Mr. Wong, Detective

Although most of the production is pretty plain, the basic mystery story in "Mr. Wong, Detective" is rather interesting, and Boris Karloff's good performance as the detective also makes it worth seeing. Karloff brought a human touch to every role that he played, and even though this is an atypical part for him, he is a believable Mr. Wong. Most of the other characters are somewhat nondescript, except for Grant Withers's abrasive police officer, and aside from Karloff the cast is nothing special, but the story itself is enough to hold your interest.

In the story, the detective must patiently solve a mystery from the slightest of clues. Some of the developments strain credibility, but if you can accept the premise, it's an interesting idea and it makes decent use of the details. There are several places where it could have been written better or edited more effectively, but the pacing is pretty good, and as it proceeds, it often gives you what you need to know in order to try to anticipate what happens next.

The climactic sequence is one of the better ones that you'll see in this kind of B-movie. The production values are lower than a Karloff feature deserves, but with a solid story and Karloff in the lead, it's definitely worth seeing.

Considering its age (almost 65 years old), this movie has held up reasonably well. Granted, it is a bit slow and dull (it runs only 69 minutes but it feels MUCH longer), and Boris Karloff is not convincing, of course, as an Oriental. However, he does capture the Oriental philosophy of his character, and the plotting itself (particularly the killing method) is ingenious, worthy of a fine crime novel. (**1/2)

In the great tradition of Chinese detectives as Charlie Chan and Mr. Moto, Boris Karloff's Mr. Wong was a solid addition to that venerable kind of films. Is really difficult to think in Karloff as a Chinese person, but the British actor delivers a solid performance, if you can dig his weird accent. The plot is simple, the strange murders are against logic, but Mr. Wong's patience and intelligence can solve the mystery. The other actors are far below Karloff, but the overall fell of the movie is candid and likable. Another completely different Mr. Wong was played before by Bela Lugosi, a villain, but this detective deserves your interest if you are a fan of the genre.

Mr. Wong, Detective (1938)

** 1/2 (out of 4)

A business man fears for his life so he pays a visit to Detective Wong (Boris Karloff). The next day the man is dead and a suspect is arrested but Wong isn't so sure they've got the right guy. Soon other murders are committed and it's up to Wong and Captain Street (Grant Withers) to try and solve them.

With the likes of Fu Manchu and Charlie Chan being so popular, Monogram decided to get in on the Asian characters and they ended up doing six Mr. Wong pictures, five with actor Boris Karloff. None of the films were all that great but there's no question that this first one was the best of the lot.

This one here benefits from a somewhat better than normal screenplay that offers up an interesting murder scheme and for the most part I thought it played out quite well and the ending was fun and believable. It also doesn't hurt that Karloff himself was so good in the role of Wong.

Yes, we can argue about a white actor playing an Asian character but this is how it was done back in the day, for better or worse. I thought Karloff was really good at playing the low-key and rather laid back character and even though he doesn't talk or move quickly, he's still very much entertaining. I also thought Withers was fun in the role of the typical Detective in these type of movies. You know, the tough guy whose toughness never gets anything done.

THe film certainly shows it's "B" quality production but there's no doubt that it's a mildly entertaining film.

Throughout the 1930s, Fox Studios made a ton of very successful Charlie Chan films. It isn't surprising that this led to knock-off characters like Mr. Moto (also from Fox) and Mr. Wong (from poverty row giant, Monogram Studios). Frankly, while the Moto and Wong films are pleasant enough B-movies, they are too similar to the Chan films but lack their charm and wit. In the case of Wong and Chan the similarity was even greater as both were of Chinese descent, traveled the world and were "do-gooders" who often helped the helpless when conventional police work failed.

In the early 1940s after Monogram completed six not particularly distinguished films AND Fox decided to discontinue the Chan series, an opportunity arose for Monogram to bring Sidney Toler to the studio and make their own Chan films. As a result, Wong was expendable and since four years had passed since the last film in this series, the studio heads decided they wanted no more Wongs. Besides, if they had Chan AND Wong, the resulting films would be like having two Wongs--and that's just not right.

MR. WONG, DETECTIVE is the first Wong film and there's nothing particularly wong, I mean WRONG about the film. It was entertaining and had a nice mystery. However, it's also an awful lot like several other Monogram films--and is most like their next Wong film, THE MYSTERY OF MR. WONG. It's also a lot like the Chan films, MURDER OVER NEW YORK, THE JADE MASK and DOCKS OF NEW ORLEANS. In other words, many plot elements were repeated and after a while the films started to be indistinguishable from each other--something that was NOT a problem with the Fox films.

Overall, it's worth seeing and is possibly the best film of the series--though this isn't saying a lot.