College Swing

If this movie was being reviewed as a "movie" the rating would not be very high. As a movie with a story it is quite weak. However (and this is a BIG however) it is a very good vehicle for the studio's stars. In a sense it is a 90 minute variety show from 1938. It has very good singing (one forgets how multi-talented many of the early stars of movies were), good dancing sequences, and some very funny slapstick sketches. Gracie Allen's skill at using language and to turn conversations upside down is very well showcased. She really was very good. And, she could sing well and could also dance. All three skills are shown during the movie. All of this makes the movie one to see and enjoy.

College Swing is a minor musical comedy that stars Gracie Allen and George Burns in their followup to their underrated A Damsel in Distress with Fred Astaire. Screwy plot involves Gracie needing to pass a college exam and employing Bob Hope to help her. Martha Raye joins the faculty as professor of romance. The storyline makes no sense at all but with these 4 comedy giants, it's hard to resist. Throw into this zany pot Betty Grable, Edward Everett Horton, Ben Blue, Jackie Coogan (then married to Grable), John Payne, Robert Cummings, Richard Denny, Florence George, and the wonderful Cecil Cunningham and you have a spirited but aimless film. Raye displays her good singing voice and cracks up Hope in a few scenes. Burns comes off worst. Worth a look.

During the thirties each studio had its musical specialty. Warners was cranking out the Busy Berkeley spectaculars; Fox had Shirley Temple and Alice Faye; Goldwyn had his annual Eddie Cantor extravaganza; RKO had Astaire and Rogers, and MGM was starting a tradition of big budget spectacles. Paramount went a little low brow, bringing out a series of somewhat goofy, utterly charming movies that were more like screwball comedies with music. And some surprisingly good music, too. Don't worry too much about the plot - just let yourself be thoroughly entertained by Bob Hope, Martha Raye, Edward Everett Horton, and Burns and Allen at their very best. As if to emphasize the lightness of the movie, at the end the entire cast waves goodbye to the audience.

It's 1738, and schoolmaster Edward Everett Horton tells dimwitted student Gracie Allen (as a character named Gracie Alden) that he doubts if she could get her diploma in one hundred years. She is not discouraged: "Well, perhaps not that suddenly, doctor, but in 200 years I'll wager I couldst." --Fast forward to 1938, and a descendant—also named Gracie—is attempting once again to pass the graduation examination from Alden College.

Fast-talking agent Bob Hope has convinced Gracie to hire him as a tutor of sorts; as his fee depends on her successfully graduating, Hope naturally sets out to prepare her for the exam…by stealing a copy of the test questions.

Martha Raye is on hand as a would-be professor with a ridiculous phony French accent. She and Hope quickly strike up a romance and the chemistry between the two lights up their scenes together.

Soon enough, Edward Everett Horton returns to the action, this time around as an eccentric millionaire whose fear of women has kept him as far from civilization as possible. He is back at Alden College to monitor Gracie's exam and is accompanied by wry assistant George Burns.

George and Gracie have a good scene together during the examination: "What is it that runs across the floor like a goldfish?" she asks. (We never find out the answer.) Gracie also has some sweet scenes with Horton, who is charmed by her in spite of himself and his woman-phobia.

John Payne and Florence George play the handsome young romantic couple (and sing "What Did Romeo Say to Juliet?"). Betty Grable and Skinnay Ennis supply some swinging tunes and a great dance ("College Swing"). Hope and Raye also do a great duet—"How'dja Like To Love Me" is cute, bouncy, and really sweet, a highlight of the picture.

All in all, it's not much of a plot, but who cares? The songs are catchy and the entire cast is so much fun to watch: Hope is at his sharpest. Edward Everett Horton is perfect. Gracie is hilarious, Grable is lovely, and Raye is in superb voice. And that's not even mentioning supporting bits from Ben Blue as a mischievous "gym instructor," or the Slate Brothers as singing-and-dancing waiters. (Their "I'm tired" bit is another highlight.)

Mostly just silly stuff—but what fun.

"College Swing" is one of the many comedy-musical films that Hollywood produced during the 1930s. Once sound was added to motion pictures, it seems as though the public couldn't get enough of the variety type of musicals. As with most others, the plot is very thin, and in this one, very goofy. But it's just there to string together a number of very good songs, dance numbers and comedy routines. And "College Swing" is loaded with these and a great cast to carry them out.

Many big names of entertainment and the silver screen are in this film, most credited but some not. Films like this let the public see and hear a variety of otherwise unknown talents and groups perform. The band at the heart of the review numbers in the film is Skinnay Ennis. He didn't achieve the big-time fame of the likes of Benny Goodman, Glenn Miller, Tommy and Jimmy Dorsey, Harry James, or some others. But his orchestras was a regular feature of Bob Hope's radio show, and later the Bud Abbott and Lou Costello radio show. His popularity from those led to solid bookings on the road circuit during summers.

Gracie Allen is the principal comedy character in "College Swing," followed by Martha Raye who also has some good musical numbers. Bob Hope's role was more as an emcee, although his character, Bud Brady, cooks up most of the shenanigans that provide some of the laughs. This film has a great supporting cast as well as some younger stars in small roles, such as Betty Grable and Jackie Coogan. This is a good film for those who enjoy swing music, especially as it was played and performed in its heyday.