Secrets of an Actress

An urban architect along with his married partner get caught up in a romantic triangle with an ambitious Broadway actress.

Professionally done programmer that unfortunately fails to ignite. Frankly, the leads, Francis, Brent, and Hunter, go through the motions, but the men in particular don't project much emotion. Francis, on the other hand, lights things up with her smile and A-grade wardrobe. But she too doesn't go much beyond an indelible presence. Fortunately, supporting players Dickson, Jeans, and Singleton manage to inject needed verve and color.

So, will the tangled relationships get straightened out by movie's end. Silly question. Too bad the film wasn't made before the deadening Production Code (1934). That way some real secrets might have been revealed. Instead, I'm pressed to pinpoint even one titillating faux pas. Looks like the title was little more than a commercial ploy. Anyway, the dialog is occasionally sprightly while director Keighley keeps things moving. Overall, the 70-minutes amounts to a cranked-out professional product with a highly misleading title.

It's nice to report that once in awhile KAY FRANCIS actually got to emote in a fairly decent script. This one benefits from the participation of Julius J. Epstein, a writer at Warner Bros. who wrote many fine scripts for that studio and others. This one is a formula story that benefits from some clever lines and amusing dialog, factors often missing in Miss Francis' films.

GEORGE BRENT and IAN HUNTER are her romantic co-stars, as architects who become involved in her show business aspirations. There's never much doubt as to which male will win her in the final reel, but getting there is pleasant enough with everyone getting a turn at some good quips thanks to a better than average script.

PENNY SINGLETON (who later became "Blondie") is almost unrecognizable as a brunette secretary with eyeglasses, but the chief femme roles go to GLORIA DICKSON as a gold-digger and ISABEL JEANS as Francis' flighty roommate who is a bit annoying in her overacted role.

Francis gives a smooth performance and it's a shame she never got a chance at scripts of this caliber during most of her early days at Warner Bros., the studio that had Bette Davis waiting in the wings to replace Francis as the number one dramatic star.

Kay Francis must have had some interesting secrets in the way she had two men chasing her in Secrets Of An Actress. Beauty, talent, and that little something extra that makes one a star.

In Secrets Of An Actress, Kay is the daughter of a famous stage actor who has tried to match that career. But all she gets is road company tours in various classics. She wants to be a hit on Broadway and in a role created for her. As it happens she has a play that she wrote with just that in mind. To find a producer is the key.

Enter Ian Hunter who is a successful architect and pretty well fixed financially. A chance meeting in a bar with Francis and he's literally swept off his feet. Hunter has a younger associate in his firm played by George Brent who is likewise smitten with Francis, but he's just a little bit married to Gloria Dickson, one real piece of work.

If you're a fan of Thirties screen comedies I think you'll know where this one is going. Doesn't mean the ride isn't pleasant. The script is a witty, sophisticated one and the cast performs it well.

Look for a brilliant performance by Isabel Jeans as Francis's best friend, an old time actress with a little drinking problem. She plays it like a combination of Eve Arden and Zasu Pitts. In her case the old Latin phrase in vino veritas rings true as she has some really good observations, especially with a drink or two.

A few years down the road, I think someone would have recognized Diana Barrymore for the model of Francis's character. Secrets Of An Actress, though from the Warner B picture unit is a bright comedy, very typical of its time.

In 1934, a newer strengthened Production Code was put in place. Hollywood had agreed to clean up its act--removing nudity, adultery, bawdy language and excessively violent behavior from its films. During the rest of the 30s, divorce, for example, was hardly ever mentioned. In light of this, it was very surprising that SECRETS OF AN ACTRESS got the go ahead light. This film is about a new Broadway star (Kay Francis) and the men who love her (Ian Hunter and George Brent). In particular, she loves Brent, though she doesn't realize he's already married. To make this more palatable to the censors, they pointed out that Brent's wife didn't love him, was holding on to him for his money and that they'd been separated for several years. This was perhaps the only way the divorce angle could enter the film, though it also tended to make the film seem a bit contrived and impossible.

Overall, the film is entertaining though also very predictable. The stars do a decent enough job, though the less than outstanding plot and the god-awful character of Miss Plantagenet (who was like a walking migraine every time she appeared on screen) did a lot to sink this film to the mediocre level.

Secrets of an Actress never reveals any secrets worth knowing.

Two men who are very good friends are in love with the same star (Kay Francis). The story treats Ms. Francis like a yo-yo, tearing her from one man's arms, then from the other's.

She is the "prize" in this film. It centers on her, making the two men appear not so valuable, as love objects. And, as a result, it makes Ms. Francis's decision feel somewhat unimportant, though it is what the film revolves around. Their little courtship dances grow wearisome by the end of the film.

You might wonder why Kay doesn't just choose the man she truly loves. The story sets up a "straw man" of an argument to keep the lovers apart just so it can later knock it down. I couldn't invest much emotion in the issues of our three protagonists.