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8.0/10
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अपनी भाषा में प्लॉट जोड़ेंA private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses, and dup... सभी पढ़ेंA private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses, and duplicitous dames.A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses, and duplicitous dames.
- पुरस्कार
- कुल 1 जीत
Brooks Benedict
- Kibitzer in Blue Sky Club
- (बिना क्रेडिट के)
Oliver Blake
- Tillotson - Night Clerk
- (बिना क्रेडिट के)
Eumenio Blanco
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- (बिना क्रेडिट के)
Wesley Bly
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Mildred Boyd
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- (बिना क्रेडिट के)
Hubert Brill
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James Bush
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- (बिना क्रेडिट के)
Ted Collins
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- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Tremendously stylish, brilliantly scripted and wonderfully directed noir classic about a man who cannot escape from his past. Rarely does the genre get away from the grimy city streets with it's dark corridors and alleyways only partially lit by un-realistic streams of bright light. In this film we not only see the underworld gangs, the bars and floozies, the heavies and the fatales, but we also see the bright beautiful countryside, the streams and the rocks - a complete otherworld.
Mitchum is superb as the man who has escaped the city to live a new life in the country only to be dragged back by powerful forces. This broadening of the cinematic landscape makes the movie more affecting than your assorted Bogarts' & Ladds'. As with 'I am a Fugitive from a Chain Gang' I feel much more sympathy for the lead actor who gets dragged back into the bear pit to wrestle for his life and soul.
'Out of the Past' also has some of the finest dialogue and narration I have ever heard, probably matched only by 'The Maltese Falcon'. 'She was like an autumn leaf blowing from gutter to gutter', is one gem that sticks in my mind.
The mood of the film is pleasantly melancholic and the portrayal of the fatale figure (Jane Greer) is particularly sympathetic. In most noir movies the male perspective of the double-crossing woman predominates (not that there's anything wrong with that, it's usually very funny). Here however, whilst Greer presents one of the blackest of women you at least know why she does what she does and can sympathise with her plight. She is trapped too.
Tourneur, tragically made few films but was a master at getting messages deep into your psyche, into your soul. 'Cat People 'and 'I Walked With a Zombie' both had otherworlds where the demons lived. We all have otherworlds too, places we'd rather not go very often, but as with Mitchum we are sometimes confronted with those demons and have to do battle once again. When I go next I hope to be wearing my hat at an exquisite angle and have my trench coat well belted.
Mitchum is superb as the man who has escaped the city to live a new life in the country only to be dragged back by powerful forces. This broadening of the cinematic landscape makes the movie more affecting than your assorted Bogarts' & Ladds'. As with 'I am a Fugitive from a Chain Gang' I feel much more sympathy for the lead actor who gets dragged back into the bear pit to wrestle for his life and soul.
'Out of the Past' also has some of the finest dialogue and narration I have ever heard, probably matched only by 'The Maltese Falcon'. 'She was like an autumn leaf blowing from gutter to gutter', is one gem that sticks in my mind.
The mood of the film is pleasantly melancholic and the portrayal of the fatale figure (Jane Greer) is particularly sympathetic. In most noir movies the male perspective of the double-crossing woman predominates (not that there's anything wrong with that, it's usually very funny). Here however, whilst Greer presents one of the blackest of women you at least know why she does what she does and can sympathise with her plight. She is trapped too.
Tourneur, tragically made few films but was a master at getting messages deep into your psyche, into your soul. 'Cat People 'and 'I Walked With a Zombie' both had otherworlds where the demons lived. We all have otherworlds too, places we'd rather not go very often, but as with Mitchum we are sometimes confronted with those demons and have to do battle once again. When I go next I hope to be wearing my hat at an exquisite angle and have my trench coat well belted.
10funkyfry
Terrific exotic adventure/melodrama with gothic undertones. Douglas follows Mitchum following Greer to Mexico; murder and robbery follow everywhere femme fatale Greer goes. She's excellent; vulnerable eyes revealing the fear motivating her totally irrational, greedy actions. She and Mitchum are made for each other (it's a shame that this and the less exciting "The Big Steal" are their only films together as far as I know, although Greer did make a good pairing with the comparably skilled Richard Widmark in "Run for the Sun"). Every step of their twisted journey feels inevitable, painful, and joyous, like a death-row inmate smoking his last cigarette. Mitchum is at his best here as the patsy for Greer and Doublas' schemes, who plays along as if he knows better but is truly seeking absolution from death.
One of the best films ever made by Hollywood, all the more amazing considering it was made almost on the fly (what people today call a "film noir" but what the producers though of as a "B" movie).
Tourneur is one of the best low budget directors in the business; fans of good film will seek out his movies, which cover all the different genres of film. His father was one of the creators of film style, and he has a striking sense of visual composition himself, which he puts to excellent use in this, possibly his best film.
One of the best films ever made by Hollywood, all the more amazing considering it was made almost on the fly (what people today call a "film noir" but what the producers though of as a "B" movie).
Tourneur is one of the best low budget directors in the business; fans of good film will seek out his movies, which cover all the different genres of film. His father was one of the creators of film style, and he has a striking sense of visual composition himself, which he puts to excellent use in this, possibly his best film.
I have been a fan of Jacques Tourneur's horror movies ('Cat People', 'Night Of The Demon', 'I Walked With A Zombie',etc.) for many years, but for some reason I hadn't seen 'Out Of The Past' until very recently. Regarded by many noir buffs as one of the very best examples of the genre, if not THE best, it knocked my socks off! Some movies are so good that you almost can't believe they exist. 'Vertigo', 'Rashomon', 'Taxi Driver', 'Cool Hand Luke', 'The Wild Bunch', 'The Wages Of Fear', these are some titles that immediately spring to mind. Your jaw just drops in amazement, and repeated viewing reveal more layers and levels of enjoyment. 'Out Of The Past' now joins that group of very special movies for me. Tourneur's horror classics are brilliant works, but this movie surpasses them all to me. Everything about this movie is superb. The direction, photography, script (which crime legend James M. Cain of 'The Postman Always Rings Twice' and 'Double Indemnity' fame contributed to anonymously), and the actors. The cast are all good, but Robert Mitchum steals the show with a first rate performance, second only in my opinion to his unforgettable role in the extraordinary 'Night Of The Hunter'. The beautiful Jane Greer is also excellent, as is Kirk Douglas. If you want to get into film-noir and understand just how influential it was on subsequent movies, make 'Out Of The Past' your first stop. It is a masterpiece, pure and simple. I know this movie will be in my life for a very long time, and that gives me a lot of satisfaction. 'Out Of The Past' comes with my highest recommendation. I can't put into words just how great this movie is, so just watch it for yourself.
10jotix100
Jacques Tourneur will probably be remembered best for this film, even though he had an extensive career in Hollywood. Working with Daniel Mainwaring, the author of the novel in which this movie is based, he created one of the best pictures of this genre, one that will be a perennial favorite. Mr. Tourneur and his cinematographer, the brilliant Nicholas Musuraca, made a stunning looking film that looks as good today, as when it was originally released.
If you haven't seen the film, please stop reading now.
Jeff Bailey has reinvented himself as the owner of a gas station in California. His past comes to haunt him at the beginning of the movie. Jeff has found peace and love in the small town where he has taken refuge. He can change his identity, but he can't hide from the people that want to see him dead.
We watch in the beginning how Jeff is sent away by Whit Sterling to look for the disappearing Kathie Moffat, who has stolen forty thousand dollars and gone hiding. Jeff finds her in Acapulco. Kathie gives a bad name to any other dames in the movies of this genre. She is totally ruthless; she will do anything to double cross Whit as well as have Jeff do whatever she wants.
Comparisons have been made between "The Maltese Falcon" and "Out of the Past". Both have plots that are twisted; when we feel we know everything, there is a new twist to the story. We are constantly misled into thinking one way, when in reality, something else has happened.
This is a film that combines all the elements of the classic film noir and juxtaposes it against the serene surroundings of where Jeff is now living. Black and white photography was used to great advantage in the movie. It has a style that makes it one of a kind. The music by Roy Webb plays neatly in the background without interrupting the action.
The acting is first rate. Mr. Tourneur got a brilliant performance from Robert Mitchum. His Jeff, is the epitome of coolness. It's hard to understand the mentality of American cinema of the times not paying Mr. Mitchum his due. He was a much better actor than he was given credit for. His presence looms large in this movie and it's a tribute to him that he makes his character dominate the movie.
Jane Greer was also excellent in her take of Kathie Moffat. She is pure evil, a sensuous woman who will do anything to get her own way. When we see her in Acapulco she is a seductress that no man can resist. She leads Jeff on by the sheer power of the desire he feels for her. Ms. Greer was not a beauty, by Hollywood standard, but yet, she makes an incredible contribution to the movie. Her textured performance is exquisite in its economy. We all see right through her, yet, she takes us for an incredible ride, up to the end of the picture.
The others in the cast do an excellent job. A young and dashing Kirk Douglas is perfect as the dubious Whit. He shows such a magnetism, even then, at the start of his career in movies. Rhonda Fleming had a small role and she makes most of it. Also Virginia Huston, as Ann, makes a great contribution to the film.
The film, ultimately, is a tribute to the talent of the director. This is Mr. Tourneur's best movie.
If you haven't seen the film, please stop reading now.
Jeff Bailey has reinvented himself as the owner of a gas station in California. His past comes to haunt him at the beginning of the movie. Jeff has found peace and love in the small town where he has taken refuge. He can change his identity, but he can't hide from the people that want to see him dead.
We watch in the beginning how Jeff is sent away by Whit Sterling to look for the disappearing Kathie Moffat, who has stolen forty thousand dollars and gone hiding. Jeff finds her in Acapulco. Kathie gives a bad name to any other dames in the movies of this genre. She is totally ruthless; she will do anything to double cross Whit as well as have Jeff do whatever she wants.
Comparisons have been made between "The Maltese Falcon" and "Out of the Past". Both have plots that are twisted; when we feel we know everything, there is a new twist to the story. We are constantly misled into thinking one way, when in reality, something else has happened.
This is a film that combines all the elements of the classic film noir and juxtaposes it against the serene surroundings of where Jeff is now living. Black and white photography was used to great advantage in the movie. It has a style that makes it one of a kind. The music by Roy Webb plays neatly in the background without interrupting the action.
The acting is first rate. Mr. Tourneur got a brilliant performance from Robert Mitchum. His Jeff, is the epitome of coolness. It's hard to understand the mentality of American cinema of the times not paying Mr. Mitchum his due. He was a much better actor than he was given credit for. His presence looms large in this movie and it's a tribute to him that he makes his character dominate the movie.
Jane Greer was also excellent in her take of Kathie Moffat. She is pure evil, a sensuous woman who will do anything to get her own way. When we see her in Acapulco she is a seductress that no man can resist. She leads Jeff on by the sheer power of the desire he feels for her. Ms. Greer was not a beauty, by Hollywood standard, but yet, she makes an incredible contribution to the movie. Her textured performance is exquisite in its economy. We all see right through her, yet, she takes us for an incredible ride, up to the end of the picture.
The others in the cast do an excellent job. A young and dashing Kirk Douglas is perfect as the dubious Whit. He shows such a magnetism, even then, at the start of his career in movies. Rhonda Fleming had a small role and she makes most of it. Also Virginia Huston, as Ann, makes a great contribution to the film.
The film, ultimately, is a tribute to the talent of the director. This is Mr. Tourneur's best movie.
In a small town in California, the mysterious Jeff Bailey (Robert Mitchum) owns a small gas station and is in love with the local Ann (Virginia Huston). When a stranger just arrived in town meets him, Jeff is ordered to travel to meet the powerful criminal Whit Sterling (Kirk Douglas). Before traveling, Jeff calls Ann and tells her the story of his life, when he was a private eyes hired by Whit for US$ 5,000.00 to find his former mistress Kathie (Jane Greer) that had shot Whit and stolen US$ 40,000.00. The competent Jeff finds Kathie in Acapulco, but she tells that she had not taken Whit's money and they fall in love for each other and escape from Whit. When the former partner of Jeff, Fisher (Steve Brodie), finds the couple living in an isolated cabin, Kathie kills him and Jeff buries his corpse. Jeff accidentally finds the receipt of deposit of the amount in Kathie's purse and leaves her forever. When Jeff meets Whit, he surprisingly finds Kathie living with him; Whit asks Jeff one last job to get even and release Jeff from his debt. But Jeff finds that Whit is actually framing him.
"Out of the Past" is an excellent film-noir, with a melancholic story and a magnificent and amoral female fatal. The direction of Jacques Tourneur is outstanding and the cinematography is very beautiful. Robert Mitchum and Jane Greer have top-notch performances, showing great chemistry. However, the fantastic screenplay is certainly the best in this movie, disclosing a complex plot with the use of flashback and great lines. My vote is eight.
Title (Brazil): "Fuga do Passado" ("Escape from the Past")
"Out of the Past" is an excellent film-noir, with a melancholic story and a magnificent and amoral female fatal. The direction of Jacques Tourneur is outstanding and the cinematography is very beautiful. Robert Mitchum and Jane Greer have top-notch performances, showing great chemistry. However, the fantastic screenplay is certainly the best in this movie, disclosing a complex plot with the use of flashback and great lines. My vote is eight.
Title (Brazil): "Fuga do Passado" ("Escape from the Past")
क्या आपको पता है
- ट्रिवियाRobert Mitchum told Roger Ebert he smoked so much that when the camera was rolling and Kirk Douglas offered him a pack and asked, "Cigarette?" Mitchum, realizing he'd carried a cigarette into the scene, held up his fingers and replied, "Smoking." His improvisation saved the take and they kept it in the movie.
- गूफ़Leonard Eels' apartment at 114 Fulton Street would be part of the block then occupied by the main branch of the San Francisco Public Library (now the Asian Art Museum).
- इसके अलावा अन्य वर्जनAlso available in a computer colorized version.
- कनेक्शनEdited into American Cinema: Film Noir (1995)
- साउंडट्रैकThe First Time I Saw You
(uncredited)
Music by Nathaniel Shilkret
From The Toast of New York (1937)
Used as main theme in score
टॉप पसंद
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- Build My Gallows High
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- East side of Sonora Pass, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Water fall and stream shot)
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- चलने की अवधि
- 1 घं 37 मि(97 min)
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- 1.37 : 1
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