IMDb रेटिंग
6.8/10
2.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA champion boxer on the lam, believed to have committed murder while drunk, takes refuge and finds redemption at an Arizona farm for delinquent youths.A champion boxer on the lam, believed to have committed murder while drunk, takes refuge and finds redemption at an Arizona farm for delinquent youths.A champion boxer on the lam, believed to have committed murder while drunk, takes refuge and finds redemption at an Arizona farm for delinquent youths.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 2 जीत
The Dead End Kids
- The Reform Kids
- (as The 'Dead End' Kids)
Bernard Punsly
- Milt
- (as Bernard Punsley)
William B. Davidson
- Chief Insp. Ennis
- (as William Davidson)
फ़ीचर्ड समीक्षाएं
This is breezy highly entertaining drama with an excellent cast. Garfield is fine as a boxer hiding from the police with that motley crew the Dead End Kids. Most notable of these is the beautiful Billy Halop who has some very moving moments. Gloria Dickson, who in real life died very young in a house fire, is strong and very attractive as Halop's sister, and in the early scenes Ann Sheridan, on the brink of stardom, is a knock-out. May Robson is very funny as a crusty old granny, but Claude Rains proves here that even a great actor can flounder if mis-cast (whoever thought of casting him as a tough New York cop?).
Busby Berkeley proves here that he was a fine director with or without musical numbers. The film moves at a terrific pace and the water tower sequence is very suspenseful and well photographed. The ending is contrived, and the plot nothing startling or original, but I still found this a highly enjoyable experience.
Busby Berkeley proves here that he was a fine director with or without musical numbers. The film moves at a terrific pace and the water tower sequence is very suspenseful and well photographed. The ending is contrived, and the plot nothing startling or original, but I still found this a highly enjoyable experience.
A mix of comedy and crime that doesn't quite work and is woefully dated. But there is some charm that remains and it is an entertaining, if somewhat forced, blend that may suffer from a bit too much of some things and not enough of others.
The first half of a deadly serious frame up and setup is effective as an innocent man is sent on the lam. Then the films switches tone and locales and the combination of slapstick and over the top acting does not fare as well.
To be kind it is a good effort but the parts don't do the whole justice. There are some exciting scenes and some funny and tender ones, the problem is that they don't always make a satisfying connection.
John Garfield is always a force on screen and delivers, as usual, a knockout performance, but Claude Raines is miscast to the point of distraction. The Dead End Kids do their usual routines and the Director is competent enough, although competent would hardly describe his excellent, eye-popping, ground-breaking musicals.
The first half of a deadly serious frame up and setup is effective as an innocent man is sent on the lam. Then the films switches tone and locales and the combination of slapstick and over the top acting does not fare as well.
To be kind it is a good effort but the parts don't do the whole justice. There are some exciting scenes and some funny and tender ones, the problem is that they don't always make a satisfying connection.
John Garfield is always a force on screen and delivers, as usual, a knockout performance, but Claude Raines is miscast to the point of distraction. The Dead End Kids do their usual routines and the Director is competent enough, although competent would hardly describe his excellent, eye-popping, ground-breaking musicals.
After winning a championship fight, boxer John Garfield (as Johnnie Bradfield) celebrates with a drinking binge, which leads to the manslaughter of a pushy reporter. Although his manager killed the man, Mr. Garfield is blamed. When the manager dies in a car crash, wearing Garfield's stolen watch, authorities think the boxer is dead. Still a WANTED man, Garfield changes his identity to "Jack Dorney" and moves to an Arizona ranch. There, Garfield meets "The Dead End Kids": Billy Halop (as Tommy), Bobby Jordan (as Angel), Leo Gorcey (as Spit), Huntz Hall (as Dippy), Gabriel Dell (as T.B.), and Bernard Punsly (as Milt).
Garfield bonds with the young "Dead End" lads, who were sent to stay with sweet "Grandma Rafferty" (May Robson) as an alternative to reform school, courtesy of her brother, deceased priest "Father Rafferty". Garfield falls in love with Halop's sister, pretty "Peggy" (Gloria Dickson), who is there to keep any eye on the kids. Of course, Garfield's past comes back to haunt him
John Garfield and The 'Dead End' Kids make beautiful (Max Steiner) music together, thanks to effective direction and photography, by Busby Berkeley and James Wong Howe. The story is predictably comfortable, with the Warner Brothers support team in fine form. Garfield and the "Dead End" kids are a winning combination; although Garfield made no further movies with the "East Side" gang, the studio had him re-team with both Billy Halop and Bobby Jordan, almost immediately, for "Dust Be My Destiny".
The boxing scenes are nicely staged. But, the most exciting sequence has Garfield and four of the New York "Kids" (Halop, Jordan, Hall, and Punsly) climbing into a giant water tank for a swim - which unexpectedly puts their lives in danger. Other, more brief, highlights include floozy Ann Sheridan (as Goldie), boozy Barbara Pepper (as Budgie), and young Ronald Sinclair (as Douglas) losing at strip poker.
******** They Made Me a Criminal (1/21/39) Busby Berkeley ~ John Garfield, Billy Halop, Bobby Jordan, Claude Rains
Garfield bonds with the young "Dead End" lads, who were sent to stay with sweet "Grandma Rafferty" (May Robson) as an alternative to reform school, courtesy of her brother, deceased priest "Father Rafferty". Garfield falls in love with Halop's sister, pretty "Peggy" (Gloria Dickson), who is there to keep any eye on the kids. Of course, Garfield's past comes back to haunt him
John Garfield and The 'Dead End' Kids make beautiful (Max Steiner) music together, thanks to effective direction and photography, by Busby Berkeley and James Wong Howe. The story is predictably comfortable, with the Warner Brothers support team in fine form. Garfield and the "Dead End" kids are a winning combination; although Garfield made no further movies with the "East Side" gang, the studio had him re-team with both Billy Halop and Bobby Jordan, almost immediately, for "Dust Be My Destiny".
The boxing scenes are nicely staged. But, the most exciting sequence has Garfield and four of the New York "Kids" (Halop, Jordan, Hall, and Punsly) climbing into a giant water tank for a swim - which unexpectedly puts their lives in danger. Other, more brief, highlights include floozy Ann Sheridan (as Goldie), boozy Barbara Pepper (as Budgie), and young Ronald Sinclair (as Douglas) losing at strip poker.
******** They Made Me a Criminal (1/21/39) Busby Berkeley ~ John Garfield, Billy Halop, Bobby Jordan, Claude Rains
They Made Me a Criminal is a remake of an earlier Warner Brothers film, The Life of Jimmy Dolan which starred Douglas Fairbanks, Jr. as the prizefighter on the lam.
Even with the restrictions now upon production by the Hays Office, this remake actually turns out to be better than the original. Douglas Fairbanks, Jr., is horribly miscast as a pugilist. John Garfield with his background and style steps into a part he was born to play.
They Made Me a Criminal was directed by Busby Berkeley who Jack Warner believed in keeping busy in between musicals. Berkeley in fact would soon be leaving Warner Brothers for MGM.
Berkeley does do a fine job here, keeping the action flowing at a good pace. I particularly like the scene where four of the Dead End Kids and Garfield are swimming in a water tank and get stranded there when the water level goes down. They get it out of it quite narrowly and with some good ingenuity.
Other performances besides Garfield and the kids to remember are May Robson who runs the summer camp for the kids and Claude Rains as the obsessed detective on Garfield's trail.
Even with the restrictions now upon production by the Hays Office, this remake actually turns out to be better than the original. Douglas Fairbanks, Jr., is horribly miscast as a pugilist. John Garfield with his background and style steps into a part he was born to play.
They Made Me a Criminal was directed by Busby Berkeley who Jack Warner believed in keeping busy in between musicals. Berkeley in fact would soon be leaving Warner Brothers for MGM.
Berkeley does do a fine job here, keeping the action flowing at a good pace. I particularly like the scene where four of the Dead End Kids and Garfield are swimming in a water tank and get stranded there when the water level goes down. They get it out of it quite narrowly and with some good ingenuity.
Other performances besides Garfield and the kids to remember are May Robson who runs the summer camp for the kids and Claude Rains as the obsessed detective on Garfield's trail.
A compact drama about redemption. John Garfield, always a powerful screen presence, makes a strong impression in the lead as an initially corrupt boxer who sees the error of his ways. The Dead End Kids are well used and the sassy May Robson brightens any movie in which she appeared. Be aware that Ann Sheridan, although prominently billed, is in and out of the movie in about 5 minutes, however Gloria Dickson makes a fine showing. At this point she was considered an actress on the way up but ended up spending most of her brief career in low budget films before her death in a fire at 28. The one small problem is the casting of Claude Rains as a dogged detective. He was always a fantastic actor and gives a professional performance but the part doesn't play to his strengths of urbanity and wit. Berkeley, taking a break from musicals, maintains a brisk pace in the direction making this one of the better programmers to come out of the Warners factory.
क्या आपको पता है
- ट्रिवियाClaude Rains at first turned down the part, feeling he would be miscast and look ridiculous as a tough New York City cop. Only after being threatened by the studio with suspension did he reluctantly accept it, but he always considered this one of his least favorite pictures.
- गूफ़(at around 38 mins) Gloria Dickson's "Peggy" calls John Garfield's character "Johnnie", when he still is under the guise and alias of "Jack Dorney". She could not know this since he has not told anyone at that point. Even Jack's own corner man calls Jack "Johnnie".
- भाव
J. Douglas Williamson: You think you're smart, don't you?
Spit: They call us "The Six Geniuses."
- इसके अलावा अन्य वर्जनThe AFI Catalogue has a different cast ordering, suggesting that changes were made for a re-release. Ann Sheridan is billed 6th and there are other minor changes when compared with the print currently shown on Turner Classic Movies, on which the data in IMDb is based. It is uncertain which is the original print.
- कनेक्शनFeatured in Classic Comedy Teams (1986)
- साउंडट्रैकM-O-T-H-E-R, a Word That Means the World to Me
(1915) (uncredited)
Music by Theodore Morse
Lyrics by Howard Johnson
Partially sung a cappella by Bert Roach
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Everything New on HBO Max in June
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- How long is They Made Me a Criminal?Alexa द्वारा संचालित
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- चलने की अवधि1 घंटा 32 मिनट
- रंग
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- पक्ष अनुपात
- 1.37 : 1
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