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Sweethearts

  • 1938
  • Approved
  • 1 घं 54 मि
IMDb रेटिंग
6.2/10
768
आपकी रेटिंग
Nelson Eddy and Jeanette MacDonald in Sweethearts (1938)
कॉमेडीरहस्यरोमांससंगीतमय

अपनी भाषा में प्लॉट जोड़ेंThe team behind a successful Broadway production tries to stop the married stars from transitioning to Hollywood.The team behind a successful Broadway production tries to stop the married stars from transitioning to Hollywood.The team behind a successful Broadway production tries to stop the married stars from transitioning to Hollywood.

  • निर्देशक
    • W.S. Van Dyke
    • Robert Z. Leonard
  • लेखक
    • Frédérique De Grésac
    • Harry B. Smith
    • Robert B. Smith
  • स्टार
    • Jeanette MacDonald
    • Nelson Eddy
    • Frank Morgan
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.2/10
    768
    आपकी रेटिंग
    • निर्देशक
      • W.S. Van Dyke
      • Robert Z. Leonard
    • लेखक
      • Frédérique De Grésac
      • Harry B. Smith
      • Robert B. Smith
    • स्टार
      • Jeanette MacDonald
      • Nelson Eddy
      • Frank Morgan
    • 28यूज़र समीक्षाएं
    • 8आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 ऑस्कर के लिए नामांकित
      • 5 जीत और कुल 2 नामांकन

    फ़ोटो34

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 26
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Jeanette MacDonald
    Jeanette MacDonald
    • Gwen Marlowe
    Nelson Eddy
    Nelson Eddy
    • Ernest Lane
    Frank Morgan
    Frank Morgan
    • Felix Lehman
    Ray Bolger
    Ray Bolger
    • Hans
    Florence Rice
    Florence Rice
    • Kay Jordan
    Mischa Auer
    Mischa Auer
    • Leo Kronk
    Herman Bing
    Herman Bing
    • Oscar Engel
    George Barbier
    George Barbier
    • Benjamin Silver
    Reginald Gardiner
    Reginald Gardiner
    • Norman Trumpett
    Fay Holden
    Fay Holden
    • Hannah
    Allyn Joslyn
    Allyn Joslyn
    • Dink
    Lucile Watson
    Lucile Watson
    • Mrs. Marlowe
    Gene Lockhart
    Gene Lockhart
    • Augustus
    Kathleen Lockhart
    Kathleen Lockhart
    • Aunt Amelia
    Berton Churchill
    Berton Churchill
    • Sheridan
    Terry Kilburn
    Terry Kilburn
    • Brother
    Raymond Walburn
    Raymond Walburn
    • Orlando
    Douglas McPhail
    • Harvey
    • निर्देशक
      • W.S. Van Dyke
      • Robert Z. Leonard
    • लेखक
      • Frédérique De Grésac
      • Harry B. Smith
      • Robert B. Smith
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं28

    6.2768
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    फ़ीचर्ड समीक्षाएं

    7blanche-2

    Lovely confection for MacDonald and Eddy

    Much has been made of Jeanette MacDonald's singing, but there is never much mention of her beauty. She was very beautiful, with a vibrant personality and good acting ability. All of this is shown to advantage in this big-budget MGM extravaganza, "Sweethearts," a huge 1938 hit in which MacDonald costarred during her successful partnership with Nelson Eddy.

    This isn't really the operetta "Sweethearts" - rather, it's a modern story about a couple starring in a show called "Sweethearts" on Broadway. The script is by Alan Campbell and Dorothy Parker, and we meet our singing lovebirds, married in real life, in their sixth year run of the show. Hollywood is beckoning to them; the couple is exhausted by an endless round of shows, radio appearances, and parties they must attend. Hollywood - the free evenings, the time off between films, the sunshine - is starting to sound pretty good to them. The producers of the show are in a panic. They have to keep them from going to Hollywood; since Hollywood is interested in both of them as a team, perhaps if they were no longer a team...

    I've read a good deal here about "glorious Technicolor" - it's beautiful but a little garish. The film is filled, naturally, with lots and lots of music. MacDonald's voice never did much for me - nice middle, not much of a top most of the time - probably due to the way singers were taught back then. Eddy is extremely handsome in Technicolor and his magnificent baritone is well-served by the music.

    I was recently reading about the stories that have been going around for years that the couple was secretly in love, supposedly supported by MacDonald's sister. It's the subject of a new musical and book. MacDonald's husband Gene Raymond did indeed resemble Eddy, and her marriage to Raymond was a Louis B. Mayer special - arranged. I think there is probably truth to the stories, and it makes sense that one reason for not marrying was that Eddy wouldn't have wanted her to work.

    I read a comment here that the script is dated, etc. - MacDonald and Eddy were of their time, and they need to be appreciated in that context. When that is done, they bring us back to a more innocent time, pre-World War II, and they're wonderful.
    6adamshl

    Points of demerit

    "Sweethearts" has so much going for it that it's painful to admit to some lesser Victor Herbert songs as main features. Eddy and MacDonald are fine, the Technicolor is lovely, and the cast is top notch. Unfortunately, there are only about two songs that are worthy of the great Herbert.

    Well, every composer can't turn out all hits; it's just unfortunate that the lesser songs are given such up front treatment. As much as the stars pour their all into these songs, they fall rather flat and unmemorable.

    The production numbers are spectacular, the production design lovely, and the costumes eye-popping. Too bad this one didn't rise to the level of the duo's other film entries. Still, kudos to the quality of both the singing and acting of Eddy-MacDonald.
    6AlsExGal

    Disappointingly long and bland

    This one is notable for being MGM's first Technicolor movie. "Sweethearts" won cinematographers Oliver Marsh and Allan Davey special Oscars for their work with color film. MacDonald looks gorgeous--black and white didn't do her justice.

    The music is pleasant enough, but not memorable. The couple is nauseatingly in love through the first hour, starring in a long running Broadway production - "Sweethearts". Unable to find rest during their six year production, the two are enticed to go to Hollywood instead, being promised lots of breaks between films. The normally feuding creative forces/producers of "Sweethearts" realize that this is the end of the gravy train, so they hatch a plan to keep the two from leaving. Complications ensue.

    When MacDonald and Eddy aren't singing, the film seems endless. Not even the scenes with animals make this amusing. Eddy is the one who brings off some sight gags--three of them to be exact. Frank Morgan and the rest of the cast are stranded without any funny lines. They just made me groan--and I'm an easy laugher. It's hard to make Frank Morgan unfunny.

    Trivia I noticed--the opening operetta is on the same set that "The Great Ziegfeld" (1936) used for the "A Pretty Girl Is Like A Melody" number. There is a lengthy end credit explaining that the actors on the screen didn't write the 1913 operetta "Sweethearts". MacDonald has a five minute fashion show and proves she looks good in any outfit, no matter how misguided.

    If you see this, watch the first thirty minutes and the fashion show for the cinematographers playing with colors, then fast forward between songs.
    6planktonrules

    Lots of music...and color.

    While there films are not nearly so popular today, Jeanette MacDonald and Nelson Eddy were incredibly hot properties for MGM and this would explain why MGM made "Sweethearts" in full Technicolor...something they'd never done with a full length film. Many studios had made films using cheaper (and inferior) color stock such as Two-Color Technicolor and the new, improved full color from Technicolor was expensive and MGM pulled out all the stops for their big team.

    MacDonald and Eddy play Gwen Marlowe and Ernest Lane, a pair of Broadway stars who have been packing theaters for years with their latest show, "Sweethearts". Not surprisingly, Hollywood comes knocking...and Marlowe and Lane's handlers do their best to try to hold on to them and prevent their defection to the West Coast.

    As you watch this, you might think that the Technicolor is a bit garish and intense. This was often the case with early Technicolor...partly because of the film process and partly because its inventor insisted that his ex-wife, Natalie Kalmus, be the color consultant...and she determined the colors of the costumes, sets and the like. And, of the stars, MacDonald comes off the worst because she appears so incredibly ruddy in the film....and rather unnatural.

    As you'd expect in one of their films, there is a LOT of singing...intense singing and big stage production numbers. This is the style of their films...a style which seemed to grow less and less popular into the 1940s and 50s. You either like it or you don't. As for the rest of the story, it's enjoyable and well made. I didn't mind the story at first, but found it really tanked when MacDonald's character changed...becoming rather demanding and nasty and VERY jealous. This was NOT a welcome story element. I also found the musical numbers difficult to enjoy because it's a style I've never been all that fond of seeing and hearing in films.
    haustin-1

    Hollywood or bust! Styles have changed..so what!

    In glorious Technicolor,the stars are probably at their best,exceeding such romances as "New Moon","Rose Marie" and the others. Production values are enormous,beginning with a dance by Ray Bolger to a Dutch background heightened in color by beds of tulips.They are just enough not to be overwhelming. Jean and Nelson are the stars in the film of the sixth year of the stage production of Victor Herbert's 1913 show "Sweethearts" and are being done to death by the importunities of radio,recording,and family demands. Frank Morgan is his usual perplexed and harassed self as the stage producer,Herman Bing and Misha Auer are in top form as a mutually fighting conductor and wannabe playwright. One delightful vignette is during her modelling session at a dressmaker's shop,where she shows off the various colors and styles for different occasions. One gem is Eddy's race,pursued by speed cops,in a taxi from recording studio to NBC radio (looking much then as now) where Jeanette awaits him,having just broadcast Herbert's "Badinage" ably accompanied with much panache by Dalies Frantz.Some of her old Lubitsch (Director "Merry Widow"et al.) sassiness comes out as she mimes with the audience, until Eddy arrives, looking like a naughty schoolboy,with sleeve pulled up arm' amid her tidying of his appearance. One of the nicest shots is down the staircase at their home during the duet of "Little Gray home in the West",one of the most sincere performances. Herbert Stothart deserves much credit for his arrangement of Herbert's melodies,the duets and the delightful continuous orchestrations of the sound track. I would certainly watch this masterpiece several times.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This is MGM's first full-length film to feature a different lion roaring in the logo, by the name of Tanner. He appeared at the beginning of MGM's Technicolor feature films and cartoons from 1936 to 1956 and later, from 1963 to 1967.
    • भाव

      Felix Lehman: [Counting on Gwen and Ernest's gullibility] I'm an old man and I don't get many pleasures, but you go ahead. Just think about yourselves. Forget about me.

    • क्रेज़ी क्रेडिट
      A written epilogue explains: "In our screen play, certain dramatic liberties have been taken with the operetta 'SWEETHEARTS'. We depict the scenes from the operetta as though it was a recent production presented by a wholly fictitious producer Felix Lehman and composed and written by two wholly imaginary persons Oscar Engel and Leo Kronk whereas the stage operetta 'SWEETHEARTS' was actually written and produced on the stage about 1913, Victor Herbert composing the music and Frédérique De Grésac (as Fred de Gresac), Robert B. Smith and Harry B. Smith writing the book and lyrics."
    • कनेक्शन
      Featured in Nelson and Jeanette (1993)
    • साउंडट्रैक
      Sweethearts
      (1938) (uncredited)

      Music by Victor Herbert (1913)

      Lyrics by Bob Wright and Chet Forrest

      Played during the opening credits and often in the score

      Performed by Jeanette MacDonald and Nelson Eddy

      Reprised by them for a radio broadcast with chorus

      Later sung by MacDonald with Douglas McPhail and Eddy with Betty Jaynes

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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    बदलाव करें
    • रिलीज़ की तारीख़
      • 30 दिसंबर 1938 (यूनाइटेड स्टेट्स)
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      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए
    • उत्पादन कंपनी
      • Metro-Goldwyn-Mayer (MGM)
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      1 घंटा 54 मिनट
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