The Duke Is Tops

Duke Davis has invested all his savings to back his sweetheart, Ethel, in a road show over the old T.O.B.A. circuit, on which they have both been performers since childhood.

Marshall, a New York talent scout, makes an offer to Ethel as a single and, to induce her to take it, Duke writes a fake check, made out to him, for $5000 pretending he has sold his contract with Ethel to Marshall.

Resentful and heartbroken, she accepts and becomes a big hit in New York. Marshall then books her at the swanky Century Club, plans her show himself, and it flops miserably.

Meanwhile, Duke has used his last resources to start a new show, but without Ethel it also fails.

He joins the Doc Dorando medicine show, and with him as the speiler for the quack elixir sold by Dorando, it is successful.

He becomes Doc's partner with an elaborate trailer and a company of entertainers, including Willie Covans, the Basin Street Boys, The Cats and the Fiddle, "Rubberneck" Holmes and Joe Stevenson.

Money is rolling in.

LIght skinned blacks in a black only produced film from days gone by. Fairly typical of the genre. Largely important for Lena Horne.

Black cinema has done far better than this. Even allowing for the constraints imposed by a low budget, there is very little here of entertainment value. The story lacks originality, the acting is stiff and self-conscious, the direction devoid of imagination. A half-dozen "specialty" acts are no better than passable; a very young Lena Horne had yet to develop her star qualities. The chorus girls' costumes looked suspiciously familiar (Warner Brothers?), and the two or three steps they learned for their routines have likewise been seen elsewhere. I hope the price of admission was cut-rate, too. Otherwise, the audience was short-changed.

This all black film was Lena Horne's screen debut. Made for black audiences, it was re-released after the cross-over success of her two great 1943 films, Cabin in the Sky and Stormy Weather. The Duke Is Tops is a typical film about stage performers, and it is certainly a B movie. Duke Davis (Ralph Cooper) and Ethel Andrews (Horne) are a songwriter/singer team. When Ethel gets bigger offers, Duke can't come with, so he breaks it off hard with her so she'll have no regrets. He travels to the South with an old friend who is selling cure-all elixirs from his wagon; meanwhile, without Duke's behind-the-scenes work, Ethel is a flop in New York. It's all fairly mediocre. Horne would become a much better actress in her later films. Fans of the singer will probably be disappointed anyways, as she is only in the film for about 15 minutes. Cooper is the star. But there are several wonderful musical performances that make the film much more worth watching than it otherwise would have been. For a much better film of the same time, definitely check out Stormy Weather, which is probably the pinnacle of the all-black films of this era. 6/10.

An unusual film for an audience outside the USA. Lena Horne looks fabulous and so does Ralph Cooper. There is not added background of tap steps as in other musicals so you do not hear the beat of the taps which is great realism. Music is muted to hear what dancing steps there are. Acting is a little stilted and the casts speak slowly so that you think the movie is older than it is. Costumes are daring for the time in the dance routines at the end. Often feels like you are part of an audience at a stage show. What furniture you see is very modern which adds to the movies feeling of other worldliness. A must for all film buffs.

This is worth watching simply because it is Lena Horne's first movie and she only appeared in six or seven. Although, the plot centers around her character, Ethel Waters, trying to make it as a singer, she is only in the movie for about 20 minutes. The main story is about her manager, Duke Davis (Ralph Cooper), who sacrifices himself to make sure that she becomes a success.

Ralph Cooper was the creator and host of amateur night at the Apollo starting in 1937 for over 25 years. This multi-talented man also starred in and wrote several movies. This is the first one I've seen, and it is a fun ride.

Cooper is handsome smart and funny, "the Dark Gable" was a good nickname for him. His best scenes come with Lawrence Criner who plays a salesman of a universal tonic that cures all ills. Criner was one of the founders of black theater in America and stared in a dozen movies from 1926-1948. He was also in some Hollywood films like "The King of the Zombies," and "The Jackie Robinson Story." Cooper and Criner make a great comedy team. They also appear together in "Gang War" and "Gangsters on the Loose" Black cinema in the 30's and 40's was a true alternative to Hollywood films which almost invariably portrayed blacks in submissive, lowly secondary roles. Because of the law budgets, shooting was usually done in four or five days with restricted sets. The technical qualities varied, but in the best films, as here, they rivaled some Hollywood "B" movies.