Merton of the Movies

"Merton of the Movies" is a Red Skelton movie that sure lacked originality. It's based on the movie by the same name from 1924 and was already remade in 1932. Additionally, the plot bears a very strong resemblance to a Harold Lloyd film from 1932--"Movie Crazy". So, while this 1947 film is nice, it's all terribly familiar. Plus, the Lloyd film was a heck of a lot better.

Skelton plays the title character, Merton Gill--a rube from a small town that thought his path to becoming a movie star was by taking a correspondence course. So, when he wins a trip to Hollywood, he incorrectly assumes it's because of his diploma--but it's really just a publicity stunt. However, he's not deterred and tries to get work as an extra. But he's a clumsy oaf and seems to be out of place in dramas-- until his girlfriend (also an actress) convinces the studio executives to use his terrible footage and just market the films as comedies. Soon, Merton is a star but has no idea everyone is laughing at him. What's next?

This is a rather agreeable film but not much more. Skelton has done better stuff but it's a decent time-passer provided you haven't seen these other films--then it just seems a bit repetitious.

If "slapstick" is your genre here is one of the best. I saw it in 1947 or -48 shortly after its release.

I have been on the lookout for it on tape but to no avail. Hopefully it will be preserved as one of the outstanding examples of "slapstick".

Kansas theater usher (and dramatic acting school graduate!) thwarts a robbery and is brought out to Hollywood by train in the Silent Era strictly for quick publicity; he winds up living on a park bench waiting for an acting job, and finally gets one filling in for his idol, an irresponsible star who's been hitting the bottle. Third film-version of a play by Marc Connelly and George S. Kaufman, based on Harry Leon Wilson's book, now revamped as a comedic vehicle for Red Skelton. Earliest scenes are best, with our dimply, aw-shucks hero politely scheming his way onto movie sets, with amusing results. Slapstick sequence at a high-toned Men's Club seems to belong to a different picture, although the pay-off there is also funny. Runs out of steam towards the end, however Skelton and Virginia O'Brien are a good match. Direction by former-choreographer Robert Alton is quick on its feet, and there are some big laughs in the first hour. **1/2 from ****

This is a pleasant little movie starring Red Skelton and Virginia O'Brien as actors in the infancy of the silent era. I enjoyed the film, but I didn't find it as entertaining as the three previous film reviewers.

Both Red Skelton and Virginia O'Brien turned in nice performances; I kept waiting for her to sing at least one song, but it never happened. Gloria Grahame and Leon Ames also were believable in their roles.

The movie was rather predictable and reminds one of Singin' in the Rain in spots.

It is a movie worth checking out, but I won't be watching it again.

"Merton of the Movies" is one of the best movies I have ever seen, and it is one of my personal favorites. Red Skelton and Virginia O'Brien are both smashing as usual. The role of the naive, unknowing Merton Gill/Clifford Armytage is perfect for Skelton. The role of the knowing, comforting, concerned Phyllis Montague is perfect for O'Brien. It also provides a decent view into the workings of Hollywood and of the private lives of the stars during the silent film era. It is also a very touching movie, as we see O'Brien's increasing concern for Skelton's well-being. This is a must-see for any comedy fan, and those who love a good romance.