IMDb रेटिंग
7.0/10
1.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn 1936, a young man arrives in Hitler's Germany, frantically seeking information about his missing German mother, and finds she is pending execution at a concentration camp.In 1936, a young man arrives in Hitler's Germany, frantically seeking information about his missing German mother, and finds she is pending execution at a concentration camp.In 1936, a young man arrives in Hitler's Germany, frantically seeking information about his missing German mother, and finds she is pending execution at a concentration camp.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 6 जीत
Alla Nazimova
- Emmy Ritter
- (as Nazimova)
Edit Angold
- Hilda - Ditten's Housekeeper
- (बिना क्रेडिट के)
Walter Bonn
- Concentration Camp Guard
- (बिना क्रेडिट के)
Albert D'Arno
- Elevator Operator
- (बिना क्रेडिट के)
Helmut Dantine
- Porter
- (बिना क्रेडिट के)
Kay Deslys
- Beer Garden Waitress
- (बिना क्रेडिट के)
Ernst Deutsch
- Baron von Reiber
- (बिना क्रेडिट के)
फीचर्ड रिव्यू
Robert Taylor (Mark) arrives in Nazi Germany to seek out his actress mother Alla Nazimova (Emmy Ritter) who seems to have disappeared. In reality, she is in a concentration camp awaiting execution. Taylor comes up against a brick wall whenever he asks about her and it takes the help of doctor Philip Dorn (Dr Ditten) for him to find out the truth, and he must then prepare to make his escape.
It's an interesting storyline that gets you involved from the beginning. Personally, I liked the German characters of Philip Dorn (I think he deserved a "Thank You") and Nazi General Conrad Veidt (Kurt) the best. There is also a good performance from Albert Bassermann at the beginning of the film where he is left pondering the meaning of the word coward. Incidentally, the lady playing his wife is his actual wife, Elsa Bassermann. I felt that Robert Taylor played his role as a bit of an ungrateful bastard and emerged as quite unlikable. I don't think he was realistic and I couldn't relate to him. And his old pal Felix Bressart (Fritz) was a comedy nitwit character that could have been really annoying, but as such, was just mildly annoying. Nazimova is good in her role as the mother and is involved in some memorable scenes as she is smuggled out of the concentration camp, despite being in a coffin. Is she dead or alive?
There are good scenes of dialogue between Conrad Veidt and his lover Norma Shearer (the Countess), especially when he calls her stupid. Ha ha. Nice one, Conrad. He throws some comedy out there - another example occurs when he confronts Robert Taylor about Taylor's thoughts and sense of humour - yet he still manages to retain a threatening personality. It's a shame that the film decides to give him a weak heart. The ending seems all rather convenient. And check out the bit with the stolen passport and how Nazimova makes herself up to look like the student girl's picture. Freaky!
It's an interesting storyline that gets you involved from the beginning. Personally, I liked the German characters of Philip Dorn (I think he deserved a "Thank You") and Nazi General Conrad Veidt (Kurt) the best. There is also a good performance from Albert Bassermann at the beginning of the film where he is left pondering the meaning of the word coward. Incidentally, the lady playing his wife is his actual wife, Elsa Bassermann. I felt that Robert Taylor played his role as a bit of an ungrateful bastard and emerged as quite unlikable. I don't think he was realistic and I couldn't relate to him. And his old pal Felix Bressart (Fritz) was a comedy nitwit character that could have been really annoying, but as such, was just mildly annoying. Nazimova is good in her role as the mother and is involved in some memorable scenes as she is smuggled out of the concentration camp, despite being in a coffin. Is she dead or alive?
There are good scenes of dialogue between Conrad Veidt and his lover Norma Shearer (the Countess), especially when he calls her stupid. Ha ha. Nice one, Conrad. He throws some comedy out there - another example occurs when he confronts Robert Taylor about Taylor's thoughts and sense of humour - yet he still manages to retain a threatening personality. It's a shame that the film decides to give him a weak heart. The ending seems all rather convenient. And check out the bit with the stolen passport and how Nazimova makes herself up to look like the student girl's picture. Freaky!
कहानी
क्या आपको पता है
- ट्रिवियाConrad Veidt won a NBR award for best acting for this movie.
- गूफ़When Countess Ruby gets up after sitting next to General Kolb while he was playing piano, she picks up her white gloves. But on the next cut, she is now holding her hat which earlier she had placed on the mirror bureau on the other side of the room.
- भाव
Mark Preysing: She knows nothing about international politics, she has the mind of an artist, she sees people as general humanity, not as separate races.
- क्रेज़ी क्रेडिटIn the opening credits, the actual book is shown being taken off a library book shelf, turned and its cover shown as the title page.
- कनेक्शनEdited into Mr. Blabbermouth! (1942)
- साउंडट्रैकLiebestod
(1865) (uncredited)
from "Tristan und Isolde"
Written by Richard Wagner
Played on piano by Conrad Veidt
Played at a concert and as background
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Escape?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
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बॉक्स ऑफ़िस
- बजट
- $12,05,000(अनुमानित)
- चलने की अवधि1 घंटा 44 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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