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The Great Victor Herbert

  • 1939
  • Approved
  • 1 घं 31 मि
IMDb रेटिंग
5.5/10
144
आपकी रेटिंग
Walter Connolly, Allan Jones, and Mary Martin in The Great Victor Herbert (1939)
BiographyMusicMusicalRomance

अपनी भाषा में प्लॉट जोड़ेंA fictionalized version of famous opera composer Victor Herbert where he witnesses the romance, stardom, parenthood, and troubled experiences of his star singers.A fictionalized version of famous opera composer Victor Herbert where he witnesses the romance, stardom, parenthood, and troubled experiences of his star singers.A fictionalized version of famous opera composer Victor Herbert where he witnesses the romance, stardom, parenthood, and troubled experiences of his star singers.

  • निर्देशक
    • Andrew L. Stone
  • लेखक
    • Russel Crouse
    • Robert Lively
    • Andrew L. Stone
  • स्टार
    • Allan Jones
    • Mary Martin
    • Walter Connolly
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.5/10
    144
    आपकी रेटिंग
    • निर्देशक
      • Andrew L. Stone
    • लेखक
      • Russel Crouse
      • Robert Lively
      • Andrew L. Stone
    • स्टार
      • Allan Jones
      • Mary Martin
      • Walter Connolly
    • 9यूज़र समीक्षाएं
    • 4आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 ऑस्कर के लिए नामांकित
      • 4 जीत और कुल 2 नामांकन

    फ़ोटो18

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 10
    पोस्टर देखें

    टॉप कलाकार45

    बदलाव करें
    Allan Jones
    Allan Jones
    • John Ramsey
    Mary Martin
    Mary Martin
    • Louise Hall
    Walter Connolly
    Walter Connolly
    • Victor Herbert
    Lee Bowman
    Lee Bowman
    • Dr. Richard Moore
    Judith Barrett
    Judith Barrett
    • Marie Clark
    Susanna Foster
    Susanna Foster
    • Peggy
    Jerome Cowan
    Jerome Cowan
    • Barney Harris
    John Garrick
    John Garrick
    • Warner Bryant
    Pierre Watkin
    Pierre Watkin
    • Albert Martin
    Richard Tucker
    Richard Tucker
    • Michael Brown
    Hal K. Dawson
    • George Faller
    Emmett Vogan
    Emmett Vogan
    • Forbes
    Mary Currier
    Mary Currier
    • Mrs. Victor Herbert
    James Finlayson
    James Finlayson
    • Lamplighter
    Sandra Lee Richards
    • Peggy - as a Young Girl
    Guy Bellis
    • Audience Member
    • (बिना क्रेडिट के)
    Eddie Borden
    Eddie Borden
    • Pop-Eyed Man
    • (बिना क्रेडिट के)
    Betty Bryson
    • Ballerina
    • (बिना क्रेडिट के)
    • निर्देशक
      • Andrew L. Stone
    • लेखक
      • Russel Crouse
      • Robert Lively
      • Andrew L. Stone
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं9

    5.5144
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    फ़ीचर्ड समीक्षाएं

    5661jda

    Nominate the title as a prime example of "Bait and Switch"

    This isn't a story about Victor Herbert - it's a romance between two musical-comedy with Herbert's music and character as strong supporting players. The story is ok, but nothing outstanding - sort of a take on "A Star Is Born": she's a rising star he's big but on his way down. Pride takes the place in this where in STAR it's alcohol. Like I said, pleasant enough and the vocals are very good - my throat hurt at the end of the film from straining to music. Looking at his filmography - doesn't look like Andrew L Stone had much luck with biographies about composers: SONG OF NORWAY and THE GREAT WALTZ (remake). Primary reason to watch for me: one of the few and, actually, the third film role of Mary Martin - that was a treat.
    5richard-1787

    A charming but misleadingly titled film

    Hollywood did a string of musical biopics of Great American song composers during and just after World War II. The most famous, of course, is Warner Brothers' *Yankee Doodle Dandy* (1942), in which James Cagney dances away with a well-deserved Best Actor Oscar. There is also the same studio's underappreciated *Rhapsody in Blue* (1945), which does a decent job of presenting Gershwin as the very voice of the American spirit. There was also MGM's *Till the Clouds Roll By* (1946), which tries to cram as many Jerome Kern numbers into two hours as possible. I also seem to recall that there was a fluff piece about Sigmund Romberg, but I can't track it down.

    Despite its very misleading title, *The Great Victor Herbert* bears no resemblance to any of these. It is not, and does not pretend to be, a biography, fictional or otherwise, of the great American operetta composer.

    Rather, it is yet another variation on the story best known from *A Star is Born* of a husband-wife theater team in which the husband is initially the big star, but later is supplanted by his up and coming wife. Trouble ensues.

    Allan Jones had already played this part just three years before in the 1936 *Show Boat*, and it's rather strange to see him put in the same situations just three years later.

    The problems with this movie, for me, are more than the deceptive title, however. There is, still, a lot of Herbert music in this movie. That would be fine if it concentrated on his memorable music, of which there was much. But it doesn't. We hear one piece after the next, some in fairly lavish production numbers, always leaving me with the same reaction: why bother? Rather than focusing on some of Herbert's big successes, like *Naughty Marietta*, *The Red Mill*, *Babes in Toyland*, and *Mlle Modiste*, it dredges up one forgettable number after the next from his other, long-forgotten shows. That makes this 90 minute movie seem longer than it is.

    I enjoyed seeing Mary Martin on the screen. She's very young here, and Herbert's music is not the sort of thing with which she would have success after success on Broadway in the years to follow - it's a long way from Nelly Forbush or Maria in Sound of Music - but she's still enjoyable to watch.

    Allan Jones has been better in other pictures.

    Susanna Foster sounds like a poor man's Meliza Korjus. She has a thin voice with freakish high notes that are best not heard. Unfortunately, we get to hear the highest of them not once but twice, at the beginning and then the end of the picture.

    In short, unless you want to see Mary Martin in one of her too rare silver screen appearances, there really is nothing to recommend this movie.
    6christopherw100

    Worth watching - for those who enjoy this sort of thing

    An enjoyable film, but it is not really (in fact, not at all) a biography of Victor Herbert, as the title suggests. The music, however, is a delight, and although Herbert's music would now no doubt be considered 'dated' by many people, he did have a sure melodic gift. Many of his songs have a wide vocal range and are by no means easy to sing; one of his trademarks is the use of wide and unusual intervals (e.g. a major ninth in 'I'm falling in love with someone'; an octave plus a semitone, a major seventh and a tenth in 'Kiss me again'). This, combined with the sometimes flowery lyrics and his penchant for the slow waltz, give his music an old-world charm that is well served in this film by the performances, the set and the costumes.

    Allan Jones and Mary Martin are both worth seeing - and hearing. Allan Jones had a fine tenor voice, which he uses here to good effect. It is always interesting to see Mary Martin on screen - although she comes over as perfectly fine - indeed good - there is perhaps little to suggest that she would go on to become one of the very greatest musical stars of Broadway (and, indeed, also of the West End in London) of the middle years of the twentieth century. (Those who doubt that this film allows us to hear her real singing voice of these years should seek out a recording of her in Noel Coward's Pacific 1860 (London, 1946), in which she plays an opera diva, or of Peter Pan, in which her coloratura pyrotechnics can be heard.)

    All in all, an enjoyable film for those who like the music of Victor Herbert (and people who enjoy operetta music or musicals generally are likely to find Herbert's music worth exploring) and also for those who are fans of the stars.
    6boblipton

    Music, Music, Music

    Andrew L. Stone indulges his taste for musicals based on mildly outdated composers with this one. Walter Connolly plays the composer as half warm-hearted artist, half daring businessman. The story, though, is show biz all the way, as aspiring singer Mary Martin -- in her first speaking role in the movies -- marries matinee idol Allan Jones, despite the insistence of his manager, Jerome Cowan, that lady theater-goers won't yearn for a married man. He turns out to be right, and Jones' career goes into the tank as Miss Martin's explodes.... and then she quits the theater so he won't feel bad. It doesn't work.

    Miss Martin is rather repressed for anyone who has had the pleasure of seeing her on the stage, and Jones was a good singer who looked good, and little more. It's carried by Connolly, who is around mostly to introduce songs and kickstart the plot; as usual, whatever he's given to do, he does it entertainingly. He wouldn't be around to do it much longer. Five months after this movie was released, he had a fatal stroke and died at the age of 53.
    7bkoganbing

    The Real Vic??

    Now I like Victor Herbert. And I like Mary Martin and Allan Jones. But it would have been nice to see a real biography of Victor Herbert. Walter Connolly as Herbert does have a decent resemblance to him in his latter years

    Jones and Martin sing beautifully though. The Herbert music is just there to adorn the plot line concerning these two musical performers. Jones's John Ramsay is a frail character, very similar to Gaylord Ravenal in Showboat who Jones also played.

    As for Mary Martin, it's a mystery why she never had a good Hollywood career. She did films with Bing Crosby and Dick Powell as well as this one. She performed well, but movie audiences didn't take to her. The best musical moment in the film is Jones and Martin in a duet of Thine Alone. The recordings I have of the song are individual and it was written as a duet. There's also a pleasant scene with Jones and Martin riding bicycles swapping Herbert songs as they ride.

    The real Victor Herbert with his womanizing and his Irish patriot background and his musical training in Germany where he developed a love for all things German would have been a fascinating study. He was also a cello virtuoso before he turned full time to composing. I have to take strong exception to the reviewer who said Cuddles Sakall would have been a good Victor Herbert. Sakall as Irish, HELLO.

    Nice movie, but the real Vic would have been so much better.

    इस तरह के और

    Swanee River
    6.1
    Swanee River
    Eternally Yours
    5.7
    Eternally Yours
    The Devil and Miss Jones
    7.6
    The Devil and Miss Jones
    The Rains Came
    6.8
    The Rains Came
    Nurse Edith Cavell
    6.5
    Nurse Edith Cavell
    The Hard-Boiled Canary
    6.8
    The Hard-Boiled Canary
    The Man in the Iron Mask
    7.0
    The Man in the Iron Mask
    First Love
    7.0
    First Love
    Man of Conquest
    6.1
    Man of Conquest
    When Tomorrow Comes
    6.7
    When Tomorrow Comes
    The Private Lives of Elizabeth and Essex
    7.0
    The Private Lives of Elizabeth and Essex
    Way Down South
    5.4
    Way Down South

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Walter Connolly's last film.
    • कनेक्शन
      Referenced in Screen Directors Playhouse: The Final Tribute (1955)
    • साउंडट्रैक
      Someday
      (uncredited)

      Music by Victor Herbert

      Lyrics by William LeBaron

    टॉप पसंद

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    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 29 दिसंबर 1939 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
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    • फ़िल्माने की जगहें
      • Providencia Ranch, Hollywood Hills, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Photograph)
    • उत्पादन कंपनी
      • Paramount Pictures
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      1 घंटा 31 मिनट
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    Walter Connolly, Allan Jones, and Mary Martin in The Great Victor Herbert (1939)
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    By what name was The Great Victor Herbert (1939) officially released in India in English?
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