IMDb रेटिंग
6.6/10
2.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंRecently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.Recently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.Recently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.
- निर्देशक
- लेखक
- स्टार
Patricia Barry
- Angela
- (as Patricia White)
John Elliott
- Clergyman
- (वॉइस)
- (बिना क्रेडिट के)
Lisa Golm
- Mrs. Laidell
- (बिना क्रेडिट के)
Creighton Hale
- Dr. Reynolds
- (बिना क्रेडिट के)
Jack Mower
- Watkins
- (बिना क्रेडिट के)
Paul Panzer
- Gatekeeper
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Just saw this last night for the first time. Must say that I loved Stanwyck running, leaping, jumping, being thrown by a horse, springing up again only to leap from an eight foot fence to the ground...This was clearly no stunt double. The gal was fleet of foot, and tenacious. She loved playing tough cookies, and that's what she served up here, a tough cookie who was really heroic and unafraid. She, as opposed to Flynn, does all the swashbuckling in this movie, and it's worth seeing just for that reason alone.
And it was suspenseful...I was really quite frightened of what she would find in the lab, in the lodge, in the dumb waiter...what's that about the cold cream??? I was so edgy after she scaled the fence into the lodge compound and got lost, that I had to turn off the volume so as not to hear the scary music. So the score really REALLY adds to the suspense.
I loved Errol Flynn in his early swashbucklers, and I really liked the character turns he took in Too Much Too Soon, and The Sun Also Rises and That Forsythe Woman. But here, he's just uneven..sometimes even blank, and then other times he's okay. Clearly the writers were trying to create a Max de Winter or Edward Rochester-type character ...is he good, or bad, sincere or lying? But the execution of the idea doesn't gel enough to satisfy.
So, the writing's choppy and shallow (especially the last 2 lines of dialogue and resolution), and there's not a TON of chemistry between Flynn and Stanwyck. And yes, the other roles are either over, or under written, so you end up with shadows or stereotypes. But still, I found it fun, and there's no reason why NOT to watch this movie, unless Rebecca or Jane Eyre or Pat & Mike is playing on another channel.
And it was suspenseful...I was really quite frightened of what she would find in the lab, in the lodge, in the dumb waiter...what's that about the cold cream??? I was so edgy after she scaled the fence into the lodge compound and got lost, that I had to turn off the volume so as not to hear the scary music. So the score really REALLY adds to the suspense.
I loved Errol Flynn in his early swashbucklers, and I really liked the character turns he took in Too Much Too Soon, and The Sun Also Rises and That Forsythe Woman. But here, he's just uneven..sometimes even blank, and then other times he's okay. Clearly the writers were trying to create a Max de Winter or Edward Rochester-type character ...is he good, or bad, sincere or lying? But the execution of the idea doesn't gel enough to satisfy.
So, the writing's choppy and shallow (especially the last 2 lines of dialogue and resolution), and there's not a TON of chemistry between Flynn and Stanwyck. And yes, the other roles are either over, or under written, so you end up with shadows or stereotypes. But still, I found it fun, and there's no reason why NOT to watch this movie, unless Rebecca or Jane Eyre or Pat & Mike is playing on another channel.
I disagree with all the reviewers who disagree with me. This was a tense, suspenseful melodrama which I feel has gotten a bad rap since it came out. The mood of the film is ominous and unsettling throughout and benefits from excellent acting jobs from the two stars. Barbara Stanwyck almost never gives a bad performance and does not disappoint, but the big surprise here is Errol Flynn. In "Cry Wolf" he shows unexpected depth and nuance - this from an actor known for one-dimensional action/ swashbuckling roles, in addition to his off-screen antics as a swordsman. Who knew he was capable of such acting?
More disagreement. I thought the script was intelligent and that the pacing was good and that the ending was not a lame copout. It did not rely on its star performances and it kept you guessing right up to the end. I never took a movie course but I know what I like, to coin a borrowed phrase, and this was a good picture. I will have to say I was going to award Geraldine Brooks the Hand-Painted Mustache Cup as Hambone Actress of 1947, but I passed because it was her screen debut.
But don't take my word. Decide for yourself if it's a quick, exciting 83 minutes. That's what makes horse racing.
More disagreement. I thought the script was intelligent and that the pacing was good and that the ending was not a lame copout. It did not rely on its star performances and it kept you guessing right up to the end. I never took a movie course but I know what I like, to coin a borrowed phrase, and this was a good picture. I will have to say I was going to award Geraldine Brooks the Hand-Painted Mustache Cup as Hambone Actress of 1947, but I passed because it was her screen debut.
But don't take my word. Decide for yourself if it's a quick, exciting 83 minutes. That's what makes horse racing.
Sandra (the incredible Barbara Stanwyck, post Double Indemnity) appears at the home of Mark Caldwell (the manly Errol Flynn). they were both related to Jim, now deceased. although the Caldwell family doesn't believe that Sandra was married to Jim. and they say no will has been found. Mystery and intrigue. we meet Julie, the sister, and she tells us about Mark, and how controlling he is. he seems to interfere in everybody's doings. Julie and Sandra hit it off, but will that friendship be enough for Sandra to get to the truth? Brother Mark seems to dark and evil, but is he still hiding something? Sandra uncovers the truth, but will she be able to tell people what actually happened? it's pretty good. lots of build up to what could be going on in Mark's lab, but really, no big deal. low key thriller... ten years later, vincent price or someone would be doing Flynn's role, in color. I like the fact that this one is done in black and white.. it adds to the darkness and mystery. good stuff; a rarely shown Stanwyck.
I wanted to add to the other reviews. I think Flynn's character was strongly based on his own father, a scientist (the film makes a point of saying he is a scientist of some note). Stanwyck's character had some of Flynn's mothers characteristics. And during the film Flynn alludes to a family ancestor who was a rable rouser and sailed about the world and married a French showgirl who was world renowned, a very possible reference to Flynn himself , he loved to sail and certainly was a rable rouser , and Flynn's first wife ( a popular French actress).Then the grim joke about her being poisoned was a snide aside (Flynn was paying alimony ever since the divorce). It seemed like they let Flynn play a part very similar to his own reserved scientist father and paired him with the head strong adventurous woman who resembled his mother.
Barbara Stanwyck and Errol Flynn are two of the most dynamic screen personalities of their time, so I had to watch this one. And I wasn't disappointed, I was glued to the screen to see if Flynn was really up to no good. I found their chemistry intriguing to say the least. My only complaint about the film was the ending was too rushed. But all in all, I found this to be quite entertaining
क्या आपको पता है
- ट्रिवियाThe final of three film collaborations between director Peter Godfrey and Barbara Stanwyck; the others are Christmas in Connecticut (1945) and The Two Mrs. Carrolls (1947). The pair developed a strong, lasting friendship while working on these films.
- गूफ़Sandra (Barbara Stanwyck) sets her alarm clock for 3:00 a.m. When the clock downstairs starts to chime at 3:00, Sandra comes downstairs fully dressed while clock is still chiming. There was no time to wake up and dress in that short period of time.
It's possible she could have woken before alarm went off and gotten dressed. It's also possible her bedroom clock's time was several minutes ahead of the downstairs clock, or that she never undressed, or maybe even didn't go to sleep.
- भाव
Mark Caldwell: You know, if I was to bring this battle of the wits down to direct insults, I'd say you were one of the most cold-blooded, scheming women I've ever met in my life!
Sandra Marshall: You've already said that.
- कनेक्शनFeatured in Hollywood: The Fabulous Era (1962)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Cry Wolf?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $14,61,000(अनुमानित)
- चलने की अवधि1 घंटा 23 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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