Frontier Marshal

i liked this western quite a bit.it is made in 1939,and some may find the pace a bit sedate,but that didn't bother me.i liked the story and the cast of characters.the main character is Wyatt Earp(Randolph Scott)newly deputized as marshal to try to bring some law into the town of Tombstone.The character Of Doc Halliday(Ceasar Romero)also plays a prominent role.there were a few scenes which were meant to be funny,and they probably were back in 1939,but they fell a bit flat for me.it's the movie that inspired the John Ford classic My Darling Clementine(1946).the 1957 movie Gunfight at the OK Corral is also apparently inspired by this movie.one thing i should mention is that the sound and the picture were crystal clear,so kudos for Fox for the technical work that went into the DVD.anyway,when all is said and done,i thought this was a pretty good movie.easily an 8/10

This was the movie which John Ford remade as his classic My Darling Clementine. Here, Randolph Scott plays Wyatt Earp and Caesar Romero plays Doc Holiday, but there are no Clantons or Earp brothers. Instead, John Carradine plays a bad saloon owner heading a gang that is trying to take over Tombstone.

Of course, this movie can't directly compare to My Darling Clementine, but it's a pretty good western in its own right. Its one of Randolph Scott's better early roles.

Many of the classic scenes in My Darling Clementine were taken directly from this movie, and it's very interesting to compare the two. This version of Frontier Marshal was a remake of an earlier 1933 version, and, of course, this story has been told many times since.

The Maltin Guide gives it three stars. Check it out if you're a western fan, or just a fan of My Darling Clementine.

1939's "Frontier Marshal" was the clear inspiration for John Ford's 1946 "My Darling Clementine," but was actually the second screen version of Wyatt Earp's posthumous tome, a highly fictionalized account of his Wild West days. In the wake of Fox's successful "Jesse James," it's no surprise that they would perform similar heroism toward other notorious figures, with handsome Randolph Scott enjoying one of his earliest lead roles as Wyatt Earp, and heartthrob Cesar Romero in the highly romanticized part of Doc Halliday. The villains are certainly an interesting lot, with John Carradine, Lon Chaney, and Joseph Sawyer among them, they're just totally ineffective against Earp, for whom everything falls into place too easily. Carradine's Ben Carter runs a saloon across the street from the one that does more business (where the broads hang out), so he and his gang resort to occasional holdups to keep things interesting. Carradine actually gets the least amount of screen time, while Lon Chaney's Pringle at least gets to 'dance' before the trigger happy Halliday. By the time we get to the OK Corral, only Sawyer's Curly Bill remains standing to take the fall, Chaney and Carradine casually dismissed in ignominious fashion. The two actors, already teamed as James gang members in "Jesse James," both went on to greater glory by year's end, Carradine in "The Grapes of Wrath," Chaney in "Of Mice and Men." Chaney would reappear opposite Randolph Scott in 1944's "Follow the Boys" and 1947's "Albuquerque," while Carradine appeared with Scott in 1941's "Western Union" and 1945's "Captain Kidd." In addition, Carradine would oppose Wyatt Earp twice more, opposite Hugh O'Brian in the 1959 TV episode "The Fugitive," and opposite James Stewart in 1964's "Cheyenne Autumn." The only character that really resonates is Romero's Halliday, here a surgeon rather than dentist, while Ward Bond (playing the cowardly former Tombstone marshal) not only appears from the 1934 version, but graduated to Morgan Earp in the John Ford remake. It's a solid and enjoyable Western, but below the standard set that year by "Stagecoach" or "Destry Rides Again."

Yes, yes, I know. My Darling Clementine(MDC) is a famous remake of this picture. That one got the John Ford treatment and went into greater depth as far as character development goes. But there's nothing wrong with "Frontier Marshal" and it can stand on its own. First off, since it is an action western it had a better lead actor in stalwart Randolph Scott - Henry Fonda was a more cerebral actor and not really a two-fisted type. Second, I think Caesar Romero played Doc Holliday with more heart than Victor Mature, who was a limited actor.

In MDC, the OK Corral confrontation was better and had more tension but the barroom bimbo was Binnie Barnes, who did a better job than Linda Darnell. Ward Bond was in both pictures and got a promotion in MDC to Earp's brother. And you get a chance to see Eddie Foy Jr. in the earlier movie.

"Frontier Marshal" is only 71" long and therefore not as comprehensive as MDC. In sum, I guess the worst thing that could be said about "Frontier Marshal" is that MDC was made, which in sheer production value diminishes the whole enterprise. If you like westerns, see this one. You will appreciate it better if you haven't seen MDC - which I also feel suffers from one of the lamest titles in Hollywood annals and detracts from the final product. "Frontier Marshal" was on FMC the other morning and I rated it a seven.

Early version of the Earp-Holliday, OK Corral legend.

Thanks to big-budget TCF, this is a well-produced, mid-level Western. Those barroom scenes along with the crowded streets are high energy and appropriate to a boomtown, which Tombstone was. Dwan directs these scenes with flair. Can't say the same for the final shootout that is poorly staged and fleetingly done as if the production had to hurry up to meet schedule. Ford's 1946 remake My Darling Clementine greatly improves on that final showdown with the kind of close-ups and structured tension that're needed.

Scott and Romero cut formidable figures as the legendary heroes. The screenplay suffers, however, by failing to spotlight an equally formidable villain to challenge them, spreading the villainy instead across several minor players. Too bad the impressive Carradine is largely wasted in an incidental role. On the other hand, Kelly is very pretty as the good girl, while Barnes shines as the good-time girl. I like the way their rivalry evolves over time.

I can see why the estimable John Ford saw so much potential in the characters and story. There's a lot of color in the array of personalities and rivalries, including the show biz Eddie Foy Jr., an entertaining contrast to the frontier types. Of course, Ford's version is clearly superior. Still, this 1939 entry remains a respectable little Western with its own modest merits.