Room Service

I consider this the last Marx Brothers film worth seeing, though it is inferior to all their previous films. While you'll get a few laughs in their efforts following ROOM SERVICE, they are definitely a step below their earlier efforts.

The film was an adaptation of a stage production and it's obvious because most all the action takes place in one hotel room. As a result, there's a definite feeling of claustrophobia in the picture and it also prevents the film from rising to a higher level of entertainment.

About the only real WONDERFUL moment in the film is the very end, where one of the characters appears to come back to life--it's well worth seeing.

30 years ago today, Groucho Marx died at 86, three days after Elvis Presley. For the occasion, I'd thought I'd view some of his movies of which Room Service is one of them. Unlike the others he made with his brothers, this one wasn't especially tailored to their talents since it was originally a Broadway play starring other people. So the action is mostly confined to the hotel and the pace slows down a little bit. Nevertheless, there's still some witty lines and visual humor concerning Harpo that makes this one of the more enjoyable latter day-Marx Brothers films. And there's a wonderful supporting cast with Frank Albertson as the playwright and, especially, Donald MacBride as the hotel manager who keeps exclaiming, "Jumping Butterballs!" Also of note is the fact that a couple of young players named Ann Miller and Lucille Ball appear here long before their established personas. So while not the classic of their five Paramount and first two MGM pictures, this RKO production was nothing the Marx Brothers should be ashamed of.

didn't think this was one of the Marx Brothes better films, but it wasn't their worst, either. One thing different: no harp playing from Harpo and no singing from Groucho. That's okay with me, anyway, since I watch these movies for the comedy, not the music. The only musical number was "Swing Long, Sweet Chariot" near the end of the movie.

There are some funny scenes in here, but not enough of them. Too much of the film takes place in one room. This is like a play and it begins to drag after an hour. Donald McBride, with his constant gruff voice and shouting, grates on you after awhile, too.

Lucille Ball is in here, and I always didn't recognize her. She looked very young (which she was!).

Overall, the film has entertainment value but, personally, I would rather watch the boys' others films.

One of Lucy's early, credited roles. She had been in hollyood for five years, but mostly in uncredited or deleted roles. It's a fun, typical Marx Brothers film... lots of antics, an act trying to stay in a hotel, with the hotel manager always after them for not paying the bills. The awesome, clever Marx brothers had been making about one film a year, and this time they brought in Ann Miller (who appears to be only 15, if you do the math!), Lucy, and Frank Albertson. And of course Donald MacBride, as the gullible hotel manager. They must pretend there's a major illness, so the hotel can't possibly evict them, but maybe they will anyway. The usual silliness and shenanigans. It's pretty good. a required viewing for Marx Brothers fans. and of couse, an early Lucy film. Its Fun! not their best, but its good old fashioned comedy from the vaudefille days. and who can pass up watching the Marx Brothers run around in circles, playing with clever word phrases ? It IS on dvd, but it shows on Turner Classics now and then.

The movie manages a few chuckles, but is not prime material for Marx Bros. fans. One reason is that there's too much conventional logic in what the boys do, unlike their usual wacky comedic logic. Thus, there's little of the usual anarchic assault on well-ordered society that provides larger point to their madcap style.

Here the boys are trying to beat the hotel out of a big bill in order to get their stage play produced, and what they do makes perfectly good sense, though done in zany style. I get the feeling that, unlike other Marx movies, any number of good comedic actors could have replaced them to decent effect. Also, journeyman director Seiter fails to bring the zaniness to the kind of madcap boil that marks their best features. For example, the comedy mix tends to keep the boys apart instead of effectively combining them.

Nonetheless, the movie has its moments and some good gag lines, along with lively humorous support— MacBride as the dyspeptic hotel manager, Wood as the string bean agent, and Albertson as the boyish playwrite. Unfortunately, Lucille Ball's expert comedic talent goes untapped, but thankfully not her good looks.

Looks like the boys miss their home at MGM where their best movies were made. But even second-rate Marx Bros. at RKO still manages some good laughs.