I Wonder Who's Kissing Her Now

June Haver presents a beautiful life like representation of an idylic world where success occurs while life is the lie and 3rd grade words are not kept from promotion ie white lies go far. I was born in 1952, so this movie is way out of my time frame for appreciation as the year now is 2002 but it does not take much effort to recognize greatness, no matter what year faces the antiquities of its present and its vehicles of success.

The movie, has terrific set design. The technology was the 10 gigahertz computer of the day. The wardrobes have beautiful embroidery with terrific symbolism of a hot night life. Even the difficulties of Russia of that time are gently assuaged with positivisms that only the arts could present as opposed to political intrigues that were overwhelming at that time for almost any successful state of mind.

The movie did much for me feeling very happy about being a private in the front lines of money, being able to speak under orders that had an authority behind them and should of I had a few dollars, maybe could have a chance a kissing one of those girls.

I saw "I Wonder Who is Kissing Her Now" last night. It is my third June Haver musical and I was slightly underwhelmed by it.

An extravagant biography of the ups and downs of the vaudeville songwriter Joe Howard (Mark Stevens) and his romantic adventures with a songstress Lulu Madison (Martha Stewart) while being true to his jealous sister Katie (Haver), "I Wonder..." turns out to be an opulent Gay 90s musical in the vein of "Hello Frisco Hello"(1943) and "My Gal Sal"(1942). The Technicolor, lavish sets, and turn-of-the- century costumes are sometimes thrilling, but the plot is very frustrating and soapy. It doesn't go anywhere.

However, the stars and the music make it worthwhile. The best numbers are the title song and "Goodbye My Baby Love".

I am 25 years old and I first saw this film when I was about 8. I have a wonderful memory for songs and lyrics and I can still remember (even though I haven't seen it for 15 years) all of them.

Goodbye my lady love, Honeymoon, Hello my baby, Be sweet to me kid, and of course I wonder who's kissing her now. I am desperate to see this again, my Nan is gone from us now and I used to watch it with her and perform the songs for her in fancy dress. Well it was lovely.

June Havers was so lovely and the film was light and easy to watch. A very cute little love story with wonderful music, I have seen a lot of musicals and no others have stuck in my head as much.

Please if anyone hears anything please post here.

Although ostensibly the success story of working stiff/songwriter-turned-vaudeville pianist and later Broadway composer Joseph Howard, this fluff musical from Fox is really a showcase for June Haver playing Howard's adopted sister. Haver's tag-along good girl--who harbors dreams of stardom herself--provides sass and bounce in this extremely lightweight story; unfortunately, her character's fantasy about being in the spotlight, and her somewhat conniving ways, detracts from Howard's misadventures with money and women while never building a credible profile for young Katie. The film is certainly tuneful and pleasant, but low-keyed Mark Stevens as Joe isn't able to make much of an impression (and when he gets angry at kid sis Katie near the end, it seems to come out of nowhere). There are some good supporting performances (particularly by Martha Stewart as a glinty-eyed vaudeville chanteuse), but the final musical number seems to go on forever, and the romantic finish doesn't quite work. ** from ****

Based on a true story, the movie traces the career of song-writer Joe Howard and his difficulties, especially in the romance department.

The first half almost sizzles with screen chemistry as Kate (Haver), Lulu (Stewart) and Joe (Stevens) bounce off one another backstage. And what a conniving little ingénue is Kate, always using her innocent wiles to get her way. Then there's toughie Lulu who would like to win Joe if only Kate would let her. Poor Joe's in the middle, but would rather write songs than anything else. Their simmering well-scripted set-to's amidst the stage show music had me thinking a real sleeper.

But then Joe joins another troupe and Lulu is replaced by Fritzie (Aubert) who unfortunately doesn't generate the same chemistry, causing the movie to settle into a more routine mode. Nonetheless, the production is lavish, the Technicolor beautiful, the signature songs memorable, along with a solid story better developed than most. But for me, it's a deceptively innocent Haver whose Kate shines most of all. Her presence not only lights up the stage, but amounts to one of the most unusual ingénues in musical history. And catch that great last scene that drives home the point.

All in all, the movie may not be the best musical on record, but that sizzling first half remains in the running.