Hard to Get

When spoiled young heiress Maggie Richards (Olivia de Havilland) tries to charge some gasoline at an auto camp run by Bill Davis (Dick Powell), Gas station attendant Dick Powell punishes cash-less rich girl Olivia de Havilland, forcing her to scrub floors of the adjoining motel ! De Havillandshe seeks the plot's revenge, pretending to be her rich dad's maid instead of daughter ; and Powell's more than a poor man's dreamer, holding a grand idea for a "modernized" gas station...Long story short, Olivia falls in love after Powell croons "You Must Have Been A Beautiful Baby" by moonlight, and then has to get out of the hole she's dug herself involving that lie...

D: Ray Enright. Dick Powell, Olivia de Havilland, Charles Winninger, Allen Jenkins, Bonita Granville, Penny Singleton. Good variation on spoiled-rich-girl-meets-poor-but- hardworking-boy idea.

I found this firecracker of a movie on TCM and fell in love with it! There's lots of crazy slapstick, clever & snappy dialogue, tender moments, good music and all-around great, lively performances. . Olivia is a blast as a spoiled little rich girl - she was spunky and absolutely radiant. Pleasant romantic comedy .

I really liked de Havilland in comedy !! Particularly liked Olivia in the light romantic comedy PRINCESS O'ROURKE (1943)

Dame (in the UK) the title given to a woman equivalent to the rank of knight) Olivia de Havilland is an iconic British-American actress who starred in some of the greatest movies of all time. She made her movie debut in 'A Midsummer Night's Dream' (1935).

The actress gained fame playing the lead in box office blockbusters like 'The Great Garrick' (1937), 'It's Love I'm After' (1937), 'The Adventures of Robin Hood' (1938), 'Hard to Get' (1938), 'Dodge City' (1939), and 'Santa Fe Trail' (1940). She found herself being cast in one of the most iconic movies of all time 'Gone with the Wind' (1939), in which she played the 'Oscar' nominated role of Melanie Hamilton Wilkes. She earned two more nominations for 'Hold Back the Dawn' (1941), and 'The Snake Pit' (1948). Olivia de Havilland won her first 'Academy Award' for playing Jody Norris in 'To Each his Own' (1946) and her second one for 'The Heiress' (1949).

Some of the best movies of Olivia de Havilland's career include Gone with the Wind' (1939)'Hold Back the Dawn' (1941), Princess O'Rourke (1943) 'My Cousin Rachel' (1952), 'Light in the Piazza' (1962), 'Anastasia: The Mystery of Anna' (1986), and 'Hush... Hush, Sweet Charlotte' (1964). Olivia de Havilland passed away in July 2020 at the age of 104.

HARD TO GET (Warner Brothers, 1938), directed by Ray Enright, is another one of many formula fluff comedies capitalizing on the current trend of spoiled rich girl and the common working man. Not quite Frank Capra material, but something along that line.

The spoiled heiress in question is Margaret "Maggie" Richards (Olivia De Havilland), who happens to be young, pretty and bored. She has a sophisticated mother, Henrietta (Isabel Jeans); a business-tycoon father, Ben (Charles Winninger), who spends most of his time doing physical fitness by wrestling with his valet (Melville Cooper) behind office doors and at home; and a bratty kid sister, Connie (Bonita Granville). Because she doesn't want to go to New Port with her family, Maggie storms out of the mansion and takes the convertible. Running low on gasoline, she stops at the Federal Oil and Gas Company, a gas-station motel, to fuel up, where she is served its owner, Bill Davis (Dick Powell), and his partner, Roscoe (Allen Jenkins). Because Maggie accidentally left her purse at home and is unable to pay the $3.48 gas debt, she tells Bill to charge it. Because she's a total stranger, and been duped before, Bill puts this snooty customer to work cleaning out cabins and making the beds. Although Maggie tries sneaking away several times, Bill outsmarts her. After doing her chores, Maggie, resenting Bill's actions, returns home demanding her father to have the gas station attendant fired. Old Man Richards surprises his daughter by agreeing with the young man's actions, and that she is now a young woman who should now look out for herself. This she does, by plotting a vicious scheme getting even with Bill. Returning to the gas station the following morning, she pretends to be sorry, and sweet talks him into taking her out to a dinner date. During those few hours with him, Maggie learns Bill to be an ambitious architect having designed an auto court for a proposed chain of them across the country. What he badly lacks is money and a financier to back him. Maggie suggests Ben Richards (not telling him that he's her father but that of being his maid), and gives him the secret password, "Spouter," so to get past the secretary. Each time Bill goes to the office, he gets thrown out, physically. In spite of everything, Bill is not discouraged, going through extremes (disguising himself as a cleaning lady) to have one of these financial backers examine his blueprints. Once he learns Maggie has played him for a practical joke, he gives up. It's now up to Maggie to amend her ways, and when she does, Bill is gone and nowhere to be found.

Occasionally labeled a musical, HARD TO GET is actually a straight comedy with three (really two) songs inserted, crooned by Dick Powell only so briefly. The first, "There'a a Sunny Side to Every Situation" is heard only through a few verses by Powell minus any underscoring. The second tune , "You Must Have Been a Beautiful Baby," crooning to De Havilland on a canoe ride in Central Park, is a song standard composed by Harry Warren and Johnny Mercer. What fitting lyrics to proclaim De Havilland's beauty. The third and final is an old one, "Sonny Boy" originally introduced by Al Jolson in THE SINGING FOOL (1928). While Jolson sang it for sentiment, Powell (disguised in black-face passing as a member of a band) sings it for laughs. His rendition almost sounds like Jolson himself, performing it to a point where the guests look on confusingly.

HARD TO GET may not as famous as the other "screwball" comedies from that era, but it does have some bright moments. Penny Singleton as Hattie, a daffy maid, gets one during an amusing dinner sequence. Switching roles with Maggie, pretending to be the débutante, Singleton displays her ability in comic timing where she becomes responsible for making the proposed dinner party a near disaster. Following the dinner, Powell quips, "That dame... she should be parked on Edgar Bergen's other knee." Although some portions of HARD TO GET might be a trifle slow, it's redeemed by a construction site sequence where Old Man Richards and his valet find the only way to get to speak to Davis, working 40 flights up, is by hanging onto a steal beam lifted over the city streets. While this is obviously done with rear projection screen, it get by realistically.

As with most comedies during this period, HARD TO GET gets great support by familiar character actors ranging from Grady Sutton, Granville Bates, Nella Walker and Vera Lewis to Arthur Housman doing one of his many drunk interpretations. Charles Winninger, a Hollywood reliable, gives one of his many business tycoons and lovable father-type performances that has made his famous. Melville Cooper provides some really droll comedy relief with his constant quipping of "Amazing!"

HARD TO GET is further evidence of the Warner Brothers musical with lavish dance numbers by Busby Berkeley and Warren and Dubin tunes becoming a thing of the past. Powell continues to sing a song or two, but by 1938 was concentrated more as a light comedy actor in routine assignments. De Havilland, best known for her numerous adventure films opposite Errol Flynn, would appear in more comedies of this sort, but like Powell, she proved her ability in assuming dramatic roles in the changing times of the 1940s.

The 80 minute presentation of HARD TO GET can be seen whenever presented on Turner Classic Movies. Amazing! (**1/2)

This is one of those films from the thirties where no effort is made to have a realistic story or characters, and where the purpose is purely fun. The film is highly amusing, although it has its corny moments. This is a rare glimpse of Olivia de Havilland as she was before GONE WITH THE WIND (1939) changed her career in the following year. Her co-star here is Dick Powell. A very bad makeup person has made Dick Powell all but unrecognisable by excessive makeup round his eyes, and has done no favours for Miss de Havilland either, as she is also made to look somewhat artificial, despite her costumes working very well and showing inspired touches. As is only to be expected, both stars excel in this romantic comedy and spark off each other nicely. The film also contains a wonderful performance by the British actor Melville Cooper as a droll butler, not unlike Jeeves (and probably modelled on him), who is even allowed the last word at the end. Charlie Winniger also gives one of his very good performances (for he could be a bit uneven and 'required direction') as Miss de Havilland's eccentric father. A famous song by Johnny Mercer was written specially for this film, 'You Must Have Been a Beautiful Baby' ('… cause, baby, you're beautiful now.') The film also features an amazing scene where Dick Powell in blackface does a marvellous imitation of Al Jolson singing 'Sonny Boy'. This film was certainly unconstrained in its casting about for new ways to laugh. Dick Powell also disguises himself as a woman scrubbing a floor in an office building, descends on a rope down the side of a New York skyscraper to enter an office window, and other antics. At one point Winniger is taken to the top of a skyscraper riding on a steel beam, as 'the elevators are not installed yet'. He holds a business meeting several hundred feet up, balancing on the beams, while Powell inserts rivets. Any wild situation will do for this story! At one point, the action is suddenly interrupted and we cut to Miss de Havilland and Powell sitting in a row-boat together at night, rowing across a lake in Central Park and falling in love. Some linking scenes must have been cut to get them there, but no one seems to mind the lack of continuity. Anything goes! Miss de Havilland starts as a rich spoilt brat who screams when she does not get her way. She falls out with Dick Powell, who works in a garage, over a bill for $3.48. Powell refuses her credit, and says if she were to fail to pay, he would 'not be able to afford lunch for a week'. That says a great deal about the value of money in 1938, if you could eat lunch for a week on $3.48. Miss de Havilland later falls in love with Powell, in a shockingly short period of time and with a lack of motivating circumstances. But she manages to switch from being a fiery-eyed bitch, passing through a phase of being a cunning schemer seeking vengeance, to a doe-eyed and love-struck maiden, with all the ease of an Olympic pentathlete who can do anything and who changes sports without noticing that he has stopped running 100 metres and is now throwing the javelin (or in this case, Cupid's dart). The film was directed by Ray Enright, who started as a gag writer for Mack Sennett, became an editor, and worked his way up to director. He never entered the top ranks but made lots of movies, retiring in 1956. If you want to have some laughs and be entertained, and do not mind films from the thirties, this will do nicely.

"Hard to Get" is what you might call a low-key comedy. There are some pratfalls, but the action is mostly at a relaxed pace, not frantic or riotous. Olivia de Havilland (as Margaret) and Dick Powell (as Bill) are delightful as the couple who find romance in a most unexpected (to them) way. She tears out of the house in a pique of rebelliousness but finds that the car's fuel tank is low. When she stops to get gas at a combination garage/motor court, she tries to charge the expense, but the attendant--who does not know her--refuses to extend her credit.

She's actually from a wealthy family, but Bill doesn't know that and he forces her to work for the cost of the gasoline by making beds and dusting in the motor court's bungalows. She concocts a scheme for getting even, which involves her father, Charles Winninger (Ben Richards).

If you believe the film, CEOs--like Mr. Winninger--spend their days wasting time or indulging in whimsical activities, like wrestling with their butlers, but it makes for a funny story.

The cast is excellent. Together they create a light-hearted comedy that revolves around a growing romance.

I decided to give this one a go and wow, what a treat.

This cast was just A+ all around. Everyone had great lines given to em. That obviously means a good script. Even though the big names fronted the film, the supporting cast to me was the big difference. Really great character actors in this one.

Dick Powell is his usual comic-dead-on-timing self. Olivia D was good as a spoiled brat and watch out for her father played by Charles Winninger, he steals this entire film. His scenes with his servant/butler are the anchors of this film. Just flat out funny each scene.

Give this one a go, you'll love it