Heaven with a Barbed Wire Fence

"Heaven with a Barbed Wire Fence" is a film written by Dalton Trumbo and directed by, of all people, by Ricardo Cortez! It also happens to be the first starring film for Glenn Ford...who had only been in a short, "Night in Manhattan". Despite receiving fourth billing, clearly Ford is the star of the film and every scene features him. I think such low billing was because he was a complete unknown...but it is the starring role he received.

I noticed that one reviewer seemed to think that the far leftist, Trumbo, had created some sort of communist story here. However, I think quite the opposite...that the film COULD have had much more of a left slant but the writer avoided making much of a political statement with this film. So, instead of being any sort of propaganda, it's just a slight yet entertaining yarn. The story is set during the Great Depression and yet few 1930s films really talked about this one. It's about poor folks and hobos but as I said above, the story didn't seem to have much of an agenda. They were poor but the film didn't seem to push for any action or change.

Joe (Ford) has a dream of owning his own ranch and growing things and raising stock. So, for some time he's been saving his money and recently purchased a small parcel of land in Arizona. He calls it his 'ranch' but at 20 acres, it's not exactly the Ponderosa! He's also not seen the land and trusts that it's everything they advertised. But he has a problem...he's ready to head west to his new property but he hasn't any spare money. So he begins walking, hitchhiking and riding the rails in order to get there....and along the way he encounters some new friends...as well as a lady friend. What is next? See the film.

This story is very slight and not a lot of huge twists...but it's consistently well acted and enjoyable. My only complaint is a minor one. Jean Rogers plays a woman who is supposed to be an illegal alien from war-torn Spain. But her accent doesn't sound Spanish (more Swedish) and she doesn't seem at all a good choice for this part because of this.

I saw this movie when I was 8 years old, so my memories are not nearly as cynical as the previous comments. I've never forgotten a funny scene when Glenn Ford is sitting at the counter in a restaurant. He asks for a cup of hot water and proceeds to add ketchup, salt , pepper, and crackers. He's making soup, for free. When the owner realizes what Glenn is doing, he removes the doughnuts from the counter. Disparage his acting, if you want. I remember being so struck with Glenn Ford looking for Shady Acres that I watched for his other movies. The Depression didn't really end until 1942 with the beginning of WW2 and full employment. But even an 8 year old could see this was a future star.

The scenario is amusing and primed for storytelling, and all throughout the small length is sufficient mild humor to provide entertainment. There are also dubious recurring themes of sexism, racism, xenophobia, and the inhumanity of established law - all generally glossed over with equally questionable casual indifference, only partly repudiated, and capped off with bizarre (dimwitted and unintentional) gaslighting. The movie is scarcely over one hour long, and is so generally modest in craft and content that it's difficult to find words for discussion without betraying narrative details. Both for better and for worse, 'Heaven with a barbed wire fence' is a bit of a curiosity.

Like everything else here, plot development is very moderate - coming at its own pace, and no sooner. There's not a great deal to the narrative, but it's suitable enough to keep us watching. The performances aren't terribly striking overall, seeming like little more than straight repetition of lines. Only Jean Rogers and Raymond Walburn give any meaningful personality to their characters in their portrayals - it's not much, but I suppose it will do.

And... that's about it.

This isn't a bad movie. But it's hardly remarkable, and not truly noteworthy in any way; it's not really worth taking time to consider writing, direction, or technical aspects, because by the time you do, the movie's over. There's no reason to seek it out, but I guess it's marginally worthwhile if you chance upon it. Keeping in mind firstly that it's not particularly engaging, and secondly the inclusion of some suspect substance - 'Heaven with a barbed wire fence' is a little middling, and a little iffy, but slightly better than not. Take that as you will.

Heaven with a Barbed Wire Fence (1939)

*** (out of 4)

A poor New Yorker (Glenn Ford) saves all of his money for six years so that he can buy a ranch in Arizona. Once he has the deed he sets off by train for Arizona where he also meets a hobo (Ricardo Conte) and a Spanish immigrant (Jean Rogers). This film was the debuts of Ford and Conte and both men turn in winning performances but the real prize here is Rogers who is simply delightful and carries the film. When I first saw Ford I didn't recognize him due to how small he looked. The story is pretty good, if standard stuff and the 62-minute running time keeps things moving along. The sappy ending doesn't really work but there are plenty of laughs and nice moments throughout. However, this is another film rotting away in Fox's vault.

Glenn Ford, a New York boy who has been saving his cash, thumbs and hobos his way to the Arizona ranch he has bought, where he hopes to find HEAVEN WITH A BARBED WIRE FENCE.

A film with a Dalton Trumbo script and story, directed by villain extraordinaire Ricardo Cortez, and starring the frequently twitchy Glenn Ford and the restless Richard Conte just shouldn't be so bloody nice. Though the system -- mostly seen as mean cops and railroad bulls and real estate con men -- is as awful as one might expect from the leftish Mr. Trumbo, every single proletarian is just so sweet and nice and salt of the earth that one feels nausea. It doesn't help that the heroine -- a sweet blonde thing who is an illegal alien refugee fleeing Franco's Spain -- is annoying for reasons of both scripting and acting.

So why watch? Richard Conte, in his first role, already has his persona and a pretty good part. And there are some moments of 30s leftist camp that are pretty astonishing. (Did Dalton absolutely have to set a major portion of the movie in the Russian Worker's mission? All that was missing was a portrait of a beaming Joe Stalin!) Also, this is Glenn Ford's first substantive role (though his performance isn't good).

Why not watch? Essentially, the movie offers an unconvincing vision, is wedded to a political viewpoint that is risible, and the two leads have made much better movies. Also, the strengths of Dalton Trumbo as a screenwriter are nowhere in evidence. Instead, we get a film that the Coen Brothers Barton Fink could have written in a flash (and avoided that hellish bout with writer's block).