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The Foxes of Harrow

  • 1947
  • Approved
  • 1 घं 57 मि
IMDb रेटिंग
6.5/10
603
आपकी रेटिंग
Maureen O'Hara, Rex Harrison, and Vanessa Brown in The Foxes of Harrow (1947)
एक्शनड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंIn pre-Civil War New Orleans, Louisiana, roguish Irish gambler Stephen Fox (Sir Rex Harrison) buys his way into society, something he couldn't do in his homeland because he is illegitimate.In pre-Civil War New Orleans, Louisiana, roguish Irish gambler Stephen Fox (Sir Rex Harrison) buys his way into society, something he couldn't do in his homeland because he is illegitimate.In pre-Civil War New Orleans, Louisiana, roguish Irish gambler Stephen Fox (Sir Rex Harrison) buys his way into society, something he couldn't do in his homeland because he is illegitimate.

  • निर्देशक
    • John M. Stahl
  • लेखक
    • Frank Yerby
    • Wanda Tuchock
    • Thomas Job
  • स्टार
    • Rex Harrison
    • Maureen O'Hara
    • Richard Haydn
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.5/10
    603
    आपकी रेटिंग
    • निर्देशक
      • John M. Stahl
    • लेखक
      • Frank Yerby
      • Wanda Tuchock
      • Thomas Job
    • स्टार
      • Rex Harrison
      • Maureen O'Hara
      • Richard Haydn
    • 15यूज़र समीक्षाएं
    • 4आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • 1 जीत और कुल 1 नामांकन

    फ़ोटो11

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 4
    पोस्टर देखें

    टॉप कलाकार91

    बदलाव करें
    Rex Harrison
    Rex Harrison
    • Stephen Fox
    Maureen O'Hara
    Maureen O'Hara
    • Odalie 'Lilli' D'Arceneaux
    Richard Haydn
    Richard Haydn
    • Andre LeBlanc
    Victor McLaglen
    Victor McLaglen
    • Capt. Mike Farrell
    Vanessa Brown
    Vanessa Brown
    • Aurore D'Arceneaux
    Patricia Medina
    Patricia Medina
    • Desiree
    Gene Lockhart
    Gene Lockhart
    • Viscount Henri D'Arceneaux
    Charles Irwin
    Charles Irwin
    • Sean Fox
    Hugo Haas
    Hugo Haas
    • Otto Ludenbach
    Dennis Hoey
    Dennis Hoey
    • Master of Harrow
    Roy Roberts
    Roy Roberts
    • Tom Warren
    Dorothy Adams
    Dorothy Adams
    • Mrs. Sara Fox
    • (बिना क्रेडिट के)
    Demetrius Alexis
    • Undetermined Secondary Role
    • (बिना क्रेडिट के)
    Louis Bacigalupi
    • Crew Member
    • (बिना क्रेडिट के)
    John Bagni
    • Crew Member
    • (बिना क्रेडिट के)
    William Bailey
    William Bailey
    • Club Member
    • (बिना क्रेडिट के)
    Carlos Barbe
    • Undetermined Secondary Role
    • (बिना क्रेडिट के)
    Rene Beard
    • Little Inch - at 6
    • (बिना क्रेडिट के)
    • निर्देशक
      • John M. Stahl
    • लेखक
      • Frank Yerby
      • Wanda Tuchock
      • Thomas Job
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं15

    6.5603
    1
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    10

    फ़ीचर्ड समीक्षाएं

    fordraff

    Mediocre treatment of Yerby's best-selling novel.

    This is a Cliff's Notes version of a heavily plotted historical novel dealing with Stephen Fox's rise and fall in New Orleans plantation society during the 1820's-1830's. Film has plot points similar to GWTW and "Anthony Adverse." Fox is Yerby's version of Rhett Butler; Odalie, his version of Scarlett. Rex Harrison is sadly miscast as Fox; Maureen O'Hara is waxy and cold as Odalie. Treatment of black characters is the most condescending I've seen in a film from this era (1947). Received top notch production values; should have been in color. But '47 was the year Fox made "Forever Amber" and its color went into that historical romance.
    6ksf-2

    plantation owner in New Orleans

    Some interesting things going on in this one... Rex Harrison in his early days. William Schallert's first film... he probably still holds the record for the most film and TV series appearances (even more than Charles Lane!). Rex Harrison is "Fox", who started life with a couple strikes against him already. A gambler, he's pretty rough around the edges, but Fox tries to make it up to his wife. Co-stars Maureen O'Hara, Victor McLaglan, Gene Lockhart. It's a period piece, so there's strike one for me. and it's in New Orleans, so there's voodoo afoot. A lot going on, but its fairly entertaining. When they get involved in the lives of the slaves, things really get complicated. Trials, tribulations. Lessons learned. Writer Frank Yerby wrote over 30 novels, but it looks like not very many were made into film. and THIS one must not be shown on Turner Classic very often, only 290 votes so far. Shown on a double feature with Tomango on TCM.
    5tentender

    Disappointments abound

    I have been reviewing the films of John M. Stahl recently -- not an easy task as their availability is quite limited -- and they are a very mixed bag. From the gripping melodrama of "Back Street" (probably his best film), to the original versions of "Magnificent Obsession" and "Imitation of Life," both very different from and as interesting in their own ways as Sirk's remakes, and "Only Yesterday," to the excellent period comedy "Holy Matrimony" and the comedy/drama "Letter of Introduction," when Stahl is engaged with his material he is unique and interesting. All these films have a tone of serenity and patience which is not in the least boring. (It's there, too, in the unique noir/Technicolor melodrama, "Leave Her to Heaven," Stahl's uncannily brilliant success -- a great picture that uses color in a highly controlled and most original way). When he is less involved-- both here and in "Parnell," for two examples, the serenity disappears, yet without a compensatory excitement. Both of these films have a strange, disengaged quality. Stahl seems less than comfortable with the grand gesture -- certainly the political scenes of "Parnell" are remarkably lifeless, and the sweeping quality of a "Gone with the Wind" -- to which it bears some narrative resemblance -- is largely missing from "The Foxes of Harrow." It starts off well, and Rex Harrison is dynamic and exciting in the first hour, as he courts the ever-reluctant Maureen O'Hara. This courtship goes through very rough waters (her resistance is iron), but ultimately -- and in a beautifully played scene --Rex clearly has genuine tears in his eyes -- he does win her over. Then the trouble starts all over again, for, no sooner has she overcome her scruples than she gets them back again -- understandably as Fox (Harrison) drunkenly rapes her on their wedding night! The relationship is not unlike that between Robert Mitchum and Eleanor Parker in "Home from the Hill," but nowhere near as interesting. Rex's panache, unfortunately, disappears with the leaden problem-filled second half, and there is little that is really engaging after that. (We can be grateful, I think, that Stahl was removed -- after several weeks of shooting, apparently -- from "Forever Amber," which no doubt would have arrived equally stillborn had not the great Otto taken over and made it into a really exciting picture.) O'Hara, fine actress though she is, often got stuck in these reluctant maiden parts -- she fares only a little better in Borzage's "The Spanish Main" or Nick Ray's "A Woman's Secret." Thank God she got to work for John Ford, for whom she is always delightful, nowhere more so than in "Rio Grande," where -- again! -- she is playing an estranged wife with scruples. I guess scruples were Maureen's main hindrance! To sum up: there's not much magic in this one, despite a promising start.
    6HotToastyRag

    Huge melodrama

    If you've heard The Foxes of Harrow being compared to Gone With the Wind, it's probably because the novels have a similar setting. The movies really aren't alike. I've since looked up a synopsis of the novel, and it's quite different from the 1947 drama. So, in case you don't like the movie, you might still be interested in checking out the scandalous novel, which spans more time and goes through the Civil War.

    In the movie, Rex Harrison plays an illegitimate Irish rogue who makes his way to America by gambling and sometimes cheating. He doesn't care about being a scoundrel, because he always lands on his feet and he climbs his way back to the top. He gets an influential friend, Richard Hayden, in the crème of New Orleans society, and quickly he amasses a fortune and becomes a legitimate suitor to Maureen O'Hara, a fiery debutante. She should know exactly what she's getting into, because she's seen his roguish ways first-hand, but after she marries him, she seems shocked and disgusted by his character. They have a child, but because his housekeeper threw away some good-luck voodoo dolls made by one of their slaves (remember this is pre-Civil War times), their house gets a curse on it and things go from bad to worse.

    I'm neither a Rex Harrison nor a Maureen O'Hara fan, so I wasn't the best target audience for this movie. I appreciated the intense melodrama of the story, and part of me is tempted to read the book, but since I find Rex unlikable anyway, I couldn't really get behind the story. He's unlikable enough even when you're supposed to root for him, let alone when he's a scoundrel!
    7dlfagan

    Dark times

    Maureen O'Hara is always stunning, but I don't remember seeing Rex Harrison so young and handsome. Even so there wasn't much romance between two such intransigent characters as Odalie D'Arceneaux and Stephen Fox. Their relationship is tragic enough, but the film also makes no apologies for the institution of slavery that haunts the background of so many scenes. Fox starts out as a decent "maitre," who'll work alongside his workers and slaves, but he never recognizes the parallel between his own loss of family and birthright and that of Little Inch, whose fierce mother Belle intends to be a warrior. In that sense "Harrow" may be a more useful look at slavery than in more enlightened films.

    इस तरह के और

    Forever Amber
    6.5
    Forever Amber
    When Tomorrow Comes
    6.7
    When Tomorrow Comes
    Compulsion
    7.4
    Compulsion
    Crime in the Streets
    6.6
    Crime in the Streets
    Magnificent Obsession
    7.0
    Magnificent Obsession
    The Set-Up
    7.8
    The Set-Up
    Last Train from Gun Hill
    7.3
    Last Train from Gun Hill
    The Life and Death of Colonel Blimp
    8.0
    The Life and Death of Colonel Blimp
    Hello, Dolly!
    7.0
    Hello, Dolly!
    Imitation of Life
    7.8
    Imitation of Life
    The Spanish Main
    6.3
    The Spanish Main
    Swamp Water
    7.0
    Swamp Water

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The movie was based on Frank Yerby's bestseller, his first book. It was not widely known at the time that Yerby was African-American. His many books about "the old South" painted a more accurate picture than that of "Gone with the Wind". Nevertheless, Twentieth Century Fox was hoping for its own GWTW success and paid Yerby one hundred fifty thousand dollars for the rights, an astronomical figure. Yerby went on to write thirty-three books of historical fiction.
    • भाव

      Stephen Fox: [after nodding to a passing coach] That's the second time I've comprised you. Once more and your father would probably force me to marry you.

      Odalie 'Lilli' D'Arceneaux: Me to Marry you? Why you're the most insufferable, insulting - !

      Stephen Fox: Stop being so angry with yourself. Face up to it. All your pretty notions are going astray and you have little left to use against me except I'm no gentleman and you're wrong there too. Because I'm from as fine a flock of sheep that's ever grazed in Ireland. But I had the luck to be the odd one. And it carried me out into a good world, full of living. And it will carry me out wherever I want it to - even to you.

      [kisses her]

    टॉप पसंद

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    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 24 सितंबर 1947 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
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    • इस रूप में भी जाना जाता है
      • Eine Welt zu Füßen
    • फ़िल्माने की जगहें
      • Maspero's Restaurant, French Qtr., New Orleans, LA, संयुक्त राज्य अमेरिका(filming of duel)
    • उत्पादन कंपनी
      • Twentieth Century Fox
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    • चलने की अवधि
      1 घंटा 57 मिनट
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      • 1.37 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Maureen O'Hara, Rex Harrison, and Vanessa Brown in The Foxes of Harrow (1947)
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    By what name was The Foxes of Harrow (1947) officially released in India in English?
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