If I Were King

Hollywood certainly had reason to thank their lucky stars that Ronald Colman's career straddled both silent and sound films, and that he was of an age where he was still believable as a romantic leading man as sound became the industry standard. Silent films had made him a major star; sound revealed that amazing, distinctive voice, oft imitated but never surpassed, that made him legendary.

Of his amazing output of classic films in the 1930s, IF I WERE KING is one of the most audience-friendly, and, with THE PRISONER OF ZENDA, stands as two of the best swashbucklers of the decade. With a wryly engaging script by the legendary Preston Sturges (based on the famous operatic play by Justin Huntly McCarthy), and the 'no frills' directorial style of veteran director Frank Lloyd (who specialized in action films), the fanciful adventures of vagabond poet François Villon (Colman) may lack the sweep of the Michael Curtiz/Errol Flynn spectacles at Warner Brothers, but makes up for it with humor, a sense of the absurd, and Colman, himself, who could act rings around the younger Flynn.

As fifteenth century Paris is besieged and slowly crushed by Burgundian armies, all that holds the city, and the dream of a united France together, is the iron will of doddering old King Louis XI (brilliantly portrayed by frequent Flynn nemesis Basil Rathbone, who is obviously having a ball in the character role). Meanwhile, the rabble of the city, victims of the corruption of the court, are stirred by the writings of poet/revolutionary Villon, who steals from the rich, dodges authorities nimbly, and is unafraid to speak the truth. While drinking stolen wine with friends at a local inn, he presents such an eloquent case of how he'd change things "If I were King", that Louis, watching in disguise, and well aware of his government's shortcomings, decides to put Villon to the test. Capturing the revelers, he surprises the poet by appointing him Lord High Chancellor for a week, daring him to improve things...and Villon delivers, demanding the Burgundians to surrender(!), opening the food coffers to the starving masses (and forcing the aristocracy out of their well-fed complacency), dispensing justice tempered with mercy, and creating among the lower classes a sense of patriotism and greater purpose towards King and Country.

As the King cackles at the turn of events, the military and aristocracy despise Villon (other than beautiful Katherine de Vaucelles, portrayed by Frances Dee, who falls in love with the Lord High Chancellor, while suspecting him to be the penniless poet who once pledged his love as she attended Mass). As the week draws to a close, and plots and machinations against Villon reach an explosive climax, the future of not only Paris but all of France will depend on the poet's quick wit, decisiveness, and ability to rouse the masses.

While the history portrayed is fanciful, Ronald Colman is the perfect embodiment of the charismatic Villon, and Rathbone's cranky gruffness offers the ideal compliment to Colman's suave persona.

If the film has a fault, it is in the print itself, which is showing signs of deterioration and aging. One hopes that it will be a candidate for restoration, soon.

IF I WERE KING should be preserved for future generations to enjoy!

Francois Villon, born 1431 was all that If I Were King makes him out to be. Poet, satirist, duelist, and consorter with the rabble of low degree as Brian Hooker's lyric from The Vagabond King, he was all this. His satire brought him some big time trouble, a death sentence. But a last minute commutation by the monarch he satirized, brought him banishment in 1463. Villon went so far into obscurity that we do not know when he died after leaving Paris.

From these facts Justin Huntly McCarthy wrote a popular romantic play that premiered in 1901 and was later made into an operetta with score by Rudolf Friml and Brian Hooker. McCarthy took into account the politics of the time in medieval France. Louis XI was only King for two years, ascending the throne in 1461. The monarchy after leading France to an ultimate victory in the Hundred Years War against the English, was leader of a shattered land with many of the lesser lords quite a bit more powerful than the king. Chief among these in France at the time was the Duke of Burgundy. Whoever held that title ruled an area about a third of modern day France.

It's those Burgundians who have Paris surrounded and are dictating terms to Louis XI when the story opens. Villon and his sidekicks have broken into one of the King's warehouses and helped themselves to some food. Taking it back to the tavern owned by Robin Turgis, Villon makes a few choice comments about Louis XI. Unbeknownst to him, Louis himself is there on a mission to ferret out a traitor among his counselors. The traitor turns out to be the Constable of Paris. When a fight breaks out, Villon kills the constable.

This puts Louis in a dilemma as he sees it. Villon has killed a traitor, but he's insulted the person of the king. Since Villon brags about how much better a job he can do, Louis makes him Constable of Paris and gives him a noble title.

No man on the silver screen ever spoke the King's English better than Ronald Colman. I could listen to that man recite the Yellow Pages. He's a perfect Villon.

Basil Rathbone was nominated for Best Supporting Actor in 1938 for Louis XI. Louis XI was known as the spider king because the man was the craftiest of schemers. He usually had about 5 or 6 options given any situation, most of us are lucky if we have one alternative. Dealing from weakness as he was, he had to be a man of cunning, guile, and deception.

Interesting talking about the King's English when dealing with a pair of figures from medieval France. But the contrast between the romantic Villon and the crafty Louis is what drives the film. That and the partnership of necessity they form and the later grudging respect they develop for each other. Colman and Rathbone have the classical training needed to make If I Were King work.

The two main female characters acquit themselves well. Frances Dee as noblewoman Katherine DeVaucelles and Ellen Drew as the tragic Huguette are just fine. And among the supporting cast, I particularly like Sidney Toler as tavern owner Turgis. It's quite a contrast from playing Charlie Chan.

For me watching If I Were King is like watching The Vagabond King without the music since I know where the songs go. It's like watching a production of Pygmalion after seeing My Fair Lady. You keep waiting for the songs to start.

Particularly I listen for Colman to break into the Song of the Vagabonds as he rouses the citizens of Paris. It's a great moment in both the play and the musical.

You will thrill when you hear Colman rouse that rabble of low degree even if he doesn't sing.

A cunning king of France allows a rapscallion poet to become Lord High Chancellor - for the space of only one week...

IF I WERE KING is a fascinating film based on the fictionalized lives of two very real personages, Louis XI and François Villon. The performances are impeccable, Preston Sturges' script is literate and Paramount Studios provided excellent production values.

As Villon, Ronald Colman makes full use of his most magnificent talent - his beautiful speaking voice. Like honey flowing over velvet, it caresses the dialogue & adds emotional heft to the lines of Villon's poetry used in the film. While perhaps a bit mature to swashbuckle altogether convincingly, he plays the lover very creditably in the romantic scenes.

Obviously determined not to acquiesce the entire film to Colman, Basil Rathbone is hilarious as King Louis. Gaunt, wizened & cackling like a crone, he effortlessly steals his every scene. Eschewing the use of his own superb speaking voice, Rathbone plays a character that will remind some viewers of the disguises the actor would use shortly as Sherlock Holmes. The sequences between Rathbone & Colman are very enjoyable, especially since in their only other joint appearance, A TALE OF TWO CITIES (1935), they had no scenes together.

The two women involved in Villon's life are portrayed by Frances Dee & Ellen Drew, one an aristocrat, the other a wench - lovely ladies both. Smaller roles are filled by fine character actors Henry Wilcoxon, Walter Kingsford, Sidney Toler, John Miljan & Montague Love. Way down the cast list is the always reliable Ralph Forbes, playing the king's toady.

Movie mavens will spot an uncredited Lionel Belmore playing the Chief Steward of the royal palace.

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Fat & ugly, Louis XI (1423-1483) was nicknamed 'the Spider' as a grudging tribute to his remarkable skills at plotting & scheming. Although he showed talent in administration from an early age, he also was quite adept at angering his father, Charles VII, and ultimately had to take refuge at the Burgundian court until the time of his succession to the throne. Almost universally unpopular, he set up an elaborate spy network which kept him informed as to nearly all that went on in his kingdom. His overriding mission was to crush the power of the great nobles, especially Burgundy - now ruled by the successor to Louis' former protector - and this he was largely able to do, thanks to his policy of encouraging the minor nobles and the middle class. The might of the French crown was significantly strengthened during his despotic reign.

François Villon (1431-1463?) was both France's greatest lyric poet and a complete scoundrel & ruffian. Raised by a chaplain, Villon absorbed none of the virtues of the Church, consorting with the basest of companions and involving himself in numerous scrapes, misdeeds & robberies. His murder of a priest during a street brawl was but one of several outrages. Imprisoned many times both in Paris and other French municipalities, Villon was almost preternaturally fortunate in being able to take advantage of various pardons & amnesties - all undeserved. After one final clemency, he was banished from Paris for life - whereupon he completely disappears from the historical record.

Although stained by a most unsavory reputation, critics have long admired Villon's poetry and have extolled both the exquisite imagery of his tender verses and the unremitting detail in the poems describing his coarser experiences.

The bulk of the tale told in IF I WERE KING is a complete fantasy. There is no indication that Louis XI & Villon ever even met.

Colman was not only good looking, suave, sophisticated, and dashing, but he had a lyrical voice, an absolute necessity for a great actor. Recall the speech and voices of Peter O'Toole, James Mason, Richard Burton, Laurence Olivier: when they spoke, it was not mere prose but verse. So who better to play the poet, Francois Villon, than Ronald Colman, who possessed the voice of a poet.

Ronald Colman is my favorite actor of all time. I loved his performance in this film as well as his performances in "Random Harvest", "The Prisoner of Zenda", "The Lost Horizon", and "The Talk of the Town".

There were other great performances in this film besides that of Ronald Colman. Basil Rathbone's performance as King Louis XI is perhaps one of his finest, and deserving of an Academy Award as best supporting actor, while Frances Dee's performance as Villon's beloved is mesmerizing, the images to relive forever in one's dreams: the perfection of beauty and femininity. And Ellen Drew's portrayal of Huguette is touching without being maudlin.

Great film, great performances. Hollywood at its very best.

Ronald Colman and Basil Rathbone, two wonderful actors having the time of their careers playing wittily written opposites who are also spiritual soulmates -- Francois Villon, the poetic rebel, born into poverty with a noble soul, and Louis XI, King of France, born into privilege but with a rebel's iconoclasm. Add a witty script by that poetic comedic rebel Preston Sturges, who hits all the crowd-pleasing buttons without condescension and no-nonsense direction by Frank Lloyd, and you have a top Hollywood product -- a crowd pleaser with intelligence.

Rathbone is a particular delight. Pre-Holmes, he revels in playing an unprepossessing cynic to whom everyone must bow because he happens to be the king. Colman is doing what he does best, playing an intelligent, superior man, without losing the common touch. A delight all the way around.