अपनी भाषा में प्लॉट जोड़ेंA wealthy business man, out of touch with real folks, decides to mingle and see what it is really all about.A wealthy business man, out of touch with real folks, decides to mingle and see what it is really all about.A wealthy business man, out of touch with real folks, decides to mingle and see what it is really all about.
- पुरस्कार
- कुल 1 जीत
- Beauty Operator
- (बिना क्रेडिट के)
- Soap Song Quartet Member
- (बिना क्रेडिट के)
- Tobler's Waiter
- (बिना क्रेडिट के)
- Toblers Secretary
- (बिना क्रेडिट के)
- Telephone Operator at Schultz Disturbance
- (बिना क्रेडिट के)
- Soap Song Quartet Member
- (बिना क्रेडिट के)
- Lawyer
- (बिना क्रेडिट के)
- Second Plaza Hotel Clerk
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
The movie doesn't have any politics, so I am surprised why some of the reviewers have to bring that in here. We may discuss those aspects when the movie itself is political. The background - Austrian - had been kept since the original story was that way, and it tried to remain faithful to it. The story was of 1924 - much before the Nazis had really assumed the power. The writer of the story, by the way, was pacifist - which neither of the warring sides were, and to the credit of Nazis, he had been interrogated, kept under observation, but neither put behind bar, not stopped from moving out of the country - and he always came back to it. Anyway I too shouldn't go into politics, there are movies where that could be taken up during review - both of UFA as well as Hollywood - since both were equally biased and wrong.
Many, many classic films are set in European locations, even though for years, they were done on Hollywood sets for the most part. Was it because of the European market? To give the films an exotic feel? Even if the film were adapted from a foreign book, a studio could still set it in the U.S. But no, it was always Switzerland, Austria, Germany, France, etc.
Why would anyone set a film in Vienna in 1938? No idea, except that Hollywood (and I guess the U.S.) ignored what was going on in Europe for several years. Even when it was acknowledged, studios were careful in their films not to state that people were Jewish (in the Mortal Storm they were non-Aryans) or talk about the Nazis (in the Mortal Storm they showed swastikas but never used the word Nazi), at least at first.
Robert Young is Fritz Hagedorn, a constant contest winner (26 in all) who wins the Tobler Soap motto competition. In second place, unknown to anyone, is the big guy himself, Rudolph Tobler (Frank Morgan). The prize for both is a ski vacation in the Alps, which Tobler takes under an assumed name and brings his butler (Owen) along as an associate.
The hotel is ready to lay out the red carpet for Tobler because his housekeeper (Oliver) has called to say the contest winner is a wealthy gentleman is arriving and has to have the best of everything. She has to hang up before she can give his fake name, so when Fritz arrives, he gets a suite and all the perks. When Tobler arrives, they take him for a bum and throw him up in a freezing cold attic room.
Believing Fritz to be the rich one, Mary Astor sets her eyes on him and makes a play. While in the hotel room with Fritz and Tobler, Fritz opens some brandy. When Tobler tastes it and identifies it by name, as a very expensive brandy, she realizes she's got the wrong guy. So she changes lanes.
Fritz meanwhile is falling for Tobler's daughter (Rice). She tells him that she's poor, knowing he doesn't want to marry out of his class.
Very funny film with some wonderful character acting from the hotel people (Hull, Herman Bing, Sig Ruman), a great dishwashing scene, Tobler being introduced to the features of his hotel room (broken window in the middle of window, ice in the sink, rock hard mattress), and Edna May Oliver skiing. By the way, she was 55 at the time of this filming and died at 59.
The acting from the rest of the cast is delightful. I guess Hollywood least of anywhere cared what was going on in the rest of the world. Just put in a few yodelers, show some mountains, and that's it.
I doubt if today's youth would appreciate such a movie, but those of us who like the old ones definitely would. What a shame to realize that the setting was Vienna in 1938, a city destined to be overrun by Hitler's hordes and its society shattered within 2 years.
क्या आपको पता है
- ट्रिवियाMary Astor's first film under contract with MGM.
- गूफ़As with many of his films from the mid-to late 1930s, Robert Young's wedding ring is visible on his hand in several scenes.
- भाव
Johann Kesselhut: [Waiting for Rudolph Tobler to show up outside the Paradise Hotel, under the name Eduard Schultz] Tell me, my good man, how long does it take to walk to the station?
Mr. Polter: I will get you a car, Mr. Kesselhut.
Johann Kesselhut: I don't want a car.
Mr. Polter: Well, you want to walk?
Johann Kesselhut: I don't wanna walk. I want to know how long it takes.
Mr. Polter: Well, if you don't wanna walk, what do you care how long it takes?
Johann Kesselhut: If I wanted to walk, how long would it take?
Mr. Polter: Well, uh, would you rather walk fast, slow, or medium?
- कनेक्शनVersion of Drei Männer im Schnee (1955)
- साउंडट्रैकOn the Beautiful Blue Danube, Op.314
(1866) (uncredited)
Written by Johann Strauss
Played for a radio soap ad and sung with special lyrics by Clarence Badger Jr., John Westerfelt, Joseph Bjorndahl and Abe Dinovitch
Played in the hotel dining room
Variations played as backgound music often
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Three Men in the Snow
- फ़िल्माने की जगहें
- ऑस्ट्रिया(background exteriors)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,59,000(अनुमानित)
- चलने की अवधि1 घंटा 18 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1