Devil's Island

This Boris Karloff movie was very entertaining though it seemed strongly inspired by the earlier film, THE PRISONER OF SHARK ISLAND since there were so many similarities between the two movies. SHARK ISLAND is an account of the real life man, Dr. Samuel Mudd, who was sentenced to a harsh American prison in the Tortugas after he gave medical treatment to a fleeing John Wilkes Booth. Whether or not Mudd knew that Booth had just killed the President is debatable--especially since word of the assassination may not have reached Mudd's home in rural Maryland.

In much the same way, Boris Karloff plays a doctor who attends to a seriously injured man. Although Karloff knows the man was guilty, as a doctor he'd taken an oath to heal and couldn't just let the man die. As a result of his kindness, he's arrested and sent to Devil's Island, where he is abused and treated like an animal. What happens next you'll have to see for yourself, but I was very impressed by this simple film that wasn't really a horror film but a film about the human spirit and justice. Karloff, in particular, did a nice job in his role as the hapless doctor, though the script was also very good--making the viewer really care about these men in prison.

The only negative, and it's a small one, is the prologue. Because the war in Europe was just beginning, the producers wished to distance themselves from condemning this French institution and so they tacked on a nice prologue saying that this film didn't represent the French people of today. This seemed rather unnecessary, as other prison films don't have similar introductions.

WEST OF SHANGHAI is a real oddity. Although set in China, the film resembles a Western with lots of horseback riding and a set that looks like distinctly Mexican. Then there's a crime angle with lots of graft and double dealing concerning a local oil field. Finally there's BK himself playing a Chinese warlord (in politically incorrect Asian make-up) with more than a hint of black comedy. He has some choice dialogue which he makes the most of. Sheila Bromley scores as a tough minded American woman as does Vladimir Sokoloff as a weary Chinese general. At 62 minutes the movie is enjoyable and doesn't wear out its welcome.

The same cannot be said of THE INVISIBLE MENACE which despite its sci-fi sounding title, is just an ordinary murder mystery taken from an unsuccessful stage play called WITHOUT WARNING (it closed after just 17 performances). It is set on an Army base where a newly wed private and his smuggled in bride stumble across a grisly murder. At 59 minutes it feels roughly 30 minutes too long with stock characters and a totally wasted BK although, as usual, he has his moments. Both movies were directed by John Farrow (Mia's dad) who would move up the Hollywood ladder to bigger and better things.

The last movie in the set, and the best of the three, is DEVIL'S ISLAND about an unjustly accused doctor who is sent to the infamous locale for treating an injured criminal. The parallels to the real life case of Dr Samuel Mudd (who set John Wilkes Booth's leg after Lincoln's assassination) and to Henri Charriere (made famous by Steve McQueen in the movie PAPILLON) are fairly obvious. This film, directed by B movie specialist William Clemens, is full of atmospheric photography (on the same Western set as SHANGHAI) with solid performances from everyone involved. A decent script also adds to the viewer's enjoyment...For more reviews visit The Capsule Critic.

Boris Karloff was my reason for seeing Devil's Island, and when I did see it I found myself liking it very much. Of Warner Archive's Boris Karloff Triple Feature collection, it is easily the best of the three films, having liked West of Shanghai and hated The Invisible Menace(Karloff is the best thing about both those films though). Devil's Island, to me, is not without its faults either, the beginning did seem rather tacked on and the music was annoying and often not really appropriate. Devil's Island however is an atmospherically shot film and the settings are suitably moody. The dialogue is thoughtful and to the point, also written in a way that allows you to care for the characters, while the story is well-paced, sustains the short length(in the way that The Invisible Menace failed to do), is tightly structured and sticks like glue to its subject rather than going on a tangent. The acting is good, very good in the case of the two leads, the supporting cast are not faced with sketchy characterisations like with West of Shanghai and there is no annoying comic relief like in The Invisible Menace. James Stephenson makes for an understated and urbane villain, something that he seemed very well-suited for, while Boris Karloff is forceful and dignified in a role different to what we are used to seeing from him. All in all, a very impressive film, worth checking out. 8/10 Bethany Cox

1939's "Devil's Island" started out as a typical Warners expose about the brutal mistreatment of prisoners on the French penal colony, but along the way a number of things whittled it down to an all too familiar 'B' picture with little meat left on its creaky bones. George Raft was intended to star but predictably bailed, as producer Hal Wallis hilariously put it: "he hasn't made a picture at this studio since I was a kid!" In his place was contractee Boris Karloff, preferring to do whatever assignment required rather than be paid off during Hollywood's horror ban of 1937-38, "The Walking Dead" a promising start, "West of Shanghai" and "The Invisible Menace" a bit of a comedown ("British Intelligence" finally allowed Jack L. Warner to wash his hands of the actor's services). It looks for all the world like a small scale (though impressively mounted) retread of John Ford's "The Prisoner of Shark Island," Karloff as eminent brain surgeon Dr. Charles Gaudet, summoned to treat the injury of a trusted friend wrongfully convicted of treason (his medical condition showed he had a brain tumor), shot while trying to escape. Gaudet remains behind to continue his treatment and is arrested and convicted for the same crime, sentenced to 10 years hard labor at Devil's Island, where corrupt commandant Colonel Lucien (James Stephenson) keeps an account of all the graft he accepts to increase slave labor. When a tubercular patient drops dead a riot breaks out, one guard killed by a blow to the head, and only an accident to Lucien's young daughter offering a sliver of hope if Gaudet can save her life. Madame Lucien (Nedda Harrigan) despises her husband's failure to offer clemency to Gaudet for his selfless efforts and provides for a series of bribes to help him and his small group escape by boat across the channel, but all seems lost once they encounter a slave ship bound for Devil's Island. Despite the French government being off the hook for corruption (Colonel Lucien in need of no assistance), the European nation still protested the picture's release, finally held back until the summer of 1940 though it was completed in Aug. 1938, just before Karloff traveled to Poverty Row Monogram to begin "Mr. Wong, Detective." On its own the story has been done better both before and after, the low key, one note James Stephenson no match for the fiery John Carradine's Sgt. Rankin so far as dynamism goes, leaving only Boris Karloff's sympathetic change of pace as the main reason for viewing. Like Janos Rukh in "The Invisible Ray" he sports curly hair, and again proves versatile in changing his appearance in every starring vehicle of the 30s, with or without heavy makeup, though he might have escaped such harsh punishment had he curbed his temperament. Columbia issued a similar film the following year, "Island of Doomed Men" offering Peter Lorre top billing as the chief villain, Rochelle Hudson the disloyal wife who helps bring about his downfall.

Dr. Gaudet(Boris Karloff) is a respected brain surgeon, and is unjustly sentenced to ten years' imprisonment on Devil's Island. Gaudet draws attention to himself by complaining about the in-human conditions and leads an unsuccessful revolt. As punishment, the warden sentences Karloff and his comrades to death. Boris Karloff plays the lead convincingly, making himself as pathetic a character as possible. It is a very mild acting role for Boris, and that is probably why George Raft had turned the role down. France decided not to eliminate the notorious colony and attacked the film as anti-French at the preview in January 1939. They immediately banned all future Warner Bros. films. A year later it was released, but by this time, France was too busy with World War II to object.