Das indische Grabmal

1938
1 घं 34 मि

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Theo Lingen, Gustav Diessl, Philip Dorn, Richard Eichberg, Kitty Jantzen, La Jana, Thea von Harbou, and Theo Matejko in Das indische Grabmal (1938)

अपनी भाषा में प्लॉट जोड़ेंBack in India after what happened at first part Der Tiger von Eschnapur, Maharadscha Chandra is ready to carry on his well-planned vengeance, in which German architect Peter Fürbringer, his ... सभी पढ़ेंBack in India after what happened at first part Der Tiger von Eschnapur, Maharadscha Chandra is ready to carry on his well-planned vengeance, in which German architect Peter Fürbringer, his fiancée Irene and his assistant will get involuntarily involved having to fight for their ... सभी पढ़ेंBack in India after what happened at first part Der Tiger von Eschnapur, Maharadscha Chandra is ready to carry on his well-planned vengeance, in which German architect Peter Fürbringer, his fiancée Irene and his assistant will get involuntarily involved having to fight for their lives amidst a revolt fueled by traitor Prinz Ramigani.

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6.1/10

138

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फ़ोटो14

+ 6

टॉप कलाकार61

बदलाव करें

उपयोगकर्ता समीक्षाएं4

6.1138

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8talopine

Good film, fake death scenes

I thought that this film was really quite good. The beginning was not great, as it was a bit rushed, but it did get better. The plot was sometimes a bit sketchy and the dying scenes were so obviously fake - but otherwise it is a good thing to watch if you have nothing better to do.

ufahawaii

my first experience of beauty

I saw this film when I was 10yrs old, just before WWII. Even as a child I thought La Jana was the most beautiful human being that I ever had seen. I would love to see this film again, but I don't know how or where to find it. Any help will be most appreciated. I remember how terribly sad I and many relatives were when the death of La Jana was announced in late 1940. I recently read that La Jana was selected for the part of LolaLola in Blau Engel but that Sternberg's wife who was a friend of Dietrich managed to give the part to Dietrich, thus changing cinematic history. In retrospect it seems that Dietrich rather than the imperious La Jana was a better choice for the part, even at the expense of beauty.