अपनी भाषा में प्लॉट जोड़ेंAfter a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.After a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.After a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.
- निर्देशक
- लेखक
- स्टार
- 2 ऑस्कर जीते
- 9 जीत और कुल 5 नामांकन
King Baggot
- Wedding Guest
- (बिना क्रेडिट के)
Hillary Brooke
- Main Line Society Woman
- (बिना क्रेडिट के)
Veda Buckland
- Elsie
- (बिना क्रेडिट के)
Lita Chevret
- Manicurist
- (बिना क्रेडिट के)
Russ Clark
- John
- (बिना क्रेडिट के)
Sally Cleaves
- Party Guest
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Everyone is quick to pair Katherine Hepburn with Spencer Tracy, however... there was once upon a time the magnificent teaming of Hepburn and Cary Grant. THE PHILADELPHIA STORY is one of their greatest films. A slick comedy of errors, and probably the most rerun of 'em all, which is saying a lot.
The perfect storm; comedy and timing at its best. The story of a high society wedding, with all the elaborate do's and don'ts is fun enough, but also watching an outstanding cast at work. Interestingly, director George Cukor's decided to film the script with few out-takes. Just let the cameras roll, and its Grant who has the most fun, a master of the double-take and an improv genius. See if you can catch his out-takes that were left in.
The opening scene with the golf clubs is now legend, followed by about a dozen more. A film that's definitely habit forming.
Movie legend dictates that Hepburn, declared a "non bankable" actress at the time, rejected for the lead in GONE WITH THE WIND, became a star all over again in the Broadway production, gained control of the film rights, brought it to Hollywood and made a fortune. How's that for inspiration? Not to forget an Oscar nomination. Grant was nominated for Best Actor.
Likewise, George Cukor, having been fired from GONE WITH THE WIND, sprang back in high fashion with this film. What a good luck charm.
Forever on dvd and re-mastered blu ray. Thanks much to TCM for running this gem for years, and more to come.
The perfect storm; comedy and timing at its best. The story of a high society wedding, with all the elaborate do's and don'ts is fun enough, but also watching an outstanding cast at work. Interestingly, director George Cukor's decided to film the script with few out-takes. Just let the cameras roll, and its Grant who has the most fun, a master of the double-take and an improv genius. See if you can catch his out-takes that were left in.
The opening scene with the golf clubs is now legend, followed by about a dozen more. A film that's definitely habit forming.
Movie legend dictates that Hepburn, declared a "non bankable" actress at the time, rejected for the lead in GONE WITH THE WIND, became a star all over again in the Broadway production, gained control of the film rights, brought it to Hollywood and made a fortune. How's that for inspiration? Not to forget an Oscar nomination. Grant was nominated for Best Actor.
Likewise, George Cukor, having been fired from GONE WITH THE WIND, sprang back in high fashion with this film. What a good luck charm.
Forever on dvd and re-mastered blu ray. Thanks much to TCM for running this gem for years, and more to come.
Firstly, let me say, that I love Kate Hepburn. She's my favourite actress, and in my opinion, she can do no wrong. For this reason, I'd probably give a good rating to every movie she made.
But 'The Philadelphia Story' really does deserve wonderful praise. It's by far the most sophisticated, and in my opinion, the greatest comedy ever made, one of Kate's greatest roles. She's absolutely hilarious as Tracy Lord, bringing perfection to the role she created on the stage a year before the film, mocking, insulting and making fun out of Jimmy Stewart and Cary Grant.
Her drunken scene with Stewart is pure magic and her mockery of him ('dear professor') is wonderful.
Grant and Stewart are fabulous, Stewart as the rough and tumble reporter infatuated with Tracy and Grant as the neglected ex- husband.
Ruth Hussey and Virginia Weidler are fantastic in supporting roles, and really add to the hilarity of the whole picture.
A funny, bouyant ride through the 1940's- I completely recommend it!
But 'The Philadelphia Story' really does deserve wonderful praise. It's by far the most sophisticated, and in my opinion, the greatest comedy ever made, one of Kate's greatest roles. She's absolutely hilarious as Tracy Lord, bringing perfection to the role she created on the stage a year before the film, mocking, insulting and making fun out of Jimmy Stewart and Cary Grant.
Her drunken scene with Stewart is pure magic and her mockery of him ('dear professor') is wonderful.
Grant and Stewart are fabulous, Stewart as the rough and tumble reporter infatuated with Tracy and Grant as the neglected ex- husband.
Ruth Hussey and Virginia Weidler are fantastic in supporting roles, and really add to the hilarity of the whole picture.
A funny, bouyant ride through the 1940's- I completely recommend it!
After Katharine Hepburn was one of a group of stars dictated "box office poison" by the ruling moguls of Hollywood she went east and scored a complete triumph on stage with The Philadelphia Story. But our Kate was the shrewd one, she had the foresight to buy the film rights from author Philip Barry and peddle them to the studio that would guarantee her repeating her stage role and giving her creative control.
On stage she had co-starred with Joseph Cotten, Van Heflin, and Shirley Booth all of whom became movie names later on, but meant nothing to Hollywood in 1940. She had the choice of leading men and cast in their places, Cary Grant, James Stewart and Ruth Hussey.
This was Grant's fourth and final appearance on screen with Hepburn. It's a typical Cary Grant part, witty and urbane, with a touch of the rogue in him. He's Hepburn's ex-husband, still very much in love with his ex-wife, but she's marrying stuffed shirt John Howard.
Reporter James Stewart and photographer Ruth Hussey are covering Hepburn's wedding for Spy Magazine, the National Enquirer of the day. Through a little judicious blackmail they're invited to this premier society wedding, but both feel out of place and used.
After The Philadelphia Story, Katharine Hepburn was a movie name the rest of her long life. Even with an occasional clinker no one ever questioned her about being box office poison.
James Stewart won the Best Actor Oscar in probably the most romantic he was ever on the screen. A lot felt it was a consolation Oscar for not winning it for Mr. Smith Goes to Washington in 1939. Stewart himself proclaimed to all who'd listen that he voted for good friend Henry Fonda in the Academy Sweepstakes for The Grapes of Wrath. I've always felt that when Stewart talked about those hearth fires banked down low to Hepburn, he was really talking about himself. He's a cynical fellow at first and his romantic side comes as a surprise to him more than even the audience.
The Philadelphia Story has become such a classic that even the musical remake High Society doesn't try to copy it, it just presents a softer musical alternative. But I'd kind of liked to have seen Hepburn do this with her original cast as well. Oscars were in the future for Van Heflin and Shirley Booth and Joseph Cotten the following year made his debut in the biggest film of all.
On stage she had co-starred with Joseph Cotten, Van Heflin, and Shirley Booth all of whom became movie names later on, but meant nothing to Hollywood in 1940. She had the choice of leading men and cast in their places, Cary Grant, James Stewart and Ruth Hussey.
This was Grant's fourth and final appearance on screen with Hepburn. It's a typical Cary Grant part, witty and urbane, with a touch of the rogue in him. He's Hepburn's ex-husband, still very much in love with his ex-wife, but she's marrying stuffed shirt John Howard.
Reporter James Stewart and photographer Ruth Hussey are covering Hepburn's wedding for Spy Magazine, the National Enquirer of the day. Through a little judicious blackmail they're invited to this premier society wedding, but both feel out of place and used.
After The Philadelphia Story, Katharine Hepburn was a movie name the rest of her long life. Even with an occasional clinker no one ever questioned her about being box office poison.
James Stewart won the Best Actor Oscar in probably the most romantic he was ever on the screen. A lot felt it was a consolation Oscar for not winning it for Mr. Smith Goes to Washington in 1939. Stewart himself proclaimed to all who'd listen that he voted for good friend Henry Fonda in the Academy Sweepstakes for The Grapes of Wrath. I've always felt that when Stewart talked about those hearth fires banked down low to Hepburn, he was really talking about himself. He's a cynical fellow at first and his romantic side comes as a surprise to him more than even the audience.
The Philadelphia Story has become such a classic that even the musical remake High Society doesn't try to copy it, it just presents a softer musical alternative. But I'd kind of liked to have seen Hepburn do this with her original cast as well. Oscars were in the future for Van Heflin and Shirley Booth and Joseph Cotten the following year made his debut in the biggest film of all.
Grant, Hepburn, Stewart. One of my favorite classics! -- I give it 8/10 Hollywood stars!
This is a delightful romantic comedy about the life and loves of a high society girl. Tracy Lord (Katharine Hepburn) is about to be married to George Kittredge (John Howard), a self made man who elevated himself from the lower class. The wedding is supposed to be a private affair, but Tracy's ex-husband C.K. Dexter Haven (Cary Grant) blackmails her into letting two reporters, Macaulay Conner and Elizabeth Imbrie (James Stewart and Ruth Hussey) cover the event. What ensues is a screwball courtship for the heart of Tracy as everyone falls in love with her at once.
Director David Cukor (`Little Women', `My Fair Lady') provides a fast paced comedy with rapid-fire repartee and fosters a bubbly chemistry between the cast members, which brims with laughs. Cukor received one of his five Oscar nominations for this film and it was well deserved.
Katharine Hepburn is marvelous as the blueblood bride to be. She is a well-grounded girl who is not beyond putting on airs for show. She is simultaneously sassy and dreamy and her comic timing is superb earning her one of twelve nominations for best actress. Despite a star's billing, Cary Grant plays a supporting role as the sarcastic Dexter Haven. With his deadpan delivery, he provides the perfect foil to Hepburn and Stewart.
Even with the luminous cast, Jimmy Stewart steals the show with a comedic tour de force. His inebriated scene with Cary Grant is uproariously funny and his puppy dog wooing of Katherine Hepburn is enchanting. It is hard to believe that James Stewart only won one Oscar in his outstanding career. Though nominated five times, the only role for which he won the statue is this one, a performance that is unquestionably among his best.
This tremendous comedy brings together three screen legends at the peak of their careers. It was nominated for six Academy Awards winning two, and it was rated #51 on AFI's top 100 of the century. It is a timeless classic that is sure to please. I rated it a 10/10. See it and enjoy.
Director David Cukor (`Little Women', `My Fair Lady') provides a fast paced comedy with rapid-fire repartee and fosters a bubbly chemistry between the cast members, which brims with laughs. Cukor received one of his five Oscar nominations for this film and it was well deserved.
Katharine Hepburn is marvelous as the blueblood bride to be. She is a well-grounded girl who is not beyond putting on airs for show. She is simultaneously sassy and dreamy and her comic timing is superb earning her one of twelve nominations for best actress. Despite a star's billing, Cary Grant plays a supporting role as the sarcastic Dexter Haven. With his deadpan delivery, he provides the perfect foil to Hepburn and Stewart.
Even with the luminous cast, Jimmy Stewart steals the show with a comedic tour de force. His inebriated scene with Cary Grant is uproariously funny and his puppy dog wooing of Katherine Hepburn is enchanting. It is hard to believe that James Stewart only won one Oscar in his outstanding career. Though nominated five times, the only role for which he won the statue is this one, a performance that is unquestionably among his best.
This tremendous comedy brings together three screen legends at the peak of their careers. It was nominated for six Academy Awards winning two, and it was rated #51 on AFI's top 100 of the century. It is a timeless classic that is sure to please. I rated it a 10/10. See it and enjoy.
क्या आपको पता है
- ट्रिवियाThe film was shot in eight weeks, and required very few retakes. During the scene where James Stewart hiccups when drunk, you can see Cary Grant looking down and grinning. Since the hiccup wasn't scripted, Grant was on the verge of breaking out laughing and had to compose himself quickly. Stewart (apparently spontaneously) thought of hiccuping in the drunk scene, without telling Grant. When he began hiccuping, Grant turned to Stewart, saying, "Excuse me." The scene required only one take.
- गूफ़After Dexter reveals Kidd's blackmailing scheme to Tracy, he accidentally calls her Dinah. Correction: Dexter is not calling her Dinah. When he says "Quiet, Dinah" his implied meaning is "Quiet, Dinah will hear you."
- भाव
Tracy Lord: The time to make up your mind about people is never.
- इसके अलावा अन्य वर्जनAlso available in a computer colorized version.
- कनेक्शनEdited into Hollywood: The Dream Factory (1972)
- साउंडट्रैकLydia, the Tattooed Lady
(1939) (uncredited)
Lyrics by E.Y. Harburg
Music by Harold Arlen
Performed by Virginia Weidler (vocal and piano)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Pecadora equivocada
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $9,44,000(अनुमानित)
- US और कनाडा में सकल
- $4,04,524
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,58,994
- 18 फ़र॰ 2018
- दुनिया भर में सकल
- $4,16,362
- चलने की अवधि
- 1 घं 52 मि(112 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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