Going Places

Powell is a sporting goods salesman who goes out to the track using a well known jockey's name trying to drum up business for their sporting goods by using and wearing those goods. But the imitation is too good. Anita Louise is the niece of a rich uncle who owns a stable of racehorses, and at first wants Powell to ride the wild horse, "Jeepers Creepers" in the Steeple chase, but then changes her mind and wants him to ride her own fast but tame horse, Lady Ellen. Powell's problem is that he takes a shine to the girl and just can't say no, but he is NOT a jockey! For the girl's sake he doesn't want to lose the race nor does he want to make a fool of himself and get trampled in the process. Louis Armstrong is the groom who can only calm the wild horse by playing "Jeepers Creepers" on his trumpet. Allan Jenkins is a gangster-type who has this inside information on the horse and is leaning on Powell to throw the race AND ride the wild horse, NOT the tamer fast horse Anita Louise wants Powell to ride. How will this turn out? Watch and find out, but first make a pot of coffee. It's a snoozer folks.

On the positive side, there are some great tunes and Powell's charm and voice are usually enough to carry almost any film through. Plus there is the great Satchmo singing "Jeepers Creepers". However, the plot, point by point, is just so inane yet boring. Ray Enright directed this film, and I've noticed that he directed more than his share of dogs over at WB. I'm not sure if Warner Brothers gave Ray the dogs to direct because he was Ray Enright, or if the films were dogs because of the way he directed them. Let's just say that Ray Enright as director in the credit is usually not the mark of quality.

My recommendation - if you are a Dick Powell completist and can keep your attention focused on Powell, his antics, and his singing, this is probably going to at least keep you awake. Otherwise, have it on hand if you ever have a severe case of insomnia, because "Going Places" is a film that goes nowhere.

Well, since it's Black History Month and I usually review films in chronological order concerning African-Americans in them during this time, this movie was next on my list. First, Louis Armstrong plays a horse trainer who's in charge of a horse named Jeepers Creepers and the only way he can tame that horse is by playing the song of that name on his trumpet. And he not only sings that song but another one called "Mutiny in the Nursery" along with Maxine Sullivan, the Dandridge Sisters consisting of Dorothy, Vivian, and Etta Jones, as well as white leads Dick Powell and Anita Louise. Eddie Anderson appears as a trainer of another horse named Lady Ellen. And someone named George Reed appears as a butler named Sam. Other fine supporting turns came from Walter Catlett and Thurston Hall. And since I always like to cite when players from my favorite movie-It's a Wonderful Life-appear in something else, here Ward Bond plays a cop who confronts Allen Jenkins when he has a horse walking with him at night on the road. Oh, and this was one of future president Ronald Reagan's early film appearances introing himself with an announcer-like speech not unlike when he was on radio previously. In summary, Going Places was a very funny movie with many entertaining musical numbers.

All the pieces are there - great cast, good story. Dick Powell, Allen Jenkins, Ron Reagan, and the amazing Louis Armstrong. Too many musical numbers, maybe ? and that bit where they prance Alan Jenkins around the apartment while they sing "Oh what a horse was Charlie" .... that must have been someone's favorite bit. They should have given more screen time to Cora and Colonel Withering. They don't show this one very often on Turner Classics... either it's not up to snuff, or maybe it's a rights issue. Very similar plot to the Marx Brothers' "Day at the Races", which came out the year before. Dick Powell pretends to be famed sportsman Peter Randall, which backfires later in the film. The horse at the center of all the excitement will only go when he hears L. Armstrong belt out the "Jeepers Creepers", which incidentally was the song from Warren & Mercer nominated for an Oscar, the film's only nomination. Directed by Ray Enright, who had started with Mack Sennett, served in WW I, then returned to the industry to work at Warner Brothers.

Forget the silly plot - watch this for the wonderful music, including Jeepers Creepers, and the incredible Mutiny in the Nursery featuring Louis Armstrong (who has a major acting role), Maxine Sullivan, and the Dandridge Sisters (including a teenaged Dorothy).

One wonders if the thugs, Allen Jenkins and Harold Huber, singing Oh What a Horse was Charley Til He Got a Charley Horse, was any kind of inspiration for the singing thugs in Kiss Me, Kate.

The plot - well, as an advertising stunt, Dick Powell impersonates a famous horseman, Peter Randall, falls in love with Anita Louise, and ends up jockeying Jeepers Creepers who only responds to the song. The race has to be seen to be believed. And even then, you won't believe it.

See it for the musical numbers.

This pre-war comedy of impersonation and manners at a race course is amusing. Watching Louis Armstrong and hearing him sing the old standard, "Jeepers Creepers," makes the movie. Hollywood's casual acceptance of racial bias and denigration of blacks is cooly reflected by two race track gamblers addressing Armstrong as "Uncle Tom" when they meet him.