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Nightmare Alley

  • 1947
  • Approved
  • 1 घं 50 मि
IMDb रेटिंग
7.7/10
14 हज़ार
आपकी रेटिंग
Tyrone Power, Joan Blondell, Coleen Gray, and Helen Walker in Nightmare Alley (1947)
The rise and fall of Stanton Carlisle, a mentalist whose lies and deceit prove to be his downfall.
trailer प्ले करें2:26
1 वीडियो
99+ फ़ोटो
ड्रामाफ़िल्म नोयर

स्टैंटन कार्लिस्ले का उदय और पतन, एक मानसिकतावादी जिसका झूठ और धोखा उसका पतन साबित होता है।स्टैंटन कार्लिस्ले का उदय और पतन, एक मानसिकतावादी जिसका झूठ और धोखा उसका पतन साबित होता है।स्टैंटन कार्लिस्ले का उदय और पतन, एक मानसिकतावादी जिसका झूठ और धोखा उसका पतन साबित होता है।

  • निर्देशक
    • Edmund Goulding
  • लेखक
    • Jules Furthman
    • William Lindsay Gresham
  • स्टार
    • Tyrone Power
    • Joan Blondell
    • Coleen Gray
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    14 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Edmund Goulding
    • लेखक
      • Jules Furthman
      • William Lindsay Gresham
    • स्टार
      • Tyrone Power
      • Joan Blondell
      • Coleen Gray
    • 165यूज़र समीक्षाएं
    • 106आलोचक समीक्षाएं
    • 75मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    वीडियो1

    Official Trailer
    Trailer 2:26
    Official Trailer

    फ़ोटो122

    पोस्टर देखें
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    + 116
    पोस्टर देखें

    टॉप कलाकार62

    बदलाव करें
    Tyrone Power
    Tyrone Power
    • Stanton Carlisle
    Joan Blondell
    Joan Blondell
    • Zeena Krumbein
    Coleen Gray
    Coleen Gray
    • Molly
    Helen Walker
    Helen Walker
    • Dr. Lilith Ritter
    Taylor Holmes
    Taylor Holmes
    • Ezra Grindle
    Mike Mazurki
    Mike Mazurki
    • Bruno
    Ian Keith
    Ian Keith
    • Pete Krumbein
    Florence Auer
    Florence Auer
    • Jane
    • (बिना क्रेडिट के)
    Bonnie Bannon
    Bonnie Bannon
    • Knife Thrower's Assistant
    • (बिना क्रेडिट के)
    George Beranger
    George Beranger
    • The Geek
    • (बिना क्रेडिट के)
    Oliver Blake
    Oliver Blake
    • Hobo
    • (बिना क्रेडिट के)
    June Bolyn
    • Maid in Grindle House
    • (बिना क्रेडिट के)
    Paul Bradley
    Paul Bradley
    • Man in Spode Room
    • (बिना क्रेडिट के)
    Chet Brandenburg
    Chet Brandenburg
    • Carnival Patron
    • (बिना क्रेडिट के)
    James Burke
    James Burke
    • Rural Marshal
    • (बिना क्रेडिट के)
    George Chandler
    George Chandler
    • Hobo at Stan's Left Hand
    • (बिना क्रेडिट के)
    Harry Cheshire
    Harry Cheshire
    • Mr. Prescott
    • (बिना क्रेडिट के)
    Edward Clark
    Edward Clark
    • J.E. Giles
    • (बिना क्रेडिट के)
    • निर्देशक
      • Edmund Goulding
    • लेखक
      • Jules Furthman
      • William Lindsay Gresham
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं165

    7.714K
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    फ़ीचर्ड समीक्षाएं

    8harry-76

    Film Holds Up Well

    Tryone Power gave one of his finest performances in "Nightmare Alley." His off-beat role highlighted a strange and intriguing tale, and was a role which he reportedly fought hard to get, upon his return to film work following military duty.

    Power proved he was capable of much more demanding parts than those normally given him. On screen most of the time, he displayed a flair for sound characterization and nuance, being endowed with an unusually fine speaking voice and diction.

    Lee Garmes' cinematography and Thomas Little's set decoration are notable here, and the entire cast works in fine ensemble fashion. Only some plot details may seem a little obvious and predictable. That's probably because "Nightmare Alley" details have been copied numerous times by other film makers and, as a result, we're much more savvy now than 1947 audiences.

    It was a particular treat to have an opportunity to see this film last week on a film society series in a beautiful 35mm print. The showing also reminded viewers how beautiful and effective black and white productions are, and how much they're missed.
    9larry-319

    Nightmare Alley

    Nightmare Alley is a remarkable film- it hardly blinks in showing a cynical, scheming "preacher" doing his thing.Given the norms of Hollywood at the time, or almost at any time,it does give you a lot to consider.Tyrone Power is brilliant, and the movie is actually quite close to the powerful (hard to find!) novel.In the best tradition of a movie that examines the dark side of society in an effectively muckraking way, it is a rare gem. I found the movie all the more effective for the fact that while Tyrone Power is in a quite uncharacteristic role. It is obvious he is strongly committed to the film and delivers a chilling, scary, thought provoking performance. The glimpses of the brutality of contemporary circus/side show life are in themselves interesting and disquieting. It is a rare film and even rarer book, but really worth the time.
    10blanche-2

    obscure but memorable

    It is totally amazing, nearly 60 years later, to realize the lengths that 20th Century Fox went to in order to keep Tyrone Power a handsome leading man rather than letting him show his stuff. It's no wonder Fox came to disgrace during the Cleopatra era. Pity it didn't happen earlier so Power had more opportunities to show his acting range.

    Nightmare Alley was a favorite of mine from the time I was a teenager -a film Power fought to make and one that the studio never publicized and released as a B film. Spiteful bunch, considering the money he had made for them!

    Power, Blondell, Gray, Helen Walker, and the marvelous Ian Keith turn in great performances in a gritty film somewhat ahead of its time for its unrelenting toughness, its hard view of alcoholism, a look inside the world of mentalists and carnival life, and its theme of the supernatural. It is reminiscent of "Ace in the Hole" and some of the later, cynical Wilder films.

    Power was one of those actors whose drop dead gorgeous appearance kept him from some excellent roles, thanks to his studio. SomeoneI knew saw him in a Broadway play and said it was like being alone in a room with him, he had such magnetism.

    We have so few examples of his really great work - the recording of John Brown's Body is one, this film is another - it's great that it's now out on DVD and available to the public.
    9bkoganbing

    Ty's Most Interesting Role And Zanuck's worst nightmare

    Nightmare Alley is forever known in Hollywood as the film in which Tyrone Power made a total break with his typecast image, playing a completely evil and ultimately weak individual. Post World War II, Power made it clear to Darryl Zanuck that he was looking to expand his range as an actor. Zanuck reluctantly allowed him to do this film. He usually indulged his favorite at the studio. Of course he also had a backup plan just in case Nightmare Alley was a bust.

    Well critically it wasn't a bust, Power got deservedly rave reviews for his portrayal of small time hustler and carnival sharpie Stan Carlisle. Power had a variation on his previous roles, he was either a straight out hero as in The Mark Of Zorro, Lloyds Of London, or The Razor's Edge. More often he was a combination hero/heel as in Blood And Sand, The Black Swan or A Yank In The RAF most of all in Rose Of Washington Square, probably the closest part to Stan Carlisle he had played before. Still he was never as unredeemingly evil as in Nightmare Alley on screen until his last completed film, Witness For The Prosecution.

    Power is working in a small time carnival where Joan Blondell and Ian Keith have a mind reading act with a good code between them that allows Keith to pull some really strange and good answers out of left field. Power would like to learn it and does after Keith dies when he gets into some wood alcohol. Power then teams with Blondell.

    He's forced to marry innocent young Coleen Gray when circus strongman Mike Mazurki thinks he's ruined her reputation. But even with the inconvenience of a wife, Power has his eyes on bigger game. He gets a mind reading act going at a swank Chicago nightclub and then partners with Helen Walker who is a quack psychologist.

    Ty Power was great in the role, no question about that, but 1947 must have been a great year for scheming women. Helen Walker never gets the credit she's due for her part. She's every bit as bad as Power and more than up to whatever games he's playing. Her part is very similar to Jane Greer's in Out Of The Past which also came out in 1947.

    The critics loved Power in Nightmare Alley, but 20th Century Fox took a big loss from it because the public wouldn't accept Power in so evil a role. Darryl Zanuck absolutely knew this would happen so he hedged his bets a little by withholding from release Captain From Castile, a big budget spectacular where you'll Tyrone Power at his most noble and heroic on screen without a bit of heel shading. That came out within six weeks of Nightmare Alley and Power's fans were appeased.

    Power's character was a man essentially out of his depth in going for the big con. But as an actor in Nightmare Alley he expanded his range beyond anything anyone ever expected from him. Now Nightmare Alley is considered a cinema classic and box office bust that it was, it remained a personal favorite among Tyrone Power's films.

    Though Darryl Zanuck preferred to forget the experience.
    TheFerryman

    A suicidal film

    One of the most obscure films produced by classic Hollywood. It's Tyrone Power in the role of his life and the tragedy of an ambitious circus apprentice becoming a con artist and gradually turning into a pseudo-religious guru. Both director Edmund Goulding (Grand Hotel, Dark Victory) and writer W.L. Gresham committed suicide, and one can smell suicide in this gem of a film, that is the story of the embezzlement of a gift. That circus operates as a good metaphor of the B-system Hollywood of the 40's, where geeks worked side by sided with geniuses. The tarot cards foresee the worst: there's a geek in every man's soul, no matter how big one can be, a downfall no imposed `happy ending' can hide. In this nightmare populated by fun-fairs, alcoholism and eccentric millionaires obsessed with the deceased, the film version makes use of the essential from the source novel and provides the best invention: an unscrupulous psychiatrist who records her patients on tape and then blackmails them, a device that Brian de Palma himself would have be proud of.

    इस तरह के और

    Murder, My Sweet
    7.5
    Murder, My Sweet
    Kiss of Death
    7.4
    Kiss of Death
    Night and the City
    7.8
    Night and the City
    They Live by Night
    7.4
    They Live by Night
    The Killers
    7.7
    The Killers
    Where the Sidewalk Ends
    7.5
    Where the Sidewalk Ends
    Gun Crazy
    7.6
    Gun Crazy
    Nightmare Alley
    3.3
    Nightmare Alley
    Leave Her to Heaven
    7.6
    Leave Her to Heaven
    Detour
    7.3
    Detour
    The Narrow Margin
    7.6
    The Narrow Margin
    Scarlet Street
    7.7
    Scarlet Street

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The studio built a full carnival set on the back lot at 20th Century Fox covering ten acres, and hired over 100 sideshow attractions and carnival workers.
    • गूफ़
      The recording machine that creates a major plot point is a Wilcox-Gay disc cutter that could record at 78 or 33 rpm on a maximum disk size of ten inches. It cut at a fixed 96 lines per inch. Unfortunatly those specs limited recording time to about 3 minutes at 78 rpm and only a bit more at 33. A real professional would have used something like a Presto which cut 12-inch discs or a broadcasting machine like a Scully that could cut 16-inch disks. Even the FBI used disk cutters in pairs so one could begin recording when the others had used up all their blank disk surface. A much more likely device would have been a wire recorder which despite its limited fidelity could record speech for an hour. These units were not cheap but Dr. Ritter was obviously wealthy. Her Wilcox-Gay recorder had a retail price at that time of about $100.00 and was among the lowest-priced recorders sold.
    • भाव

      McGraw: Wait. I just happened to think of something. I might have a job you can take a crack at. Course it isn't much and I'm not begging you to take it, but it's a job.

      Stanton Carlisle: That's all I want.

      McGraw: And we'll keep you in coffee and cake. Bottle every day, place to sleep it off in. What do you say? Anyway, it's only temporary, just until we can get a real geek.

      Stanton Carlisle: Geek?

      McGraw: You know what a geek is, don't you?

      Stanton Carlisle: Yeah. Sure, I... I know what a geek is.

      McGraw: Do you think you can handle it?

      Stanton Carlisle: Mister, I was made for it.

    • कनेक्शन
      Featured in 20th Century-Fox: The First 50 Years (1997)
    • साउंडट्रैक
      Sobre las olas (Over the Waves)
      (uncredited)

      Music by Juventino Rosas

      Played during the opening carnival scene

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Nightmare Alley?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 28 अक्टूबर 1947 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइट
      • The Criterion Collection
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • El callejón de las almas perdidas
    • फ़िल्माने की जगहें
      • State Street, शिकागो, इलिनॉय, संयुक्त राज्य अमेरिका(exterior shots B roll)
    • उत्पादन कंपनी
      • Twentieth Century Fox
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • दुनिया भर में सकल
      • $337
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 50 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Tyrone Power, Joan Blondell, Coleen Gray, and Helen Walker in Nightmare Alley (1947)
    टॉप गैप
    By what name was Nightmare Alley (1947) officially released in Japan in Japanese?
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