail combine very well with a story (from a novel that is extremely good in its own right) filled with psychological fear and settings that are interesting and suggestive.

    Most of the time the story itself moves fairly slowly, allowing the focus to be on the characters, but there are also a couple of very good plot twists, which can be very surprising if you've not seen the movie or read the novel. So if you happen not to know the story, it's a good idea to see the film before reading a lot of comments about it. Laurence Olivier, Joan Fontaine, Judith Anderson, and George Sanders are all perfectly cast and do a wonderful job bringing their characters to life, and making you feel a part of the story.

    "Rebecca" should be satisfying not only to any Hitchcock fan, but to anyone who likes classic movies. Whether you like romance, suspense, or drama, they're all here, and put together by a director and cast that are masters of their art.
    rmax304823

    American Gothic

    Hitchcock's first American movie, a word, American that is, that should be put in quotes because as Hitchcock pointed out, all of the cast and almost all of the crew were British. The film has already garnered so many comments that I'll avoid repeating most of them. The plot I'm sure has been thoroughly outlined and professionally analyzed but a few points are worth emphasis.

    The plot of very precisely structured. It consists basically of a man who is the dream of many women in the 1940s audience: ruggedly handsome, intelligent, keen witted, a bit commanding but not too much, fabulously wealthy, a touch roguish, and mysterious. It's the mystery that provides the plot engine. Every incident of his past emotional life needs to be pried out of Maxim deWinter (what a name, suggesting frigidity and distance) as if it were an abcessed tooth. Each secret, as he reveals it, is a surprise to his wife. Except for the final secret uncovered in the plot, which surprises everybody. Maxim could clear the whole mystery up with an hour's worth of private conversation with his wife. But of course he doesn't, or else there would be no story. That's why Hamlet takes so long to slaughter Claudius. And why the Indians don't shoot the horses as they're chasing the stagecoach.

    The acting. Olivier is extremely good at impersonating deWinter with all his charm and challenge. George Sanders is the best cad that the movies ever produced, and he proves it again here. Mrs. Danvers has a face and an expression that looks like an ice sculpture. The implicit lesbianism in her character of course had to remain implicit, but it is still rather a shock when she tenderly unfolds Mrs. DeWinter's nightie and says smoothly, "Look, you can see my hand through it." As for Joan Fontaine, a friend in Ireland said of her performance, "She does the shivering wife very well." Precisely put. With her delicate bone structure, fragile looking limbs, and her overall ikabani flower arrangement appearance, her wide asymmetrical eyes, with one brow arching up over her pale forehead, she looks about to faint with fright through half the movie. The only thing coarse about her is her wardrobe: bulky knit sweaters over her girlish bosom, long flapping drab skirts over her small but saucy rump, and those clodhoppers she wears while clunking about the house. She does the shivering naif in at least two other films of the period -- Hitchcock's "Suspicion" and "Jane Eyre." In fact, rummaging through the disarranged attic that is my long-term memory, I can't really remember her "doing" any other role.

    It's the closest Hitchcock ever came to making what was then called "a woman's picture." It received a "best picture" Oscar, which went to Selznick. Something Hitchcock seemed to resent for the remainder of his life. It was a commercial and critical success and it deserved to be.
    9AlsExGal

    A film with a nameless protagonist and an invisible namesake

    This was Alfred Hitchcock's first American-made film. Quite frankly, I'm amazed at how well Hitchcock "got" what American audiences wanted in their suspense films, hitting them out of the park from the moment he began working in the US.

    Apart from being a tad bit long, this is a well made film. I love the inside of Mandalay and Sir Laurence Olivier played a wonderful mysterious and sullen Maximillian De Winter opposite his new wife, a beautiful and naive young Joan Fontaine who is never even given a name here, probably deliberately and in keeping with how mousy and "second hand" she feels about herself in relation to the first and late Mrs. De Winter, who is actually Rebecca from the title.

    Of course there is also George Sanders, playing the type of character he is best known for--sarcastic, snobby, self-assured, pompous, witty and verbose. He hits the nail on the head as Rebecca's "cousin" - so he calls himself. Of course the most eerie and unsettling character was Mrs. Danvers, Rebecca's housekeeper or "maid in waiting." Danvers takes great pains in sabotaging the second Mrs. De Winter's marital relationship with Max de Winter,--even going as far as calmly urging her to to plunge to her death into the water from Rebecca's bedroom window at Mandalay. There are a couple of twists in this movie, but I won't give them away. It's best if you watch them unfold yourself in true Hitchcockian style.

    I will say that Rebecca, the first wife of Max de Winter, is NEVER seen, but we learn about her by what is said about her by the various characters, even going as far as seeing the untouched shrine of a bedroom maintained by Mrs. Danvers. But soon you learn that Rebecca was never the perfect wife Danvers and others make her out to be. The ending is a surprise in more way than one, and yet Mrs. Danvers gets the last word in her own way. A great movie by Alfred Hitchcock and David O. Selznick.
    8ma-cortes

    Hitchcock's first great American success in a classic story with a love story and suspense

    This is a Daphne Du Maurier's story (from a best-seller novel) concerning a prominent widower (Laurence Olivier) called Maxim De Winter who finds a gorgeous and timid young girl (Joan Fontaine) who is serving to an old Mistress (Florence Bates) . They are married and head to Manderley , the familiar mansion (in the exterior actually is a scale model). But Maxim is haunted by the ghost first wife , an enigmatic Rebecca , who died in mysterious circumstances . There works as a servant the creepy and obsessive housekeeper , Mrs Danvers (Judith Anderson,a famous stage actress in her most important role) and sh meets a cynic gentleman (George Sanders).

    This film has suspense , romance , unlimited tension , full of lingering images and with the typical touches Hitchcock . Besides , a literately and thoughtful dialog signed by Joan Harrison (Hitchcock's usual screenwriter) though lacking humor . After ¨39 steps¨and ¨Jamaica Inn¨ , Hitch was encouraged to go to America and promptly shot his first work in Hollywood hired by the great producer David O'Selznick . Fine performance by Laurence Olivier , he married Vivien Leigh and he wished to her as protagonist but Hitch hired Joan Fontaine who took seven rehearsal sessions until the engaging . Joan Fontaine as a shy bride young is superb and enjoyable . Judith Anderson as a spooky and cold house keeper is top-notch, her role as obsessed person by the glamorous Rebecca is unforgotten and immortal . Atmospheric and perceptible music by Franz Waxman and sensational visual style by the cameraman George Barnes . The picture won Academy Awards for Best film and cinematography . The movie was brilliantly directed by the Master of Suspense . It's remade in inferior versions for Television, the 1980 adaptation with Jeremy Brett as Maxim and 1996 rendition with Charles Dance and Emilie Fox . The motion picture is indispensable watching for Hithcock lovers achieving the maximum impact on his audience.

    Oscars Best Picture Winners, Ranked

    Oscars Best Picture Winners, Ranked

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    Poster
    लिस्ट

    इस तरह के और

    Amores perros
    8.0
    Amores perros
    Notorious
    7.9
    Notorious
    The Grapes of Wrath
    8.1
    The Grapes of Wrath
    Shadow of a Doubt
    7.8
    Shadow of a Doubt
    Dial M for Murder
    8.2
    Dial M for Murder
    Rope
    7.9
    Rope
    Suspicion
    7.3
    Suspicion
    On the Waterfront
    8.1
    On the Waterfront
    वर्टिगो
    8.2
    वर्टिगो
    Rebecca
    6.0
    Rebecca
    Spellbound
    7.5
    Spellbound
    The Best Years of Our Lives
    8.1
    The Best Years of Our Lives

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Over 20 actresses were screen-tested for the role of Mrs. de Winter, which eventually went to newcomer Joan Fontaine. One of them was Vivien Leigh, for whom Sir Laurence Olivier was pressing, as they were a couple at the time.
    • गूफ़
      In the outside take of Manderley seen in the scene where the Narrator stares at one window being closed, it's a miniature, as is the 'Mrs Danvers' dummy dressed in black. You can realize this by the motion of the window as it's being closed, not in a continuous way, but by little fast jumps, which look too unreal.
    • भाव

      [the new Mrs. de Winter wants to dispose of Rebecca's letters]

      The Second Mrs. de Winter: I want you to get rid of all these things.

      Mrs. Danvers: But these are Mrs. de Winter's things.

      The Second Mrs. de Winter: *I* am Mrs. de Winter now!

    • क्रेज़ी क्रेडिट
      The original 1940 credits read "Selznick International presents its picturization of Daphne Du Maurier's 'Rebecca'". The credits on the re-issue version read "The Selznick Studio presents its production of Daphne Du Maurier's 'Rebecca'".
    • इसके अलावा अन्य वर्जन
      The opening credits were re-done (with different font) for the 1950's re-release of the movie. It is these credits that have turned up on all telecasts of the film (even as recently as 2013) and all previous video releases. The Criterion release (which is now only available through outlet stores) restores all of the credits to their original form.
    • कनेक्शन
      Edited into The Last Tycoon: Pilot (2016)
    • साउंडट्रैक
      Love's Old Sweet Song (Just a Song at Twilight)
      (1884) (uncredited)

      Music by J.L. Molloy

      Hummed by Joan Fontaine

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल26

    • How long is Rebecca?Alexa द्वारा संचालित
    • In what year or era is this Movie set? Was it considered a modern movie in it's day?
    • What is 'Rebecca' about?
    • Is this movie based on a book?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 1940 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Rebeca, una mujer inolvidable
    • फ़िल्माने की जगहें
      • Big Sur, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Selznick International Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $12,88,000(अनुमानित)
    • दुनिया भर में सकल
      • $1,13,328
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 10 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Joan Fontaine and Laurence Olivier in Rebecca (1940)
    टॉप गैप
    What was the official certification given to Rebecca (1940) in Canada?
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