Volga - Volga

"Volga-Volga", directed by Alexandrov (Eisenstein's cameraman in "Ten Days" and other Soviet classics), is perhaps the best of a series by him that provides a Russian echo of Busby Berkeley's work in the US. Like Berkeley, Alexandrov has been attacked by some at present who see only the escapist side of this type of musical fantasy/comedy. But "Volga-Volga" also barbs "bureaucratic commissars" as did "Golddiggers of 1933" skewer "stuffy aristocrats".

Wonderful music and vaudeville-style entertainment, with Lyubov Orlova heading a talented cast, insured that "Volga-Volga" is perhaps the film most beloved by ordinary Russians ever made in the Soviet Union; it certainly was during the '30s and '40s. That Stalin presented a personal gift copy to Roosevelt during the war probably elicited the approbation "Stalin's Favorite Film". It was clear that he was proud of it, and we were allies. Today one would have to be a pretty unregenerate cold warrior or slavophobe to be offended by "Volga-Volga".

The plot: like with Berkeley, not so important. It involves a running competition (including a boat race down the Volga river) between a folk music band and a more formal village orchestra. There is singing, dancing, romance. And a happy ending.

Now you can judge for yourself. A crystal-clear VHS copy of this (and other Alexandrov '30s musicals) is distributed by Polart with easy-to-read yellow subtitles (I wish all foreign films were so graced).

When Stalin ordered Alexandrov to make this movie, he said he only wanted to see the happy images of the simple rural people along the river Volga. One could say, Stalin wanted something that would prove to him his people are happy (even if he ordered others to lie to him to make the appearance of happiness). There's no real story or plot, there's just a number of folk dances and rituals thrown together in order to entertain. It's kitch that served only one purpose - to make a dictator happy. I wouldn't even classify this movie as a comedy, it's simply a musical, or better yet a recorded account of folk dancing and singing with some attempts to moderate the time in between the musical sequences. Thus you should not even look for the depth of the characters or the story. Were it made that way Alexandrov might have even been shot! This film could not afford to be critical. IT was made in an era of Soviet history when one could not express one's self as an artist, but had to do what the propaganda machine demanded of him.

Selfish uncommitted bureaucrat Ivan Ivanovich Byvalov (who looks like Mario Bros!) is the most interesting element in this very light-hearted slaptstick musical comedy by Grigori Aleksandrov, who also directed 11 years before October: Ten Days that Shocked the World. Volga-Volga has some curious background stories, such as the title coming from a jokingly suggestion by Charlie Chaplin when he and Aleksandrov were rowing together in the United States and the British filmmaker heard those words in the lyrics of a folk song sang by the Soviet. Another very curious story is that Volga-Volga is claimed to be the favorite movie by Joseph Stalin, what is particularly surprising, as there are many funny gags about things that did not work in URSS! The raft soon got bogged down, all local boats were broken and still being repaired, the mare for transportation lacked horshoes, the balalaikas crafted in the factory had the worst sound quality ever heard, and the telephone calls were absolutely unintelligible (additionally, the trip over the river eventually happens in a steamboat which is said that was gifted 30 years before by the United States, and all its only problem were originated by bad maintanance!). Besides all that, Byvalov was the archetypical ambitious bureaucrat who had no concern about the quality of the works he supervised, and his only interest was to reach the most important office, and closest to Moscow, possible. It is mentioned in the beginning of the film that Byvalov moved to another institution to work, getting closer and closer to Moscow, 20 times just in the last five years! He was only two weeks managing the balalaika craft factory but was already waiting for a call to a new job! Did Stalin identify himself with the character or was his vanity what made him like that his name was given to the steamboat of the trip from the Great Volga habour to Moscow?! As a matter of fact, the silly song in the very last minute of the movie says bureaucrats like Byvalov were rare an represented "the old years", in a laughable attempt to score some brownie points from the regime... Besides Byvalov's background and the mockery on production dysfunctionalities, another interesting element in the beginning of the movie is the brief change from romantic idealization to fierce anger between the couple who had opposite views on music: the man loved classic music and rhe woman liked folk one. That romantic comedy element endures throughout the film, until the predictable happy end. Before the steamboat trip, there is an eight-minute collective artistic presentation of the whole village to a frightened Byvalov that is awesome, very amusing and well done, perhaps onde of the nicest moments of the film, second only to the initial appearance of characters Byvalov and his sycophant assistant Zoya Ivanovna. Eventually, the story continues with a troublesome trip, musical team duels, a lot of rough-and-tumble, and misunderstandings. Overall, the film has ups and downs, some tepid moments and silly overacting, but also quite funny cartoonish musical slapstick and smart gags on Soviet life and society. While not a masterpiece from Soviet cinema, it is underrated and worth watching.

The insane tempo of the film made me think that I had been sitting at least 3 enjoyable hours before my TV. I use "enjoyable" in its direct sense. As a musical comedy the film is superb and can put to shame any today's production of "Stariye pesni o glavnom" calibre.

The ideology, though present, is not showing off. What the film is really showing off is talents. The talents come in battalions.

The famous chase scene, when all the dancing, playing, and singing villagers are after Byvalov, is unforgettable. I also enjoyed the race of the ships presented in a panorama view. The number of catchy phrases is also to be mentioned (we hear them now and then in our reality - this is where they come from): "Allio, garazh!", "Kantseliarskaya krysa!", "Bez vodi...", etc.

The wise use of music, the numerous gags and stunts, the powerful characters with great voice talents, etc. make this film a gem of our black-and-white era.

There is fire in their eyes and there is atomic energy in their moves while their voices are piercing quicksilver bolts.

Today to shoot such an energetic film is simply impossible. People are too lost, too sick, and too weak. Too bad the Soviet times were also out of joint. The latter adds some bitter taste to the production, which has all the rights to be called the best comedy/musical of all time.

If I am in mood for rich national energetic heavy-duty entertainment with an artistic touch, this is a perfect example to inject into my DVD player and load onto myself. The beginning and the ending of the movie are both unique (and no portrait of Stalin and demonstrations - thanks a lot!).

Mrs Lyubov Orlova is again different and again excellent.

All in all it is definitely 10 out of 10: it entertains and makes it in a most artistic and favourable way. Thank you for attention.

Allegedly, this was Joseph Stalin's favourite film, and it may be interesting to see for oneself what amused one of the sickest minds in history. Apart from that historical aspect, this film has no basis in reality, moreover, it never did. While millions of Russian citizens were being sent to concentration camps for no reason except suspicion of treason (whatever that meant), this film depicts life in the Imaginary Soviet Union, where people live happy and carefree lives. A good example of how Soviet propaganda worked itself out in the Russian cinema. Aesthetically, there are many good Russian -- even Soviet -- films. However,this one isn't one of them.