Four's a Crowd

Four's a Crowd (Michael Curtiz, 1938) is a really fun screwball comedy that pits a newspaper reporter against millionaire Walter Connolly and his daughter, a la It Happened One Night and Libeled Lady. The first 15 minutes are blisteringly funny. Journo Rosalind Russell schemes to get editor-turned-PR-man Errol Flynn to return to his ailing paper, which the managing director (Patric Knowles) is trying to close down. Flynn agrees, and wages war against Connolly, hoping to turn him into the most-hated man in America, so he can repair his reputation via a publicity campaign. After that, the plotting goes a bit awry, spending quite a bit of time in Connolly's country mansion, where Flynn ends up trying to steal butter whilst mollifying heiress De Havilland and being chased by dogs. Well, I said it went a bit awry. Still, while the screenplay hops from one situation to the next without stopping to consider its internal logic, it moves so fast and so funnily you'll probably be swept along. Flynn and Russell are both near peak form, and they make a delightful team.

Rosalind Russell, ace reporter, is peeved that her newspaper is being shut down by cub publisher Patric Knowles, inexperienced son of the original publisher. Knowles has recently fired crack editor Errol Flynn, who has in turn set himself up as a publicity agent for rich curmudgeons who need good press. Olivia de Havilland, lovely and playful granddaughter of one such grumpy millionaire, is romantically attached to the handsome Knowles—at least for the moment.

The plot of this rapid fire comedy follows our four stars round and round: Russell wants Knowles to save the paper, wants Flynn back on the job. Flynn and Knowles have an old rivalry and delight in scoring off of each other. De Havilland seems happy letting everybody love her for her grandfather's eight million dollars. How will it all shake out?

Walter Connolly pretty much steals the show as the grandfather, a wealthy eccentric whose great passion is the model railroad that dominates his back yard. Melville Cooper is also excellent as Connolly's butler and stationmaster; the two of them in their engineer caps, running the train controls from their crow's nest, are just hilarious.

Out of a great cast, Russell and Connolly are most familiar in this kind of a screwball comedy and probably come across best. Flynn and de Havilland, though, are fun to watch, too—Flynn shows a flair for comic antics like stealing sticks of butter from a dark kitchen, and Olivia looks like she's having a ball as her fun-loving character laughs and whoops it up in a way that the Maid Marian (or Melanie Wilkes!) never would have dreamed of.

Overall, the movie is never dull but never quite takes off—is it the complicated plot that prevents this picture from really hitting full speed? In any case, it's certainly entertaining, thanks to the great cast and solid Warner Bros. production.

Someone posted that this film was 'a silly screwball comedy'. Of course it is: if a comedy isn't silly, it's not screwball. This one may not be a classic, but all the elements are there: pompous rich people, scheming reporters and a love triangle, er...square. It also has the comic supporting actors to make sure it all works. The rich weren't very popular in the depression so they were easy targets. The public's obsession with celebrities was already in full force and another easy target. And love mix-ups have been the basis for comedy since that original screwball - Willie Shakespeare.

Errol Flynn and Olivia De Havilland may not be Cary Grant and Carole Lombard but they do perfectly well and Ros Russell is a screwball icon. Patrick Knowles does a fine job and Flynn's foil. Walter Connolly, as the grumpy oligarch repeats his performance from "It Happened One Night". Melville Cooper, (the fourth member of the cast from 'The Adventures of Robin Hood': he was the comically villainous Sheriff of Nottingham) is his butler. Franklin Pangborn shows up as Knowles' manservant. Hugh Herbert is a justice of the peace and Margaret Hamilton is Connolly's housekeeper.

This one is way in the background of Flynn's career and not the kind of movie he's famous for but it's a solid piece of entertainment anyway. The great stars of the Golden Age made many such films and it's fun to look back and discover them and get a complete picture of their careers.

Errol Flynn, Rosalind Russell, Olivia de Havilland and Patric Knowles prove that "Four's a Crowd" in this 1938 comedy directed by Michael Curtiz.

With such a great cast, one would think this is a classic gem. Alas, no. In fact, due to a confusing script, it's in shambles. Fun shambles, but shambles.

Walter Connolly plays millionaire John Dillingwell, Olivia de Havilland is his beautiful albeit dizzy daughter, Rosalind Russell is a reporter, and Patric Knowles, who is dating de Havilland, is Russell's boss.

Dillingwell is a private person with no interest in public relations. Russell's boyfriend (Flynn) runs a PR firm and wants to land the Dillingwell account. With some help from the paper, Flynn manages to make Dillingwell the most hated man in America - a man desperately in need of having his image cleaned up. Not that he agrees to it right away.

The inspiration for this story is John D. Rockefeller, the most hated man in America at one time, known for his ruthless business tactics. He hired a publicist and, with the publicist's urging, began to give away his vast fortune consisting of property and money to various charities.

For screwball comedy, "Four's a Crowd" had a lot of competition, which is probably why the powers that be threw everything at it but the kitchen sink. Heiresses - "It Happened One Night," "Love is News," "Libeled Lady," etc. Abounded. So did the movies - and they were all better than this one.

There certainly are some fun scenes and some good performances. Flynn had a good flair for comedy, as did de Havilland, though they weren't often cast that way. De Havilland's early career was in fact doing airhead ingénues, such as in "It's Love I'm After" and this one. Russell is terrific as usual, and Knowles acquits himself well.

If only the script had been stronger...it's still fun, though.

OK! This is not the great hidden screwball masterpiece. The screwy cleverness is pretty obvious, but it's still funny. The story is adequate enough to keep the laughs coming with the right cast. I won't bother too much with the details because you'll get the idea pretty quickly. This is the right cast however and they keep the laughs coming.

For me the highlights are the scenes with Errol Flynn and Rosalind Russell. Russell has always been great as a comedienne and she delivers here as well, but Flynn is a revelation. Like Frank Morgan and Walter Pidgeon before him, he is the guy who not only can, but will, sell refrigerators to the Eskimos. When he turns the charm on Russell it's like being with that cousin who got you into network marketing.

The final act gets the ensemble (de Havilland,Flynn, Knowles and Russell) colliding together like bumper cars with Justice of the Peace, Hugh Herbert misdirecting traffic. He may have delivered the ultimate screwball line ever with "Children, please don't fight! There'll be time for that after you're married."

Realistically, it's obvious why the suits would not let Flynn take this direction, he was the king of swashbucklers and this would have weakened the brand. However, this movie shows what he could have been. As a screwball lead he had charm, athleticism, comic timing, sexy looks and a great voice, but so did Grant, Barrymore and Cooper and others and they were kind enough to leave the pirate market to him. A loss but I'll console myself with another hundred views of Captain Blood.