Zenobia

Zenobia (1939)

** 1/2 (out of 4)

Oliver Hardy plays a country doctor's whose life gets turned upside down when his daughter is about to marry into a rich family that doesn't want her. To make matters worse, the doctor is asked by a circus man (Harry Langdon) to look at his sick elephant. The doctor cures the creature but then the elephant refuses to leave his side. This was Hardy's first and only starring role without Stan Laurel but the screenplay really seems like it was originally meant for the two. Langdon, a silent screen star, fills in for Laurel and one can't help but think the duo could have made this film together but didn't for whatever reasons. The film takes place during the Old South and features a lot more than just laughs as the doctor always talks about he Declaration of Independence and how important that is to him. The battles between rich and poor as well as black and white are dealt with in a pretty honest manor considering the type of film this is. There's one sequence where a black boy asks Hardy if he'll ever be white so that he will be able to do more things. The response Hardy gives him makes for some good drama but it's also interesting in what's said. I was surprised at how honest they looked at the racial tensions but some of them are nearly thrown to the side with Step'n Fetchit playing his normal slow slave character. He's certainly very good at what he does but the performance does go against some of the speeches in the film. Hardy proves that he could carry a movie on his own and delivers many laughs including a very funny sequence where he tells Langdon that he isn't an elephant. Langdon's comeback is great and he also manages to do his part quite well and add plenty of laughs. I didn't care too much for any of the other supporting performances as I found them very annoying due to how they were written in the screenplay. This film certainly isn't a masterpiece or even a classic but it makes for a mildly entertaining 70-minutes.

I had always been interested in watching this curiosity (Oliver Hardy without Stan Laurel!) - however, it finally came about by way of a colorized and atrociously-dubbed version on Italian TV! I don't know if it was intended as such but, rather than Harry Langdon, the character that was made to fill Stan's shoes, as it were (complete with the Italian voice typically associated with him), was Billie Burke - playing Hardy's wife - but she came off as such an irritating dim-wit that I wanted to strangle her!! To make matters worse, with the story taking place in the Old South, we're treated to the unenviable comic relief of Stepin Fetchit (though his antics proved reasonably tolerable, under the circumstances).

Hardy's character, then, isn't the pompous, bumbling and flustered one we'd come to love! Langdon, as the owner of a traveling medicine-show and a pachyderm, is okay (especially during his scenes in court - having learned his deposition by heart, every time he's asked to speak he starts from the very top!); this was only his second Talkie that I've watched - the first occurred only recently with HALLELUJAH, I'M A BUM (1933). Jean Parker and James Ellison provide bland romantic interest and the supporting cast also features Oscar winners Alice Brady and Hattie MacDaniel, but their stereotypical characters - snooty matriarch and black cook, respectively - add very little of substance to the proceedings!

In the end, while the elephant's persistent and awkward devotion to doctor Hardy for having cured her (even disrupting a society party and following him into the court-room!) provides some undeniably charming moments, I think I'd still prefer Laurel & Hardy's maligned vehicles of the 1940s over it...

Oliver Hardy exhibits his talent as a character actor in this well-cast Roach feature. People often make the mistake of expecting a Laurel & Hardy film, which isn't really fair. This is a pleasant diversion, filled with rich characters, including Langdon in perfect form as the owner of a sick elephant.

For those looking for the magic of Laurel and Hardy, "Zenobia" offers an alternative that occurred because of Laurel's contract negotiations. Made the same year as "Gone With The Wind", Zenobia takes place in a time before the Civil War, where a small Southern plantation town at peace, is disrupted when the excitable traveling promoter (Harry Langdon), seeks aid for his ailing partner. A beloved country doctor (Oliver Hardy) is surprised and resists, but is coerced into treating a fully grown elephant for a terrible condition. Proving that a good deed never goes unpunished for Hardy, the patient, attempting to say 'thanks', relentlessly follows the good doctor and there is no place to hide, not even a formal social gathering. With the town in an uproar and his wife (Billie Burke) embarrassed at the spectacle, Dr Tibbetts is the focus of laughter, ridicule and a lawsuit. Twelve year old Philip Hurlic turns in a memorable performance that needs to be seen in the context of today.

Langdon is little known by most and seems very much like Buster Keaton, but just a bit more shy. Although, Langdon is not as appreciated for his works as Stan and Ollie, his touching performance in "Tramp, Tramp, Tramp!" when he meets Joan Crawford, the girl of his dreams, face to face for the first time is something to behold. If you can look past Laurel's absence in this rare partnership, Zenobia will have you laughing at a moment in time when fate put two funny men and an elephant on a collision course. On such paths they prove there is just no dignified way to get around a loving elephant.

Oliver Hardy stars as a small-town doctor in Mississippi who hits on hard times when he insults the local rich woman (Alice Brady). Meanwhile his daughter (Jean Parker) is engaged to the rich woman's son (James Ellison). Brady will not have Parker as a daughter-in-law because the the family's low social standing. Hardy's wife (Billie Burke)invites everyone to dinner to try to smooth thing over. Disaster.

When Hardy is summoned to come help someone who is sick, he races across town only to find that the patient is an elephant (Zenobia) in a traveling carnival. Zenobia's owner (silent comic great, Harry Langdon) helps Hardy figure out how to treat an elephant. Zenobia is so grateful, she falls in love with Hardy and refuses to leave his side. Langdon gets mad and sues Hardy (with the help of mean-spirited Brady). There is a good court room scene and the usual ending.

The cast works well in this mild but pleasant comedy. Many will be disappointed by Langdon's standing in for Stan Laurel, but it's interesting to see Langdon in a talkie. Definitely a B film, but not without its good points.

Hardy is very good in a comic role that allows him a little room to act. Burke and Brady are total pros, and Jean Parker is pretty and pleasing. Ellison is a blank.

Hattie McDaniel plays the cook, J. Farrell McDonald is the judge, Olin Howland is the lawyer, Hobart Cavanaugh plays a patient, Philip Hurlic (as the kid) has a great scene, June Lang plays a rival, and Stepin Fetchit plays himself. William Bakewell can be spotted in a bit part.