The Green Hornet

Let me tell ya - In spite of its many-many flaws, its b-grade visual effects, its laughable dialogue, etc., etc., etc. - This vintage, b&w serial from 1940 (presented in 13 thrill-packed episodes) was still definitely about 10 times more entertaining and exciting to watch than was the likes of (that doofus) Seth Rogen's disgustingly dismal and completely contemptible feature film adaptation of the Green Hornet character in 2011.

I really liked Gordon Jones as the Britt Reid/Green Hornet character. It certainly didn't matter to me that this character had no superpowers to speak of. I found that the Hornet's bare-knuckle brawling with the bad guys was satisfactory enough for me.

*Note* - Prior to becoming an actor, Gordon Jones (a real beefy dude) was a promising football player known as "Bull" Jones. Jones was 29 years old when he played the Green Hornet character. He died in 1963, at the age of 52.

'The Green Hornet' is, overall, a pretty good serial. Certainly it is a darn sight better than the superhero movies made since about, say, 2005, when suddenly Batman was willing to confess his true identity to a deputy DA just because he has the hots for her, or since 2006, when we learned that Superman was a dead-beat dad and a stalker (and don't get me started on the Fantastic Four or 'Spider-Man 3': blech!). 'The Green Hornet' features a hero unencumbered by ridiculous modern angst and subplots, who is good in a fight, yet is only able to perform feats that actual human beings could conceivably perform.

This serial has a good plot, or rather a series of good plots, that are much more grounded in reality than most other serials. It does not involve super-powers, magic, outer space, or super-villains. It's about crime. I myself enjoy the demented hallucinations of 'Flash Gordon' or 'Atom Man Vs. Superman' as much as the next person, but I like crime stories too.

This serial has decent fight scenes, not dazzling like 'Spy Smasher,' but nothing like the painfully ridiculous fights in Columbia's two horrible Batman serials. The cliff hangers are generally good, with the average amount of 'cheating' to resolve some of them. There is a good sequence with the Hornet jumping from his car onto a moving train, and who doesn't like that? To predict if you are going to like this serial, a lot depends on if you like the Green Hornet as a hero. This serial is very faithful to the original radio show, even to the extent that whenever actor Gordon Jones puts on the Green Hornet mask, his voice is dubbed in by Al Hodge, who played the Hornet on radio and later went on to be the best Captain Video on TV.

I like the Green Hornet because he has a super cool gas gun to knock out crooks (the special effect for this action works well here) and has a super cool souped-up car to chase crooks. Also, instead of wearing tights, he wears a suit and a hat, which looks a lot classier and certainly less sissy than superhero tights.

But now a word about Kato: in this version of Green Hornet, Kato is the one who invents the super cool gas gun and high powered engine that powers the super cool car. In real life, a guy that smart would have patented those things and gotten rich from them. Or if he got into the crime fighting business, he might have kept the gas gun and super motor secret so as to avoid them falling into the wrong hands, but certainly he would have invented other things and gotten rich from them.

Also, besides being a scientific genius, Kato is the one who knows martial arts. The Green Hornet is pretty good in a fight, but a Judo expert would outfight him every time.

What I am getting at is that Kato should have been the main hero, and the Hornet should have been his sidekick. My guess as to why the Hornet was dominant is that is something to do with the fact that Kato was not a Caucasian and Hollywood has been known to, from time to time, exhibit a little institutional racism.

To the credit of the writers, however, at least Kato was portrayed as smart, tough and valiant, rather than being a subhuman idiot or a satanic sadist (many non-Caucasians were represented thusly by Hollywood at the time). There are several instances in this serial when Kato saves the Hornet's butt.

Keye Luke, who played Kato in this and the 2nd Green Hornet serial, was a good actor who, while he never became a household name, worked steadily on a multitude of roles for about 50 years. He played Number One Son in many Charlie Chan movies, and had small to medium-sized roles in scores of other films. He was a constant guest star in TV shows of the 1960's, ranging from 'My Three Sons' to 'Star Trek.' But my favorite role of Keye Luke's was his excellent portrayal of Master Po, the all-seeing yet blind teacher from TV's 'Kung Fu.' IMO, he was the coolest person on the show. Strangely, the original concept for 'Kung Fu' would have had Bruce Lee playing the hero. Unfortunately some twit in Hollywood decided to hire David Carradine, who was pretty good, but still Lee would have been cooler. Bruce Lee, of course, besides being a martial arts movie superstar, played Kato in the underrated TV version of the Green Hornet.

I recently watched the 1940 serial edition of "The Green Hornet". As someone who has not watched very many serial movies, I found this film series to be fun and extremely well made for its day. The movie is about four and a half hours long, but is divided into thirteen chapters, each twenty minutes in length. I myself watched a chapter every few days over the course of a month or so.

"The Green Hornet" tells the story of the eponymous radio suspense character from the 1930's who is essentially a mild mannered newspaper editor who takes it upon himself to fight crime in disguise. The character is not exactly a vigilante, at least not in the violent sense, as the Hornet is constantly portrayed as a hero rather than an antihero. Still, his standing outside the law causes him to have run ins with both crooks and the police.

There is definitely a vibe to this film that fits into a "noir" genre, as the plot centers on an elaborate scandal. However, the film maintains a lighthearted vibe overall, as this is ultimately a superhero series, so to speak, rather than the kind of existentialist commentary one might expect from film noir.

The best thing this serial has going for it is its elaborate settings and fight scenes. Railroad scenes, flight scenes, train wrecks, auto wrecks, plane wrecks, flooded mines--this one has it all. And of course, each chapter ends with a cliffhanger made to keep you on the edge of your seat.

All that said, I've given this movie 7/10 stars. It's certainly well made and a delight for its day and age, and for its genre. However, it is quite a long series and by the end you're kind of ready for it to be over with. Still, the final chapter is perhaps the best of the series, and makes it all worth the watch.

The character of The Green Hornet first appeared on WXYZ radio, Detroit, Michigan on January 31, 1936, and was created by station program manager/co-owner George W. Trendle (who also created The Lone Ranger) and, was like that station's Lone Ranger, primarily written by Fran Striker, at least in the early years of both programs. And Trendle's creation from the word go, but Striker was the one who came up with the gas gun and "Black Beauty."

Trendle created Britt Reid/The Green Hornet as the son of Dan Reid, the boy who called The Lone Ranger uncle. (Actually, Dan Reid was a Junior as his father was Dan Reid the first, a Texas Ranger Captain who was killed in the ambush at Bryant's Gap, by the Butch Cavendish gang, along with the rest of his Texas Ranger troop, with the sole exception of his younger brother John Reid, who became The Lone Ranger. Dang right, The Lone Ranger had a name.)

The Green Hornet, like his predecessor kinsman, fought crime wearing a mask; he carried a gas gun while Uncle Lone had a six-shooter and silver bullets; he drove the fastest car on radio, "Black Beauty", while his great-uncle rode Silver, the fastest (and whitest) horse on radio. The latter had Tonto, a native-American (and Indian on the radio) who had saved his life when his band of Texas Rangers were ambushed...while the Hornet's sidekick was Kato, a Filipino who doubled as his valet, and was a college graduate who knew all the secrets of Oriental in-fighting, a master chemist and he could drive "Black Beauty" anywhere, anytime at any speed. (One of the great non-true urban myths has it that Kato was introduced on the program as being Japanese, and had to change his country-of-origin in 1941 when the Japanese attacked Pearl Harbor. Not so. Kato was Filipino from day one in 1936 on the radio program. But it has been told so much---it started as an WWII joke with comedians---that only those who were there in 1936 or take the time to research the radio program and its scripts know it isn't true. Surprised somebody hasn't posted that myth on the IMDb site, somewhere.)

And, while The Lone Ranger had the "William Tell Overture" as the opening-and-closing theme music, the Green Hornet opened (and roared through his crime-fighting duties)with "Flight of the Bumble Bee" as the main piece of music. And over the Lone Ranger theme music, a voice intoned: "A fiery horse with the speed of light, a cloud of dust and a hearty Hi-Yo Silver! The Lone Ranger rides again!" And over "The Flight of the Bumble Bee" a voice said: "With his faithful valet Kato, Britt Reid, daring young publisher, matches wits with the underworld, risking his life that criminals and racketeers within the law may feel its weight by the sting of The Green Hornet." Granted, a bit wordy but it served the purpose. And, the follow-up intro to The Lone Ranger was more than a bit wordy as Fred Foy would add: "With his faithful Indian companion Tonto, the daring and resourceful masked rider of the plains.......37 more words....followed by.. From out of the past come the thundering hoofbeats of the great horse Silver! The Lone Ranger rides again.!

For their 1940-41 serial schedule, Universal Pictures Corporation announced to their exhibitors that their four serials would include..."The Lone Ranger -The greatest serial property in show business history!" (They sure did---in trade ads and on the inside front cover of the press book of "The Phantom Creeps" You can look it up. We don't have to...it's on our desk) Well, the description blurb was true---Republic had already cleaned up on The Lone Ranger in 1938 and 1939---but WXYZ, Trendle and Universal couldn't agree on the terms. meaning Trendle wanted more money than Universal wanted to pay. Pity. A Universal Lone Ranger serial would have made an interesting companion to Republic's two offerings. And don't knock Universal for promising something they couldn't deliver; in the same 1940-41 schedule Republic announced a Superman serial. That fell through, also, but Republic made up for that, in spades, with "The Adventures of Captain Marvel" in 1941. (Republic used the intended Superman script, anyway...as "The Mysterious Dr. Satan" with "The Copperhead" character filling in for old Supe.)

But Universal did acquire the rights to make two serials based on Trendle's "Green Hornet" character and, relative to serials---which should only be judged by other serials and not every genre and budget that comes down the pike---both are easily in our top-third.

This one was Universal's 45th sound-era serial and they slipped it in between "The Phantom Creeps" and "Flash Gordon Conquers the Universe."

Edit: Despite what the cowardly "reviewer", who will not respond to e-mails, says in his snarly, mad-dog attack review, in which he put my name in the subject line I stand by every comment I made. But his attack is typical of the snit-fits he tosses out on the Contributor's Help Board. Edit: It appears the attacker has just corrected his incorrect assertion, with a slithering and cheap "for what it's worth" squirm. Now, take my name out of your slanderous subject line.

Through thirteen chapters in this serial The Green Hornet manages to discover and eliminate a number of various criminal enterprises that are plaguing his city. Playing The Green Hornet in this version is a younger and leaner Gordon Jones who was best known for being Mike the Cop on the Abbott and Costello show. Keye Luke plays his sidekick and chauffeur Kato who because of the impending war was changed from Japanese to Korean for this serial.

Not that this serial is all that much better though it is a cut above most of them, but one of the things that struck me was that each chapter stood more on its own than you would normally have. The premise here is that the various rackets are controlled by a city syndicate of twelve and the Green Hornet as himself and in his real identity of Britt Reid, millionaire publisher of a crusading newspaper the Sentinel, systematically exposes each racket in each chapter and eliminates the head through death or imprisonment.

The obvious comparison is to Batman, but The Green Hornet relies a whole lot less on gadgetry than most superheroes. His car, 'the Black Beauty' is really a souped up hotrod, nothing unique about it in any other way. He's not got the variety of gadgets that Batman or most of his other peers seem to have.

He even has a gas gun that shoots small gas pellets and when they hit the target they merely disable. Fran Striker who created The Green Hornet also created the Lone Ranger and the Ranger's creed was always to shoot to wound. Modern technology has given the Green Hornet a weapon that will do nothing else. In fact The Green Hornet is the grand nephew of The Lone Ranger.

A cut above maybe, but The Green Hornet is as dated as all those other serials that the Saturday afternoon kids used to enjoy.