Les maudits

French war drama by Rene Clement

This film is really a surprise! Rene Clement, who a decade later filmed a Tom Ripley novel by Patricia Highsmith for the first time with Alain Delon in the leading role of "Plein soleil" (1959), presents here a wonderfully nasty war thriller that is incredibly exciting .

In the final days of the Second World War, a submarine sets sail from Oslo carrying a number of extremely disgusting Nazis from Germany and Nazi sympathizers from other countries. All these miserable people want to escape to South America to escape the impending defeat. Deluded as they all are, this mishmash actually forgot to bring a doctor on board. But they need it after the little accident involving a mild-mannered full-blooded fascist (Florence Marly). Without further ado, you go ashore in Rovan, France, and kidnap the local country doctor (Henri Vidal (1919-1959), who, shortly before his untimely death, was with Romy Schneider in "Ein Engel auf Erden" and Brigitte Bardot in "Voulez-vous danser avec moi?" was visible) on the submarine. And we continue towards South America so that the drama can continue.

This short description of the starting point makes it clear what is so unusual and exciting about this film. Most of the scenes take place in the confines of a submarine, creating a setting that is very reminiscent of "Das Boot" (1981) by Wolfgang Petersen and does not need to shy away from this comparison. The film is basically narrated by the kidnapped country doctor, which gives a special and initially unusual perspective. French and German are spoken, which of course fits perfectly with the characters in the story. In addition, the characters are so unpleasant and their actions are so disturbing that the viewer is simply surprised. This film dares to focus on extreme monsters as anti-heroes. Even the country doctor as the only identification figure is not a shining hero, but rather someone who is placed in a hopeless situation and has to struggle to defend himself.

The actors in this film are terrific. The characters they portray form an impressive collection of Nazi abominations: there is the ardent fascist who is linked to both an Italian entrepreneur and a German general, an informant, a scientist, all of whom supposedly believe in final victory. But the most disgusting and impressive are the SS man Forster (Jo Dest) and his "adjutant" Willi Morus (great: Michel Auclair, who later also appeared in "Funny Face" (1957) by Stanley Donen and "Days of the Jackal" (1973). By Fred Zinneman), which are linked by an ambivalent sado-masochistic connection, which is truly remarkable for a film from this period.

This film is a little pearl with breathtaking scenes that should definitely be discovered. Highly recommended!

(1947) Les Maudits/ The Damned (In French with English subtitles) WAR DRAMA

Co-written and directed by René Clément, with the setting takes place just during the end of the second World War, with a U-boat full of Nazi sympathizers, including French and Italian passengers planning to settle in South America for a possible industrialization to support Hitler's cause. All is well until one of the female passengers injures herself with a bad head concussion, forcing them to go undercover to kidnap a French doctor, who eventually takes over to narrate his incredible voyage. Sometimes slow, but still fascinating that has never been done before.

I give this film five stars although I would rather have given it one star, because of the other reviews posted here. I cannot say for sure that this is René Clement's weakest film but it is by far not his best and it is the weakest I can remember to have seen. It contains the typical Nazi stereotypes that were maybe true, I don't know, but nevertheless boring. Had the Nazis all have been such idiots they could hardly have lasted six years in a war against practically the whole world. True, they were first supported by the west to scare off the Bolsheviks but later on they were pretty much alone against the whole world. When it came out maybe there were not that many films about Nazi stereotypes and so it must have seemed better thenö but I review the film from the impact it could have to day and in that lite it is at best vaguely interesting but on no account whatsoever comparable with Les yeux interdit, for example. I just went through the list of Clements films and of the ones I've seen, this is indeed his weakest.

Among all René Clément 's movies dealing with WW2 ("jeux interdits" "la père tranquille" "Paris brûle-t-il?" ...) "les maudits" is simply the best.It might possibly be also Clement's best and I hope many comments will join mine soon.

Nazis are escaping from Germany in 1945 now that the writing's on the wall.They will cross the sea in a submarine and take refuge in South America .Among them ,a general , a manufacturer and his wife (who's the general's lover),a scientist and his daughter,a French collaborator,a "Dritte Reich " die-hard and his minion .The woman is injured and they have no doctor.So,in Royan,they kidnap Guilbert who will be forced to share their desperate odyssey.

Never maybe René Clément's direction has been so impressive:he uses with stunning results the enclosed atmosphere ,where the characters are prisoners:the audience like them is panting for breath.When the doctor enters the place ,the cinematography suggests a descent into hell.

This submarine is really Hell's anteroom.Heightened sensibilities ,suppressed hatred,and reciprocal contempt show because of an unbearable lack of privacy .Guilbert ,the doctor (Vidal) understands that ,because he's not one of "them" ,his days are numbered ,and he's got to play cat and mouse to survive.So strong is the supporting cast that they overshadow the hero (Henri Vidal was a limited actor though).The strange homosexual couple ,Himmler's former henchman (Jo Dest) and his lover (Michel Auclair who gives the most fascinating performance of the whole movie;René Clément met him when he filmed "la Belle et le Bete" with Cocteau ,Auclair played la Belle's brother)are much more than secondary characters.It even includes SM (the nazi whips his minion).

When we leave the submarine-coffin,all we find is the dark waters of an empty sea.And when we call at a harbor in South Africa,we find ourselves in Marcel Dalio's (who was part of "Casablanca" supporting cast!)office,the Venitian blinds of which are carefully lowered;or -in a scene so strong that it rivals the best of Hitchcock-,in the darkness of a coffee warehouse.

This is a must-see movie,which was also remarkable for another reason:everyone speaks his language ,which was not that much obvious at the time,and it adds another suspenseful plus:the hero must not show he understands German.

Henri Jeanson whose sense of humor is intact despite this thoroughly desperate noir story wrote astounding lines:"it looks like Noah's Ark,says the general at the beginning of the film,now all we need is the deluge".

He will not be disappointed.You will not either if you try this Clément overlooked gem.

Les maudits is directed by René Clément who also co-writes with Victor Alexandrov, Henri Jeanson, Jacques Rémy and Jacques Companéez. It stars Marcel Dalio, Henri Vidal, Florence Marly, Fosco Giachetti, Paul Bernard, Jo Dest, Michel Auclair and Anne Campion.

It's the last days of World War II and a submarine full of Nazi's and fellow collaborators head off from Oslo bound for South America. Hoping to evade capture by the Allies, their plans are stalled when a depth- charge attack injures one of the lady passengers causing them to stop off in France to kidnap a doctor. Once on board the doctor realises the gravity of his situation and uses his medical knowledge to spread slow- burn fret throughout the submarine; just as news of the armistice breaks…

A lesson in claustrophobic suspense and slow-burn psychological edginess, Les maudits riff's on the rats leaving a sinking ship with considerable success. It's a hot-bed of unsavoury characters, where political sin hangs heavy in the scratchy black and white atmosphere. Clément inserts the tension deftly whilst also garnering rich performances from the multilingual ensemble of actors. It all builds to a quite terrific ending that closes down the picture on suitably intelligent note.

It's a hard film to pin down but if you get the chance don't hesitate to view it. 8/10