Island of Doomed Men

Island Of Doomed Men has Peter Lorre in the lead as the lord and master of his own private island where he has convict labor assigned there and has them digging for diamonds.

It doesn't look like the men are finding a lot of diamonds, but Lorre is sure living well, complete with trophy wife in Rochelle Hudson.

In a rather stupidly handled plot Robert Wilcox plays a government agent sent to investigate. He's convicted on a real murder charge though. I attribute the clumsy handling to some bad editing.

Not a great picture, but Lorre carries the whole thing with a Doctor Moreau like character. He may not be doing experiments on animals, but he's sure getting his jollies.

Peter Lorre fans will like this.

This delicious low camp kinkfest proves that studio-era censorship wasn't nearly as thorough as it's purported to have been. In what seems almost like a rehearsal for the tormented lustmurderer Dr. Rothe in "Der Verlorene," Lorre gives unexpected depth and nuance to the melodramatic villain Stephen Danel, with just a dash of his patented quirky humor. Though the film itself is crude and pulpy, with an extreme BDSM quotient (Danel's prisoners are kept in line with cat o' nine tails, as, it's strongly implied, is Mrs. Danel) Lorre's deft performance lifts "Island of Dommed Men" from the realm of the ridiculous into sublimity.

Island of Doomed Men is directed by Charles Barton, written by Robert D. Andrews and features cinematography by Benjamin Kline. It stars Peter Lorre, Rochelle Hudson and Robert Wilcox.

Federal agent Mark Sheldon (Wilcox), by a strange quirk of fate, is framed for murder and sentenced to serve time on the Pacific Island penal colony he was to investigate anyway! Once there he finds harsh conditions and the camp run by a sadistic task master named Stephen Danel (Lorre). Catching the eye and befriending Danel's beautiful wife, Lorraine (Hudson), herself a prisoner of Danel's tyrannical behaviour, Sheldon knows he must act quick if he is to survive the Island of Doomed Men!

Neither good nor bad, Barton's film is standard fare that features strong themes fighting to impact during the relatively short running time (just under 70 minutes). Much of it is a sweaty prison drama driven by Lorre doing another one of his insane antagonist portrayals. Within the narrative is sadism, spouse and animal abuse, bondage and corruption of power, but these are just shards of potency in an otherwise very talky piece. Performances around Lorre are adequate and Barton and Kline have a decent eye for mood via the black and white photography.

Not very memorable and not nearly as throat grabbing as thematics suggest it could have been, but enjoyable while it's on and certainly one for Lorre completists. 6/10

Okay so this is NOT "Island of Lost Souls" or "The Big House" but I do think that fans of Peter Lorre would enjoy it. No need to hash out the plot here, and yes of course this is nothing more than a 1940s B-Movie. Nonetheless, if you grew up decades ago and have fond memories of staying up late and watching the old horror movies and science fiction monster movies on TV over the weekends, then watching this movie might be an enjoyable way to spend a late Friday or Saturday night, even though it's more of a "semi-noir" movie instead of a horror film.

Peter Lorre is perfect in this role, a calm, controlling madman with a terrifying temper bubbling underneath. Flashes of his temper are the highlights of the movie. Whomever played his wife could've probably been out-acted by a beanbag, but she's pretty, so it's ok. The other main man was okay, and I was rooting for him like I was supposed to. I guess the underlying question is: Could an island of slavery actually exist? Just kidding. The movie is not that deep, or worthy of further thought. The underlying question actually is: What does Peter Lorre have against monkeys?