अपनी भाषा में प्लॉट जोड़ेंMan about town and first class cricketer A.J. Raffles keeps himself solvent with daring robberies. Meeting Gwen from his schooldays and falling in love all over again, he spends the weekend ... सभी पढ़ेंMan about town and first class cricketer A.J. Raffles keeps himself solvent with daring robberies. Meeting Gwen from his schooldays and falling in love all over again, he spends the weekend with her parents, Lord and Lady Melrose. A necklace presents an irresistible temptation, b... सभी पढ़ेंMan about town and first class cricketer A.J. Raffles keeps himself solvent with daring robberies. Meeting Gwen from his schooldays and falling in love all over again, he spends the weekend with her parents, Lord and Lady Melrose. A necklace presents an irresistible temptation, but also in attendance is Scotland Yard's finest, finally on the trail.
- पुरस्कार
- कुल 1 जीत
- Lady Melrose
- (as Dame May Whitty)
- Art Gallery Attendant
- (बिना क्रेडिट के)
- Art Gallery Attendant
- (बिना क्रेडिट के)
- Bingham's Secretary
- (बिना क्रेडिट के)
- Villager
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
David Niven probably carried more films on his personal charm than any other player I know. Even more than Ronald Colman did, because Colman had the advantage of getting better scripts.
This remake that Sam Goldwyn did of his own film had little change in it from the Colman version. David Niven is the debonair cricket player who has a nice sideline as a cat burglar. He's so good, he leaves taunting notes for Scotland Yard, particularly at Inspector Dudley Digges who's in charge of trying to catch him.
The last job he does is for his friend Douglas Walton who has embezzled some mess company funds to gamble with and there's an audit come due. Raffles is a pal good and true and offers to help though Walton does not know about his sideline.
Olivia DeHavilland is Walton's sister who has little to do but sit around and look beautiful. She had hoped that on the strength of her performance in Gone With the Wind, Warner Brothers would giver her more substantial material. That was not to be even on a loan out to Sam Goldwyn.
Despite it being lightweight stuff, Raffles is a key film for David Niven. He was at last given first billing in a film. But as soon as the film was done, he was back to Great Britain to serve in the Armed Forces. Niven made two films in uniform, Spitfire and The Way Ahead, and also saw some combat. He wouldn't see Hollywood again for many years.
Raffles is nice entertainment, but it helps to be a fan of David Niven.
Slow paced, only mildly entertaining, this one offers nothing in the way of wit or excitement to stir up anything more than moderate interest. Fans of David Niven and Olivia de Havilland get a chance to see the photogenic pair at their physical peak--but that's not enough to sustain interest in this bland remake of the earlier Ronald Colman version.
A standout in the largely British supporting cast is Dame May Witty as Lady Melrose whose necklace has fascination for the amateur thief.
Trivia note: Interesting to see a film from 1939 that shows a sports program being televised clearly on a rather medium-sized TV screen...long before TV became a household staple in the late '40s and early '50s.
One interesting thing about this film - which made me realize that I had seen it years before - is the early television in the inspector's office at the beginning of the movie.
I regret not seeing the Ronald Colman version. In this one, Niven is charming, handsome, and debonair as a man who seems to steal as a lark and then somehow returns the merchandise, to the frustration of the police. At the film's start, he steals a valuable painting, sends it to his favorite retired actress, and has her return it for the reward money. But when he tries to steal a necklace to help a friend replace money he gambled away before an audit takes place, he runs into another crook attempting to do the same thing, and complications arise.
There are some suspenseful moments toward the end of the movie, but all in all, it goes by too quickly, and the character of Raffles isn't sufficiently developed. It's almost as if the movie starts in the middle and ends before it's really over. De Havilland is absolutely beautiful, even if a couple of her hats are outrageous. She's really just doing an average ingénue role here. "Raffles" debuted in the U.S. just before "Gone With the Wind," and she probably made it right afterward.
Entertaining but disappointing.
Today, we're in an era of Hollywood studios remaking films which aren't yet twenty years old. Well, this one certainly kicks them to the curb. This is a remake of a nine-year old film from the same country, same studio, same director and same script. And, as David Niven replaces Ronald Colman, it could even have the same moustache too. But, this isn't a criticism. For one thing, in 1939, they didn't have DVDs (imagine!), so it had been nearly a decade since people had seen the first film. Also, this has David Niven. Also, this has David Niven. Also, this has ... well, it does.
Niven was born to play the role and it's a shame that he didn't make a bigger splash with it. This could easily have been a series, like the Universal set of Sherlock Holmes films with Basil Rathbone. Of course, the war happened and Niven, quite honourably, left Hollywood to fight. And maybe the idea would have been redundant, as this was the same year in which the Saint movies started (George Sanders, by the way, did his best to avoid the draft). With his easy charm and suavity, Niven is the best thing about this version. The plot is solid and - though set in a house for most of its run-time - features much of the cosily exciting wandering-around-the-house-at-night stuff that I love so much. It heads towards farce, at points, but you won't read me complaining about that, as it's all so lightly amusing and even quickens the pulse at times. Dame May Whitty (she of The Lady Vanishes - surely one of the best films in the history of moving pictures) plays the dowager-type part of Lady Melrose and there's some mild comedy to be enjoyed with her oafish aristocratic husband who is straight out of a Blandings novel.
The whole thing about giving Raffles a love-interest is non-canonical, as that never happened in the original stories by E.W. Hornung (brother-in-law of Arthur Conan Doyle). In fact, Raffles himself is softer here than he is supposed to be and Bunny's suicide pledge is only alluded to, while it was properly depicted in the story which inspired it. At this point, the character had enjoyed a renaissance of sorts in the British pulp magazine The Thriller, with stories written by Barry Perowne, in which the character was updated to the '30s. This film is also set in those times (though, confusingly, there's a scene in a Victorian hansom cab) and there's even a television, before the invention was really popular.
Unfortunately, this spirited film is marred by a hasty ending which, jarringly, tries to include a daring escape, a Golden Age of Hollywood romantic ending and the obligatory reminder that crime does not pay.
The character would again find success in a 1977 television series for ITV with Anthony Valentine in the role. A one-off adaptation, titled The Gentleman Thief, was aired in 2001 and starred Nigel Havers. It was a role he was surely also born to play but, unfortunately, was not followed up on, and hasn't even had a DVD release. Considering the original books are still in print and remain classics of the genre, it would be great to see them adapted again at some point.
Fun and sometimes quite tense piece of well staged stiff upper lip society fluff with Niven perfect as the suave thief with a silver tongue and a heart of gold. As is often the case with these films, it's the supporting cast that are the most fun and Raffles' butler Barraclough, played by E. E. Clive steals every scene he's in as do Lionel Pape and the great Dame May Whitty as Lord and Lady Melrose. Definitely one of those 'they don't make 'em like that anymore' films.
Nice to see James Finlayson, Laurel and Harry's frequent stooge appear briefly as a handsome cab driver.
क्या आपको पता है
- ट्रिवियाDavid Niven was due to join the British Army but was given a 21-day grace period to finish his scenes for the movie. The production crew worked double time and filmed Niven's scenes first to comply with his obligation to start his military service.
- गूफ़A Scot would not pronounce "vase" as VAYZ. The pronunciation in the UK - even in 1939 - is "VARZ". (57 minutes in, in Raffles' flat).
- भाव
Raffles: Tell me, Barraclough, why have you never been married? Surely there must have been some woman in your life.
Barraclough: There was. Two of them, to be exact. Twenty-three years ago.
Raffles: And neither of them became Mrs. Barraclough?
Barraclough: No sir. Perhaps that was because I knew them both at the same time, sir. It didn't seem to work out.
- कनेक्शनFeatured in Scotland Yard: The Golden Thread (1971)
- साउंडट्रैकFantaisie-Impromptu in C Sharp Minor, Op.66
(1834) (uncredited)
Written by Frédéric Chopin
Played by an unidentified pianist at the party
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Caballero y ladrón
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $86,600
- चलने की अवधि1 घंटा 12 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1