Captain from Castile

It is my understanding that this Hollywood adaptation of Samuel Shellabarger's book enraged the author so much that he put some kind of legal injunction against the Hollywood producers that prevented them from making the video and other profits for 50 years! The reason: The film stops half-way through the novel!

I love historical fiction and Shellabarger along with Raphael Sabatini (The Sea Hawk, Captain Blood) are my favorite authors of historical adventures.

In spite of Shellabarger's attitude to Hollywood, I was delighted to see this film. I only wish they could have made the whole book come to life, because the action and plot are much more intense in the second half of the book -- especially when Cortez has returned to lay siege to the Aztec city. Shellabarger reads very much like Bernal Diaz, a common soldier under Cortez who wrote a history of the Conquest of Mexico. Diaz's and Shellabarger's description of the fighting on the Aztec aqueducts is the most intense and desperate battle literature I have ever read!

I think this film should be remade as soon as possible and give the viewing audience the whole story. Of course, there will never be another Tyrone Power, Jean Peters or Cesar Romero, but do it anyway -- and use Alfred Newman's original music score (adopted by the USC Trojans as their own "Conquest" march), and let Newman's son and nephew add the remainder of the score! With today's high-tech special effects this story would surpass "Gladiator" in splendor, spectacle, and action if Shellabarger was followed religiously and completely. Shellabarger deserves the same fidelity that J.R.R. Tolkein has received from the New Zealand producers of "Lord of the Rings."

In spite of its shortcomings to the author, I have loved this film for half a century! It is my favorite classic film. I fell in love with Jean Peters as Catana when I was only six years old in 1950; which is when I first saw the film. The "Catana" Love Theme has played in my head from time to time ever since! Now I have it on video, thank God. My every guest gets offered a viewing of it; as well as a listen to its soundtrack by Newman.

What more can I say? The film, like the book, struck a chord in me that refuses to stop playing.

In the spring of 1518, in Spain, the nobleman Pedro de Vargas (Tyrone Power) helps the Indian slave and his friend Coatl (Jay Silverheels) to escape from the cruel Diego de Silva (John Sutton) and then he rescues the plebeian Catana Perez (Jean Peters) from two men of Diego de Silva. He goes to the inn where Catana works to explain why the sheets are torn up, and Pedro befriends Juan Garcia (Lee J. Cobb), a simple man that made fortune in Cuba.

When he comes home, Pedro finds that Diego de Silva has used his political influence to accuse Pedro and his family of heretics and they are imprisoned. Diego's executioners torture and kill Pedro's twelve years old sister but Juan Garcia and Catana help Pedro and his the family to escape from prison: Pedro's parents go to Italy and Pedro, Juan and Catana go to Cuba and join Cortez' expedition to Mexico. They participate of the fall of the Aztec Empire in the beginning of the Spanish colonization of the New World.

"Captain from Castile" is a melodramatic and romantic epic adventure having the historic conquest of Mexico by Hernando Cortez as background. Tyrone Power is excellent in the role of a Spaniard nobleman that joins the first expedition of Cortez to Mexico and is promoted to captain for his loyalty and efficiency. Jean Peters is amazingly beautiful and John Sutton is a great villain. The story is politically incorrect in the present days but is accurate and a great entertainment. My vote is eight.

Title (Brazil): "O Capitão de Castela" ("The Captain from Castile")

There are many pleasant surprises in this epic movie. For one, it was filmed in spectacular Technicolor and was superbly photographed in actual locations. Piramids were built, volcanoes were erupting for real and ancient ship replicas were destroyed at sea. One of the main surprises was seeing that the beautiful Jean Peters could act. This actress without much dramatic training did an excellent job in her movie debut. She practically steals the picture from Tyrone Power - Impossible? She does, and he's very good in this one. See her last scene, while waiting to move deeper into Mexico with Cortez; it's a treasure. I became a fan after seeing Miss Peters in the pirate flick "Anne of the Indies" (she plays 'the pirate'), and have seen most of her movies since. It's a shame Fox didn't use her talents in better fares, such as Susan Hayward's "I Want to Live", but then Howard Hughes came into the picture while she was doing Castille and, I imagine, his obsession over her beauty ruined a promising career. This film is partly based on true events and has an excellent cast, a fantastic screenplay and a musical score by Arthur Newman that rivals any other composed for anepic flick -then and even now. It's on DVD now. Get it before they become extinct. It's worth seeing. Beautiful vistas, a handsome Ty Power and a gorgeous Jean Peters.

It's a shame that 20th Century Fox has yet to have released DVD editions of many of the films of the studio's biggest star, Tyrone Power. Almost impossibly handsome, enormously popular, and with excellent acting credentials, Power nearly singlehandedly kept the studio solvent in the traumatic transition years following WWII, with costume epics like "Captain from Castile" showcasing his strengths.

"Castile" echoes Power's earlier films, "The Mark of Zorro" and "Son of Fury", as again he plays a gallant standing against an arrogant aristocratic class, but this time he runs afoul of the Inquisition, and must flee Spain to re-establish his wealth and reputation, accompanied by loyal friend Lee J. Cobb, and a servant girl who secretly adores him (Jean Peters, in one of her best performances). Recruited into the service of the charismatic Hernando Cortez (Cesar Romero, who nearly steals the film), it's off to Aztlan (Mexico, today) with a small army to face the overwhelming but naive Aztec civilization.

While the film frequently drifts into melodrama, shooting on location in Mexico (with the permission and support of the Mexican government), in glorious Technicolor, gives even the most mundane moments a sense of spectacle, and the cast is in top form. Worth singling out is a terrific supporting performance by Thomas Gomez, as a soldier/priest who dispenses common sense as well as religion, and helps Power realize that the woman he truly loves is not on a balcony, in Spain, but beside him, as they march towards their destiny.

Two aspects of the film deserve special recognition; Alfred Newman's score, featuring the vaulting 'Conquest' march, is one of the finest of his long career, and is even more popular today than when the film was released; and Arthur E. Arling and Charles G. Clarke's cinematography is truly magnificent, particularly in the breathtaking finale, as Cortez' forces proudly march across a broad plain, with active volcanoes in the background. Never has going 'on location' been more justified, as the image is unforgettable! If any 'Powers that Be' are reading this review, PLEASE offer this film on DVD, soon! And while you're at it, consider Power's other great films of the 40s and 50s; he deserves to be 'rediscovered' by audiences, today...

When making a swashbuckling adventure movie set during the Spanish Inquisition, who do you think Hollywood would cast? Tyrone Power of course! Back safe and sound from WWII, Ty continued his exciting career at full throttle, so if you liked The Black Swan and The Mark of Zorro, you'll want to watch Captain from Castile.

Alfred Newman gives a reprisal of his music from The Black Swan, with the substitution of a Spanish flair for the pirate flair, and in Technicolor, the lush costumes and on-location backgrounds are very pretty to watch-not to mention the prettiness of the lead. After Ty's family is accused, tortured, and killed unjustly in the Inquisition, he joins a band of rebels bent on taking down the bad guys. Ty never takes on an accent during these swashbuckling movies-although you can catch him with an Irish accent in a couple of others-but he puts his heart into his heroes, so it hardly seems to matter, even when everyone else around him puts on an accent.

You'll have to search hard to recognize Cesar Romero, the lead of the fighting rebels, for he's covered up in a helmet and a beard and doesn't look at all like his usual handsome self. He does smile a couple of times, and you can tell it's he's in there. Thankfully, Tyrone Power is thoroughly prettied up with long, curly hair, making him look like George Clooney. While it's normally an effort to tear your eyes away from him when he's on the screen, during the seductive dance between him and Jean Peters, it's practically impossible. His lustful expression is even more distracting that his beautiful, perfect nose in profile.

If you're undecided as to your opinion on old swashbucklers, this might not be the best to start with, also if you're not interested in the time period. But if you do like this genre, or if Ty is your favorite of the bucks, you'll want to watch it. Also, you'll get to see a very young Jean Peters in her first movie, and since she didn't make many, it's fun to see her while you can.