The Saint in London

Society girl Penny Parker (Sally Gray) describes what she has heard about the Saint: "He's supposed to be tall and handsome, and he's supposed to have a cross-shaped scar...." She pauses as Simon Templar, with whom she has been dancing, reaches over to light her cigarette, baring his right wrist. She takes a glance and coolly resumes: "A cross-shaped scar on his right wrist."

George Sanders is back as Simon Templar in this easygoing mystery. Sally Gray and David Burns are his two loyal sidekicks: the three leads together make up a fun trio—as different as can be, and yet enjoying each other's company immensely.

Gray is the girl who begins tagging along after Templar pretty much as soon as she realizes his identity, offering assistance, getting in the way, and saving his life once or twice. Burns is fun as Dugan, the American ex-convict (from Leavenworth, not Sing Sing!) who hires on as Templar's valet and performs various duties. Part comic relief, part right hand man, Dugan has a clear philosophy: "Me? I figure to do just like I'm told, and then maybe muscle in on the fireworks later on."

The mystery plot itself is nothing spectacular; it follows a high class gang's scheme to print off a large stack of foreign money, and the Saint's efforts to ferret out and capture their leader, Bruno Lang (played with suave nastiness by Henry Oscar).

My favorite line: Penny Parker explaining to Dugan that the Saint isn't really a criminal…. "He's more like a sort of Robin Hood." "Yeah?" Dugan snaps suspiciously. "Who's this guy Hood?"

Overall, it's simple but lots of fun, with Sanders excellent as always as the irresistible Simon Templar.

Of all the B-movie detective series made in the 30s and 40s, The Saint ranks around the middle for quality. While not nearly as fun as the Charlie Chan or Sherlock Holmes films of the time, they still are well-polished and fun--mostly thanks to the excellent screen presence of George Sanders as the title character. He's just so witty, debonair and cool that it's a pleasure to watch him gracefully walk though this pedestrian film. The actual plot involving an attempt on the life of a foreign national in order to facilitate a counterfeiting scheme is only okay--not bad, but not all that interesting. And the supporting characters aren't all that compelling, either. However, considering the modest pretensions of this RKO serial, I think overall it did a good job of delivering the goods.

Though the plot of "The Saint in London" does lack the elements of a true mystery, the players find the right sense of whimsy needed for this sort of light caper movie. The interplay between Sanders as Simon Templar and Sally Gray as his new-found female helper reminds me a little of the wonderful back-and-forth between John Steed and Emma Peel in the original Avengers series. This movie won't keep you on the edge of your seat, but it might cause you to sit back in the chair and just enjoy yourself for a while.

Enjoyed this great Classic 1939 film in black and white and enjoying the very young George Sanders as Simon Templar/The Saint who is investigating a counterfeit ring of crooks in London and is working with Scotland Yard without the local London police knowing just what he is doing. Sally Grey, (Penelope,'Penny' Baker) is a sweet sexy looking blonde who never seems to want to leave Simon Templar and follows him everywhere he goes no matter where it is and how dangerous it might turn out to be. Simon Templar hires a pickpocket goon to become his Valet named Dugan who sure has a definite New York accent with all his strong "R's" being pronounced through out the picture. If you are a big fan of George Sanders, this film you will definitely enjoy viewing.

The third in RKO's series about Simon Templar, aka The Saint, wonderfully played by the charming George Sanders. This one has The Saint battling counterfeiters while dealing with a rich girl who wants in on the action. David Burns plays an American pickpocket who acts as the Saint's sidekick. Presumably someone thought the contrast between Burns' "dem mugs" Dugan and Sanders' eloquent and sophisticated Simon Templar would be funny. It is amusing for a minute then Burns wears out his welcome. Ralph Truman and Henry Oscar are formidable foes for our hero. Presumably because of the London setting, Jonathan Hale's Inspector Fernack is absent in this one. He's missed. Inspector Teal is the English equivalent, played by Gordon McLeod. He would return in the later Saint films starring Hugh Sinclair. Anything with Sanders is worth watching but this is one of my least favorite Saint films. It's slow-going and not terribly compelling.