Edison, the Man

Spencer Tracy rarely played real people. He played a character based on Arnold Rothstein in an early film for Fox, and Henry Morton Stanley in STANLEY AND LIVINGSTON, and Rogers of Rogers' Rangers in NORTHWEST PASSAGE, and Clarence Darrow (Henry Drummond) in INHERIT THE WIND, and the Captain of the Mayflower in PLYMOUTH ADVENTURE. It seems like a large number of films, but it is really less than three percent of his movies. He also appeared in this film as the great inventor (over 1,000 patents) Thomas Alva Edison (1847 - 1931).

In 1940 Edison was a national hero. Nobody was quite like him, although Alexander Graham Bell (soon to be subject of a film starring Don Ameche) was a figure of great interest too. So was Samuel Morse, inventor of the telegraph, and Eli Whitney, inventor of the Cotton Gin. However no films were made about them. There was a film with Fred MacMurray and Alice Faye about Robert Fulton and his steamboat, but none about the Wright brothers.

Because of the period of history it was made in, film biography rarely was totally dispassionate. All Americans heroes were flawless, so all questions about Edison's stealing credit from assistants or other inventors was pushed aside (his involvement in the patent battles about the telephone is not mentioned). Nor were his flop inventions: pre-fabricated houses made of cement (actually a good idea, but ahead of it's time), the attempt to be the biggest gold ore refiner in the East (using huge machines to grind the ore out of rocks), the electric car motor. His bigoted feelings towards foreigners (Jews, rival inventors like Nicola Tesla) were not mentioned, nor was his rejection of the offer of a joint 1911 Nobel Prize for Physics (for the accidental discovery of the Edison Affect of carbonization in electricity) because he had to have it with Tesla for discovering alternating current. None of this is mentioned...only the string of great inventions he had a major hand in from 1868 to 1894. As a surface study of his career it is passable, and Tracy and the cast (in particular Gene Lockhart as his critic and nemesis Taggart) are splendid. You'll be entertained, but read A STREAK OF LUCK by Robert Conot for the true story.

I have probably seen more bio-pics than anyone you'll ever meet and so I obviously like this style film. BUT, at the same time, I am a retired history teacher and love to know the true stories behind the films--and often these movies and reality have little in common! In some other cases, there stories are close overall to the true characters and events BUT key elements have been changed or omitted--and such is the case with "Edison the Man". While generally sticking to the truth better than most bio-pics of the era, some parts of Edison's life were changed for a variety of reasons. In some cases, I understand, the movie COULD have been 6-8 hours long if it dealt in detail with all of Edison's most important inventions. Plus, in doing this, what about his private life? You just can't do it all in a two hour film! However, one odd omission occurred in the film that I think they should have addressed. Edison's young wife portrayed in the film didn't live that long--dying before age 30. Here, they appear to have been married a long time and no mention is made of his second wife nor the children from this marriage. It's odd, as the dying young wife could have infused the movie with a bit more pathos and drama. A few other incidents were compressed because of time and to heighten the drama--such as how the phonograph developed (it actually took some time and inventions by other folks following Edison's invention to prefect the device). But, despite these errors and omissions that crazed ex-history teachers might notice, the film IS very good. It achieves the goal of lionizing this important inventor (and ignores his foibles to do so) and is always interesting. Well worth seeing but I strongly recommend you read up on the man--he was much more complex and incredible than the character you see in the movie.

By the way, despite what was said in the film, ostriches DON'T stick their heads in the ground--whether they are afraid or not. It's an old myth.

I like the fact that Edison was nominated for the Oscar for best Original Story. How many biopics can claim that honour ?

Spencer Tracy is excellent as the dynamic American inventor. Although he was a 40 year old playing a 25 year old he produced sufficient energy to overcome the obstacle of years. This is a fine piece of acting and is well supported by the bit-parts and by the director who clearly enjoys telling the story of Edison's finest achievements, the invention of the light bulb and of the recording device.

The main problem with the film is its lack of balance. We don't hear enough about his theft of patents and his failure to give credit to his co-workers. Edison is a metaphor for America in the early twentieth century, exciting, inventive, thrusting, dynamic but also shallow and lacking in grace.

Motion Picture biographical representations of famous people usually remove the warts in their life history. It was not until February of 2003 did I learn that using carbon filaments, was the brainchild of African-American inventor Lewis Latimer and his partner, Joseph V. Nichols. The movie focuses around Edison's discovery of the carbon filament which lights the world, when actually Edison's filaments were made from bamboo and only lasted 30 hours.

The story as told is very pleasant and the performances of Spencer Tracey, Gene Lockhart and Charles Coburn hold the viewers interest. With the warts, this is still an inspiring motion picture. I think seeing Mickey Rooney as YOUNG TOM EDISON should be viewed first.

Edison in this version comes across as a kindly soul, sort of "Santa the inventor" -- kind to one and all.

Don't look for historical accuracy of any kind in this film. Although the acting is nicely done. Spencer Tracy is a constant delight. He even gets to play the organ in one scene! Tracy and Co.'s contributions rate it a six, but it certainly doesn't deserve anything more.

I especially loved the one-handed Morse-code tapping Edison. One doesn't need to know much about Edison to realize pretty quickly that this is sheer hagiography.

There is even a court room scene between gas and electrical lighting. Pretty fun.