The Lady in Question

I never thought I'd see the movie that would endear me to Rita Hayworth. I'm notorious for criticizing her, but not only did I not hate her in The Lady in Question, but I willingly admit she gave a fine performance. This isn't her usual role; there's no shade of Gilda in it.

An unrecognizable Brian Aherne stars as a peasant patriarch who owns a bicycle shop. He's too soft in his business and gets hassled by his wife, Irene Rich. His daughter Evelyn Keyes is young, foolish, and in love with the boy next door, but Brian doesn't want to see her grown up so soon. His son Glenn Ford (who looks adorable in his young curls) has a passion for astronomy. Brian has just been called to jury duty, and his excitement is adorable. He's waited 27 years to sit on a jury, and he won't let anything stop him. He's insulted when he's relegated to an alternate, but when a juror keels over, he literally snatches the seat out from under while others are attending to the man's health. The case is a murder trial, and Rita Hayworth is fighting for her life. Brian takes his duties incredibly seriously, and his enthusiasm is infectious. It's hard to believe this is the same Errol Flynn lookalike who sculpted a nude Marlene Dietrich in Song of Songs, when he's so convincing as a middle-aged, paunchy, stubborn, not-too-bright, peasant. If you liked him in My Son, My Son, you've got to see him in this.

The script is very funny, even though the subject matter lends it more to a drama. Brian's tongue is faster than his brain, and he often talks himself into a corner with no way out. While trying to end a conversation with an irritating pal, he accuses him of winking at his wife in church. At the dinner table, he tries to distract everyone from the topic at hand by praising his wife's soup. When that doesn't work, he asks for salt, insisting that she never puts enough in the soup. When that doesn't work, he spits the soup out and leaves the table, claiming she always puts in too much salt and he can't stand to eat it. With a mixture of quick comedy, dramatic plot points, and great acting, you'll have a very enjoyable evening when you rent The Lady in Question.

The Lady in Question is noted in cinema history as the first film to feature both Rita Hayworth and Glenn Ford. However it's not their film, both are second and third billed respectively below Brian Aherne.

Columbia Pictures remade the French film Gibouille which had been done the year earlier with Raimu and Michele Morgan in the roles that Aherne and Rita had. In fact Gibouille was what launched Michele Morgan's career in French cinema.

Knowing that I think a lot of the film's humor and innuendo probably got lost on the transatlantic voyage. Aherne is a bicycle shop owner who has been picked for jury duty and is determined to take his responsibilities quite seriously. He gets on a case with Rita as a defendant who is accused of murdering her fiancé. Aherne's questions to her and his forceful advocacy of her, earn Rita an acquittal.

But Brian's not finished. He offers to give her any kind of help she needs because while she has a legal acquittal, she's got a reputation like O.J.'s. Aherne takes her in which causes all kinds of complications with his wife, Irene Rich, son Glenn Ford, daughter Evelyn Keyes, and her fiancé Edward Norris.

The Lady in Question is probably done in by the infamous Code firmly in place in Hollywood. Stuff that the French cinema could and did do, were forbidden here. Columbia also had to keep it in the French setting because of the differences between their jury system and our's.

Still Rita and Glenn do shine together, although no one I'm sure would ever have predicted their mega-hit Gilda six years later. Actually Edward Norris has the nicest performance as the no good rat of a fiancé that Keyes has, who tries to put the make on Rita.

It's a pleasant enough film, but I'm betting the original French version must be infinitely better.

Having read all of the posts about "The Lady in Question", I can understand how disappointed some people would be, expecting either a Rita Hayworth-Glenn Ford vehicle, a la "Gilda" or a faithful replica of it's source: the French film, "Gibouille". This doesn't take away that "The Lady in Question" is an entertaining film with an odd, curious yet sweet charm that comes upon one quietly and lingers long after the film is over.

Two of the posters regarded "The Lady in Question" as a pallid remake of "Gibouille". Having seen some pre-WWII French films, they were not greatly more explicit than Hollywood was, at the time, in dealing with sex and crime. "The Lady in Question" is a mild comedy-drama made by a studio that was well-equipped to handle such material, Columbia Pictures. Director Charles Vidor, a Frenchman himself, nicely, subtly, and lingeringly establishes time and place. It greatly allows for the suspension of disbelief of hearing perfect English accents on French characters.

This film showcases Brian Aherne, who all too rarely was showcased at all, let alone in a comedy that he carried. He plays Morestan, the bicycle shopkeeper, admirably and almost succeeds in making one believe he was a middle-aged shopkeeper. He has just the right light tone to unify what is a mild plot and a minor-A film. Yes, studios didn't always make big-budget films with their stars. Many of their films, including "A" pictures, were "programmers", films that showcased stars and promising contract players. This, "The Lady in Question" did.

The players do shine, even though this film is an early entry for future stars Rita Hayworth, Glenn Ford, and Evelyn Keyes. In what could've been a merely decorative role, Hayworth truly has that "lady of mystery" quality that not only holds your attention but, momentarily, keeps one guessing as to whether or not she was guilty. Glenn Ford plays what would've been a callow juvenile with earnestness, a convincing portrait of young lust/love, and just enough vulnerability to make his love/suspicion relationship with Hayworth's character believable. Everyone acquits (pun intended)themselves very well in this film. Since the American film industry doesn't put out "programmers" anymore and we, as a public, are conditioned to see most star vehicles as big-budget affairs, it's a lost art but a beautiful one to sit, savor, and merely enjoy a well-crafted, entertaining film that isn't about anything special but delivers.

Greatly enjoyed this film which is full of drama and plenty of laughs along with a great cast of new stars who would become very famous and successful on the Silver Screen in Hollywood for many years. Charles Vidor produced this film and that is living proof this is a great 1940 extra special film. Brian Aheme, (Andre Moestan) is a bicycle shop owner who desperately wants to become a juror in a court case and gets himself deeply involved with the trial of Natalie Roguin played by Rita Hayworth and Andre Moestan feels great compassion for Natalie and manages to sway the jury into setting her free. Andre gives her a job in his bicycle shop and lets her live with his family above the shop. Glenn Ford plays the role as Pierre Moestan, the son of Andre and he falls madly in love with Natalie. Evelyn Keyes, (Francois Morestan) gave a great supporting role as the daughter of Andre Moestan who wants to get married in the worst way and is simply boy crazy about all men and full of the devil. It is great seeing such great super stars so very young and just starting out in their Hollywood careers. Enjoy this film. I must also mention that Evelyn Keys had just given a great performance in "Gone With The Wind", 1939 and played a great role in this film and went on to become a great Pin Up Girl for our Fighting Troops during World War II.

Andre Morestan is delighted to get called up for jury service, determined to take the job seriously he is very upset when he is merely put on the reserve list. However one of the other jurors falls ill and Andre grasps the opportunity with gusto and honour, the case is a tricky one, a pretty woman named Natalie Roguin is accused of murdering her partner. Andre asks some probing questions and manages to sway the outcome to earn Natalie an acquittal, this in spite of the other jurors not being totally convinced as regards Natalie's reputation. taking things further, Andre gives Natalie a job at his bicycle shop. Andre's son, Pierre is quite taken with Natalie, and this coupled with the nagging doubt over her innocence from other quarters puts a major strain on the Morestan household.

This is a remake of the French film Gibouille, it's an interesting piece that never quite gets out of first gear. Rita Hayworth looks lovely and plays off well with Glen Ford's Pierre, whilst Brian Aherne is very entertaining as Andre, but one never gets any sense of feeling with the characters. In a film that purports to be a comedy drama, you find that the picture is caught between both genres, the comedy is sporadically interesting but the drama then comes across as staid. I personally haven't seen the French original but i wouldn't be at all surprised if Gibouille is a bit more daring and close to the knuckle with its execution?. This is a decent picture and one that certainly has a watch-ability factor for cast and outcome of story, it just really should have been so much more one feels. 5.2/10