New Frontier

"New Frontier" as it is titled here is a nice enough Mesquiteers effort, but the difficulty it seems to have with time sequencing and time setting makes it tough for anyone who cares about history or logic to watch it all the way through without scratching one's head. One never really knows whether the picture is set in 1915 (50 years after the late 1860s) or in contemporary 1939. And by the way, I think I figured it out... why Stony and Tucson were riding with the Pony Express in "1861" (before the Civil War)...it took me a while! Nonetheless, the producers must have gotten a good horse laugh with this one knowing how confusing it all could be. The picture might have been more aptly titled "The Town that Time Forgot," since the valley of New Hope seems to never have seen nor heard of automobiles, paved roads, or restrictions on open gun play. But when it comes time to build the dam the latest in 1939 trucks and other heavy motorized equipment grind away at the construction scene. Oh well, at least we have the Mesquiteers doing their best to save their friends' and their own homes from the dastardly State and some in-cahoots swindling developers. Ray Corrigan and John Wayne do their work but kind of get lost in all the action. And even though there are some curious moments in the film (like when Wayne nonchalantly knocks a supporting henchman just doing his work into the roaring rapids below) one can rightly get caught up in rooting for the residents in the valley facing eviction from their homes. This movie has an average amount of action (some good horse-mounted riding, for example) and a good cast, including some nice moments with Eddy Waller, who in a decade or so later would find lots of work sidekicking with Rocky Lane as Nugget. Expert cutting and B&W cinematography garner some points, too, so check you logic at the foyer, find your favorite theater seat, and enjoy John Wayne's final Mesqiiteers appearance in a fairly good show.

New Frontier (1939)

** 1/2 (out of 4)

The final Three Mesquiteer film for John Wayne has the boys trying to help some settlers who are about to lose their land to some bad men. At the moment I can't recall how many of the Wayne films I've seen from this series but this is just like most of them. The film contains some pretty good action scenes and Wayne is good as usual but the stories aren't really that strong. Jennifer Jones has a small supporting role and does a pretty nice job.

As of now the only way to view these films is by AMC, which also includes commercials.

This is a typical short 57 mins. formulaic film from the budget minded Republic Studios, from 1939.It is interesting only because it was the first attempt at film stardom for Phyllis Isley, aged 20 at the time, whose name was changed in 1942 to the better known, Jennifer Jones, at the request of David O. Selznick, her mentor and later husband.

She plays Celia Braddock who assists the "Three Mesquiteers" (whose number includes a young John Wayne), to prevent a ruthless claim-jumping construction company from stealing ranchers' properties in "New Hope Valley", in order to build a lucrative dam there.She gets to ride a horse but is given rather a trite script to say.After a second Republic Film that year ("Dick Tracy and the G-Men), Phyllis and her then husband, Robert Walker, decided they were not being regarded seriously enough by Hollywood and returned back to New York to pursue their still unrealised dreams of stage stardom.

Due to its short run time, the film on video normally comes with another Republic title, e.g. "Randy Rides Again".The present title is only now interesting to see the embryonic talent of Jennifer Jones in order to compare to her more mature, later work.Otherwise it is mediocre and I rated it at 5/10

This film begins with the residents of a small ranching community being informed that they must relocate from their homes due to the construction of a new dam, which will flood the entire area. Needless to say, the residents are not too happy with this decision, and they have decided to resist any and all attempts by anyone seeking to evict them from their lands forcibly. So, rather than take a loss on their investment by having the matter delayed any further, the greedy corporate developers decide to trick the ranchers into accepting worthless land in the desert under the false promise that a huge irrigation pipeline will be built to satisfy all of their water requirements. And to further assist them in their underhanded scheme, the Three Mesquiteers are duped into convincing the local ranchers that the deal is actually legitimate. Now, rather than reveal any more, I will just say that this was the last film to feature John Wayne in the role of "Stony Brooke," with Robert Livingston being called back afterward. Apparently, John Wayne was a much too valuable commodity to waste on grade-B westerns of this type. And judging by this rather mediocre addition to the series, I can certainly understand that reasoning. Be that as it may, although this wasn't a terribly bad film necessarily, I honestly didn't care that much for it, and I have rated it accordingly. Slightly below average.

John Wayne said farewell to the Three Mesquiteers film series and to the character of Stoney Burke he had played in them. The Mesquiteers would continue on without the Duke as they had before him. Herbert J. Yates and Republic finally decided that Wayne had become too big a star to continue him in B westerns. His next film after this was a loan out to RKO, Allegheny Uprising.

In fact there was another change in the cast, Max Terhune left the series even before this and was replaced by Raymond Hatton.

New Frontier, not to be confused with the Kennedy administration, also has Phyllis Isley as the leading lady. Her next film would win her an Academy Award and a name change to Jennifer Jones. Of course that is the Song of Bernadette. She never did do a film with Wayne after this, but I'm guessing it was because the Duke didn't want to work for David O. Selznick.

This entry in the Mesquiteers films deals with the right of eminent domain. The Mesquiteers ranch and the property of all the others in New Hope Valley has been condemned because the state wants to build a dam for a large city and create a reservoir where their property is. This subject was dealt with in a quite serious way in Elia Kazan's film Wild River about the Tennessee Valley Authority.

Of course here it's all part of land swindle, but Stoney, Tucson, and Rusty put things to right in the end and do it with the same pioneer spirit their ancestors showed.

You would expect anything else from a John Wayne film?