The Duke Is Tops

A great look at the black entertainment industry in 1938. A young Lena Horne shines in her performance as Ethel, a singer who makes her way to the 'big time'. Ralph Cooper plays her boyfriend Duke who is also involved in the entertainment business. As the film progresses, Duke and Erthel are separated and Duke throws his lot in with a travelling medicine show with the esteemed Doctor Dorando, played wonderfully by Laurence Criner. The time with the medicine show is one of this movies treasures as it gives the audience a rare look at how an actual medicine show operated around the South back then. Special musical guests are presented (great guitarist featured by the way...), the spiel is given and the medicine sells.

As one of the stage performers shown on stage early in the movie, look for the fantastic moves of "Rubberneck Holmes". Don't worry, you will recognize him.

A lot of these 'race movies' are a fantastic look at wonderful performers that were never presented in mainstream Hollywood. This movie is worth seeing.

This all black film was Lena Horne's screen debut. Made for black audiences, it was re-released after the cross-over success of her two great 1943 films, Cabin in the Sky and Stormy Weather. The Duke Is Tops is a typical film about stage performers, and it is certainly a B movie. Duke Davis (Ralph Cooper) and Ethel Andrews (Horne) are a songwriter/singer team. When Ethel gets bigger offers, Duke can't come with, so he breaks it off hard with her so she'll have no regrets. He travels to the South with an old friend who is selling cure-all elixirs from his wagon; meanwhile, without Duke's behind-the-scenes work, Ethel is a flop in New York. It's all fairly mediocre. Horne would become a much better actress in her later films. Fans of the singer will probably be disappointed anyways, as she is only in the film for about 15 minutes. Cooper is the star. But there are several wonderful musical performances that make the film much more worth watching than it otherwise would have been. For a much better film of the same time, definitely check out Stormy Weather, which is probably the pinnacle of the all-black films of this era. 6/10.

Black cinema has done far better than this. Even allowing for the constraints imposed by a low budget, there is very little here of entertainment value. The story lacks originality, the acting is stiff and self-conscious, the direction devoid of imagination. A half-dozen "specialty" acts are no better than passable; a very young Lena Horne had yet to develop her star qualities. The chorus girls' costumes looked suspiciously familiar (Warner Brothers?), and the two or three steps they learned for their routines have likewise been seen elsewhere. I hope the price of admission was cut-rate, too. Otherwise, the audience was short-changed.

Duke Davis has invested all his savings to back his sweetheart, Ethel, in a road show over the old T.O.B.A. circuit, on which they have both been performers since childhood.

Marshall, a New York talent scout, makes an offer to Ethel as a single and, to induce her to take it, Duke writes a fake check, made out to him, for $5000 pretending he has sold his contract with Ethel to Marshall.

Resentful and heartbroken, she accepts and becomes a big hit in New York. Marshall then books her at the swanky Century Club, plans her show himself, and it flops miserably.

Meanwhile, Duke has used his last resources to start a new show, but without Ethel it also fails.

He joins the Doc Dorando medicine show, and with him as the speiler for the quack elixir sold by Dorando, it is successful.

He becomes Doc's partner with an elaborate trailer and a company of entertainers, including Willie Covans, the Basin Street Boys, The Cats and the Fiddle, "Rubberneck" Holmes and Joe Stevenson.

Money is rolling in.

LIght skinned blacks in a black only produced film from days gone by. Fairly typical of the genre. Largely important for Lena Horne.

Duke Is Tops, The (1938)

** (out of 4)

Decent race movie has producer Duke Davis (Ralph Cooper) breaking it off with partner Ethel Andrews (Lena Horne) so that her career will have a chance to take off. He hits the hard times before eventually getting what might be a break by bringing Andrews back to form. If you're familiar with race films then you know they don't feature the style, budgets or talents of those films being released in Hollywood. You also shouldn't go into a Musical like this expecting something like you'd see from MGM. With that out of the way, this is pretty much what you'd expect as we get a straight-forward story without any twists or turns and a predictable ending that you'll see coming from a mile away. There's really nothing overly special here but people will want to check out Horne who made her film debut here. I don't think anyone could watch this and see the talent that would come in future films but at the same time this was her first stab at acting. The screenplay really doesn't do her any justice but she does have that wonderful voice that she gets to show off several times. The songs themselves aren't going to be found on Horne's greatest hits package but they aren't too bad. I thought Cooper was pretty good as well, although, again, the screenplay does his character no justice. While the part wasn't the best written I thought Cooper kept things moving and made his character fun to watch. There's not too much imagination in terms of direction but I'm sure a lot of this could be blamed on the screenplay and the fact that there wouldn't have been much time to shoot this thing. The low budget is very apparent with several dance/musical sequences, which just come off looking very cheap. The numbers aren't overly bad, it's just that they aren't impressive either. Fans of race movies or those wanting to see the 21-year-old Horne might want to check this out but others should stay clear.