Boom Town

Portraying a friendship similar to the one they shared in the earlier "San Francisco," Clark Gable and Spencer Tracy play two oilmen or wildcatters in "Boom Town," an entertaining saga directed by Jack Conway. Gable is the colorful Big John McMasters, a Rhett Butler from Texas, who lives large and romances big. Tracy is the more solid, down-to-earth Jonathan Sand, who is Gable's moral conscience, much like he was in "San Francisco." The pair meet cute while heading in opposite directions on a narrow board walkway across a muddy street. Despite a damp start, the two men bond, and their friendship endures for years through fights, jealousy, and competition over business and women, particularly Claudette Colbert. The mud is barely washed off their clothing when Gable unwittingly steals Colbert from Tracy, and the jilted platonic lover carries a torch for his lost love throughout the film. When not womanizing or swindling, Gable and Tracy make and lose several fortunes separately and together without breaking a sweat. Oil gushers, well fires, and fistfights, the action wanders all over the MGM back lot from Texas to South America to New York.

Gable anchors the film with his larger-than-life personality, while Tracy underplays in deference to his more charismatic co-star. Although re-teaming the Oscar-winning leads of "It Happened One Night" must have seemed like a brilliant idea at the time, Colbert, unfortunately, often seems out of place in "Boom Town." Her manners, poise, and dress do not mesh with the Texas oil fields or the South American hovels. She is on firmer ground as the well-dressed lady of the manor. The sight of perfectly made-up Colbert scrubbing clothes on a washboard with a big grin on her face strains the story's credibility. Although the enigmatic Hedy Lamarr has a flawless face and incomparable beauty, she rarely wrinkles her professionally applied cosmetics to show any trace of an emotion. However, she is certainly believable as the object of any man's lust and physically perfect as an "other woman." Fortunately, a fine cast of supporting players, such as Frank Morgan, Chill Wills, and Lionel Atwill, surround the leading stars and further enhance the lively proceedings.

First class production values, a fast-moving story, and appealing stars make "Boom Town" a solid entertainment, if not a masterpiece.

My mother grew up in the East Texas oil boom in 1935. This film closely resembles Kilgore Texas. My whole family has been in the business since the early 40's. My father was burned in an oil field explosion and recovered. The film was done well, showing all of the hard work men endured in the fields. This movie is true and correct showing the hardships of the life in the business, from being dirt poor to having the finer things in life. All of the actor's in this movie closely resemble people we have dealt with over the years. I also enjoyed seeing this move in black and white as it focused on the story line rather than a big color feature. I will definitely watch this move again as it brings home the people that risked there lives to bring a product to the people at the beginning of the industrial age with romance and a little humor. I would recommend it to anyone.

Tracy and Gable play two "wildcatters" -- oil hunters -- who are always at loggerheads and both manage to gain and lose several fortunes before the film's end. Colbert is the woman they both love; Lamarr is of course the "other" woman in husband Gable's life. A lot of fun scenes (especially when the 2 bullheaded oil barons finally duke it out), good characterizations (Morgan, as always, deserves a mention, this time as the slightly petty equipment broker they both rely on), but a somewhat predictable story, though well scripted. Ultra-conservative Mahin has spiced Tracy's rousing final speech (yes, he ALWAYS gets one) with the pro-business slant so favored by himself and exec-producer Mayer, managing to make this into sort of an anti-Capra comedy.

As one who has worked in the "oil patch" for 25 years, I feel that 'Boom Town' is the most realistic portrait of the industry (during that period) that has ever been put on film. The formation of the cartel mimics the origins of Standard Oil. Also, the 'feel' of the picture is right and the industry is not romanticized as in other films. Perhaps, as was noted in other comments, this is because of Gable's experience as a wildcatter.

Several others have noted, or objected to, Gable's speech about the nature of the industry. Yes, it is decidedly pro-business and anti-government, but it is not really laissez faire. The film argues for controlled production of oil fields to maximize their long-term benefit. This speech is amazingly prescient of our current crisis.

I watch this one every time it airs.

This film has four big stars perfectly cast and appearing at their very best in a very entertaining film about "wild catting" in the American oil industry.I rated it 7/10.First up is Clark Gable playing the "mans man" role he made so famous in "Gone with the Wind".Next up is Spencer Tracy giving one of his speeches in court where he seems so comfortable, ("Judgment at Nuremburg", Cass Timberlayne" etc).Next up we have Claudette Colbert giving one of her best sympathetic "tea and sympathy" performances e.g. "Since You Went Away" and finally there is the gorgeous Hedy Lamarr playing to her strength of a sophisticated, intelligent and beautiful business associate who knows how the oil industry business is is transacted in the New York corridors of power.The film was made one year before the U.S. entered WWII so the budget could afford to be generous.Fot its day, the scenes and special effects of the oil well fire were very realistic.One reviewer remarked that Clark Gable in his youth worked on a "wild cat" oil site, if so this gave his performance added realism.What about those muddy roads.I felt like asking the town corporation to pave them over with some of that oil money flooding into the oil barons' coffers which presumably would attract some local taxation!