Nancy Drew and the Hidden Staircase

Long before Harry Potter arrived to slake the thirst of voracious young readers, the factory minted Hardy Boys and Nancy Drew mystery series were getting regular readers.

While straight forward and relatively uncomplicated in their mystery plotting, they were basically solid "B" level templates, and at the height of the 30's Hollywood mystery vogue, Warner Brothers jumped on the bandwagon with a creditable four film series of Nancy Drew's - this final effort arguably the best (and the only one to share a title and a couple plot elements with an actual Nancy Drew book).

Bonita Granville makes a borderline silly Nancy, with a mad energy level approaching Betty Hutton levels and (plot-wise) causing as many problems as she solves, but once accepted, her chemistry with John Litel's warm Carson Drew (the father figure) and Frankie Thomas' guileless comic foil/boyfriend Ted Nickerson is outstanding. Had the series tried for more, these solid supporting performances might well have kept it around for a longer run, but Granville's frequently charming caricature and Frank Orth's even sillier Police Captain Tweedy (who never listens to ANYONE once he hears half a clue) firmly place it in limited audience "B" territory - above the cartoonish "Dick Tracy" series, but several steps below the longer running "adult" Charlie Chan's, Mr. Moto's, Sherlock Holmes', Thin Man's or even the solid Saint's, Falcon's or Lone Wolf's.

The best thing about the series 70 years after it was first shown (and which should still hold the attention of the serious film lover) is its beautifully observed picture of life in small town America just before World War II, when icemen actually did deliver blocks of ice to the actual ice boxes which adorned most kitchens (and the standard system for calling for delivery) both of which form interesting plot points.

We're not talking great art here. Consider the drop in quality of the still decent 3rd and 4th Harry Potter films - as the books got better, "movie-movie" directors made the films less faithful and less effective. At least the Nancy Drew series ended on a high note as they edged closer to the source material.

Bonita Granville has the title role in "Nancy Drew and the Hidden Staircase," the final entry into the Nancy Drew series. It also stars Frankie Thomas and John Litel. This particular film is based on one of the actual books, but how closely it sticks to the story - well, I haven't read Nancy Drew in nearly 50 years, so I can't remember. Since in the books, Nancy had two girlfriends, missing in the series, it probably doesn't stick all that closely.

In this one, Nancy is determined to make sure that two elderly sisters keep to their father's will so that the house can be donated to a hospital. That won't happen unless at least one of them is in the house every night for twenty years. With only two weeks to go, and their chauffeur shot dead in the house, the ladies want out - fast.

Nancy manages to drag Ted Nickerson, her quasi-boyfriend, into all kinds of trouble, and that's where the fun happens. Thomas is a riot. Nancy always got into deep water in the books, but I remember her as more serious and perfect. That wouldn't have worked for the films, so Nancy is kind of a Lucy and Ted is Ethel, an unwilling participant in her schemes.

Bonita Granville was a fine movie Nancy, very lively, wacky, and likable. It's a shame there are only four "Nancy Drew" films. It is a very good series.

Warner Bros. filmed several of these Nancy Drew stories in the late 1930s with Bonita Granville, Frankie Thomas and John Litel top-billed and this one is probably the best--and the only one actually based on one of the early Carolyn Keene novels.

But the script is a hapless, far-fetched one and really stretches credibility and patience when viewed today. Only a certain nostalgia for these kind of B-films that played the lower half of a double bill can have any appeal for modern viewers.

The actors aren't to blame. Bonita Granville as Nancy does an excellent job, as does Frankie Thomas as her All-American boyfriend Ted, and John Litel as her lawyer father. All of it, however, is weakened by a poor script and a weak storyline. Only the last twenty minutes or so maintains any real suspense.

Most of it is pretty uninvolving but appeals more as a curiosity piece than anything else.

I stumbled upon this series, courtesy of TCM, and was pleasantly surprised by their almost effortless charm. Bonita Granville was especially well cast as Drew, and cohort Frankie Thomas shared a good onscreen chemistry with her. I too wish there were more episodes in this underrated series; one can still appreciate its breezily innocent yet often witty qualities--all too rare to find let alone do nowadays. It remains a homage to the skills of workaday backlot Hollywood, circa 1939, showcasing plenty of talent for an otherwise unassuming footnote in the Warner Bros. vault. Thanks again, TCM.

I think Warner Bros. captured the spirit of the Nancy Drew novels, and presented them in great style. The give and take between Nancy and her father is actually better than the books, and Ted Nickerson, as played by Frankie Thomas, makes the character stand out far more than in the books, where he was just a straight man for Nancy. And Bonita Granville as Nancy gives a phenomenal film portrayal of the heroine of millions, without going over the top, and she is especially likable and memorable. We have to remember this is a film portrayal of a book, it is not the book, nor was it meant to be, and it captures exactly the feeling of Nancy Drew mysteries. I wish the Hardy Boys had been done like this! I gave it a 10 not because it was the best movie ever made, but because it was a great interpretation of the book that lost nothing in the translation to screen, and gained in the character given by superb actors.