On Your Toes

On Your Toes was one of Richard Rodgers&Lorenz Hart's best Broadway musicals and a landmark show in that it was one of the first to integrate ballet into the plot. Georges Balanchine did the choreography for the production that ran 315 performances in the 1936- 1937 season and was responsible for making Ray Bolger a star and getting him to Hollywood through MGM.

So when they were buying Bolger why didn't Louis B. Mayer buy the show as well? Because of that and probably because Mayer was asking too much for Bolger for Jack Warner, Eddie Albert was put in the lead.

But if we couldn't get Bolger, Jack Warner had the best guy possible for the role of Philip Dolan, III. I can't believe James Cagney didn't lobby like a madman for this role with Warner. He'd have much preferred to do this instead of The Oklahoma Kid or The Roaring Twenties, classic Cagney parts that they are.

The big hit of On Your Toes was the instrumental ballet Slaughter On Tenth Avenue, the music was played everywhere in the late Thirties. It is the center piece of the film as well, it has to be because such Rodgers&Hart classics as There's A Small Hotel and Quiet Nights are only heard as background music. The only other song which was to demonstrate Albert as vaudeville hoofer was Oh You Beautiful Doll.

I think it's a miracle that On Your Toes came out as good as it did on screen with an emasculation of the Rodgers&Hart score and the fact that the best guy on the lot for the part was passed over if they couldn't get the guy who introduced it on stage. The Brothers Warner did field some of their best character actors with such people as Frank McHugh, Leonid Kinskey, Alan Hale, and Erik Rhodes in the cast. A film that has these four guys in it has something going for it.

Vera Zorina plays the prima ballerina who it turns out knew Albert as a lad back in vaudeville days. Her ballet numbers do remain intact and show why she was THE ballerina back in the day.

But what a classic this would have been if James Cagney had done the lead and more Rodgers&Hart had been retained.

Vera Zorina, Eddie Albert, Alan Hale, Jr., Frank McHugh, Leonid Kinskey, Donald O'Connor, and James Gleason star in "On Your Toes," a 1939 film based on the Broadway show of the same name, which starred Ray Bolger and had music and lyrics by Rogers and Hart. If you think you hear "There's a Small Hotel" in the background throughout this film, you are - it was one of the songs in the musical that is not performed here. Since the star is Vera Zorina, the song omissions are presumably because she wasn't a singer. You'd think Hollywood just never dubbed anyone or just never assigned a song to a different character.

At any rate, if you forget the original show, what's left is actually entertaining, with Albert playing Phil Dolan, Jr., a young hoofer turned composer who writes "Slaughter on Tenth Avenue." The two dance sections, "Princess Zenobia" and "Slaughter" are the highlights of the film, with Slaughter very importantly shown with the original Balanchine choreography.

The other highlight for me was seeing a young Donald O'Connor, who plays the Phil as a young boy in vaudeville - he's delightful.

Some trivia: the head of the ballet company, played here by Alan Hale, Jr., was played on Broadway by Monty Wooley.

There's really only reason why you'd find, rent, and sit through On Your Toes: if you love the dancing talents of ballerina Vera Zorina. She plays a ballerina and is given several scenes to shine. If you're just looking for a showbiz movie about the ups and downs of trying to have a stage career, look elsewhere.

The movie starts out in vaudeville, where James Gleason, Queenie Smith, and Donald O'Connor have a dancing act. Little Donald is absolutely adorable, but he's only in the movie for about fifteen minutes. Then he grows up, and gets replaced by Eddie Albert-fresh off Broadway and in his second-ever film-and the film turns into a bizarre Russian ballet. Eddie leaves vaudeville to pursue classical music, then he connects with Vera, Leonid Kinskey, Frank McHugh, and a strangely accented Alan Hale. The rest of the movie is very odd, full of ballet, and hardly any plot. I was hoping to see more of Eddie Albert singing and dancing, but he didn't get to show off his hidden talents. During the one scene he's shown tap dancing, the camera only shows his feet after a very obvious stunt double enters the frame from the opposite direction Eddie left.

I had the pleasure of seeing the revival of this marvelous Rodgers and Hart show when it played San Francisco some years ago. The CD is available and should be mentioned as it is the only complete recording to be had. I agree with all the reviews previously mentioned on this site and also enjoyed Donald O'Connor in his early days. Eddie Albert did very well and probably was cast since he was well received in R&H's "Boys From Syracuse" which was tremendously successful as was "On Your Toes".

My disappointment arises from the same comments previously made; the missing wonderful lyrics of Larry Hart,the inane shenanigans of the Russian characters played by very capable actors, the waste of not thinking of casting Bolger, minimizing Junior's worth by not recognizing he is a music professor in the original play, and missing the opportunity of capturing a piece of Broadway history.

Anything, however, that captures what Rodgers and Hart did for the American theatre world deserves preservation on film.

Absolutely terrible film version of the hit 1936 Broadway musical by Richard Rodgers, Lorenz Hart and George Abbott.

Ray Bolger originated the role of Junior, but here we have Eddie Albert as a last-minute replacement for James Cagney who bailed from the project after Warners specifically bought it for him. Albert was on the lot, having made a small splash the year before in BROTHER RAT. Since Albert couldn't dance, a double had to be used and the character's dancing was scaled back.

Also taking a hit, most of the songs are not performed and end up as background music. So "Small Hotel," It's Got to Be Love," "The Heart Is Quicker Than the Eye," and "Quiet Night" are basically eliminated from the film, leaving the character of Peggy Porterfield (Gloria Dickson) with nothing to do. The female character of Frankie Frayne is eliminated altogether. Even the title song only shows up as background.

The other giant hit this version takes is that both the "Princess Zenobia" ballet and the "Slaughter on 10th Avenue" number are scaled way back partly because Albert couldn't dance. This also takes the oomph out of Vera Zorina's starring performance. The music portions are cut back, but the hokey comedy and lengthy Vaudeville intro were retained.

Another huge minus is the terrible direction by Ray Enright, who apparently had never seen a good movie musical. There are endless cuts during the dance numbers and zoom-ins to close-ups and cutaways to peripheral characters. And it's painfully obvious that the close-ups of dancing feet are not of Eddie Albert.

Supporting cast tries hard, but most of the Russian humor falls flat. While Leonid Kinskey is fine as Ivan, Alan Hale is an odd choice for Sergei. We also get Frank McHugh as the stage manager, James Gleason and Queenie Smith as Albert's parents, Berton Churchill as the hotel manager, and Erik Rhodes bizarrely cast as the leading ballet dancer. Notable also is Donald O'Connor as the young Junior in the Vaudeville segments.

The musical has been revived twice on Broadway (I saw a production in London starring Doreen Wells in 1985), but this is the only film version, which is a real pity because the music is wondrous, and it would have been nice to see Zorina in a full-fledged version of "Slaughter on 10th Avenue."