Boomerang!

In a small town in Connecticut, Father Lambert is a pillar of the community and, when a man shoots him dead and runs off the shockwaves are felt far and deep. The political pressure is on when the "people" start appealing to the Mayor to catch the man responsible. As always, the sh*t rolls downhill and State's Attorney Henry Harvey finds himself with a few weeks to avoid taking the blame for the failure to bring someone in. When the police bring back John Waldron from Ohio they break him and he signs a confession. Harvey prepares a strong case despite Waldron maintaining his innocence, meanwhile the political games around the case build.

Based on a true story, this film opens with a narration that "this could happen anywhere" etc in the way that films used to often do. Regardless of where it happened the story is still good. On one level this film is about the murder and it follows the court case of the man charged with the murder. This is interesting for the majority without ever really catching fire but the final 20 minutes in court provide one good scene (maybe not the famous court scene from JFK but it is still engaging to watch Harvey ripping his own case down from the top. Intertwined with this is an enjoyable criticism of political manoeuvring within the idea of "justice"; it isn't as sharp as I would have liked but I was surprised that it was there at all considering the period.

The cast are mostly good but it is Andrews that runs things here. He is a slow starter but he convinces when in a moral mire and works well as he pulls out the stops to producing a zippy and engaging conclusion. Aside from him no other performance really stands out that well – Begley is particularly disappointing as the material deserved more than he delivered. The cast does feature some famous faces including Cobb, Malden and Levene but it is Andrews show as he leads it well.

Overall a good film from Kazan with a solid case at the core while also having enjoyable threads about political game playing (which in fairness was probably stronger than I thought, but I've been into The Wire recently so in this area everything pales by comparison).

Boomerang! (1947)

In some ways this is an intensely well made and satisfying film, and when you have Dana Andrews in the lead role combined with Elia Kazan directing, and throw in first rate character actor Lee J. Cobb, you have something worth watching.

It's nice early Kazan, but it stumbles at times, and never lifts off, never gels. Here's why.

First of all, it's based (very closely) on fact, and sometimes the facts are dramatic but not necessarily good drama. Hamlet, if it were straight documentary truth, would probably shock more and enchant less. And so here, we start with a horrifying crime which takes the viewer quite by surprise. Then, in a continuing voice-over documentary style, we are launched on a huge manhunt. Facts are gathered, suspects suspected, policework unleashed, all acted and congealed very intelligently. A large twist occurs (with something of a stutter, dramatically), and then we are in a different kind of drama, a courtroom battle, with Andrews playing the unlikely role of prosecutor looking for the actual truth in a case rather than a conviction.

And then the court battle ends, and the movie sort of drizzles to a stop. And you might well say (as I did), "How like life." Or something equally unexciting. It's not a like a neo-realist hyper real movie, using amateur actors and so on. No, it's just an adapted true life crime story that might have been something more. For two sides to this coin, I'd first mention Kazan's own "On the Waterfront" which uses a real life kind of scenario but turns it into a dramatic masterpiece. And then some harder hitting reality movie like "The Phenix City Story" (1955) shows what a dramatic version of the truth, unchanged, might look like.

Of course, Kazan and crew are experts, and this is no dud. Andrews, if he is your taste, is in great form, really, within his shifting role. And the supporting cast does wonders, as cops, and as regular people, which this movie is ultimately about. Recommended, yes, but with expectations in line with, uh, reality.

The young ARTHUR KENNEDY was one of our best dramatic actors and proves it in BOOMERANG! by giving a realistic punch to his performance as an innocent man caught in a murder trap. The only man who can save him is attorney DANA ANDREWS, who does a fine job of pointing out weaknesses in the case and destroying the false witnesses.

One of the best of its kind, it's done in brisk, documentary style popular in the early forties. Well worth viewing, beautifully directed and acted by a fine cast.

Jane Wyatt does a nice job, as does Ed Begley and Sam Levene. Based on a true incident, the murder of a popular parish priest in Connecticut, the film is powerful in its demonstration of our justice system and how it sometimes works, but sometimes fails because of behind the scenes dishonesty related to political shenanigans.

In Connecticut, a well-known priest is murdered by a man on the street and flees. The politicians and the police are pressed by the society to find the killer, but the Chief of Police Harold F. "Robbie" Robinson (Lee J. Cobb) has no clue despite the witnesses. When the former soldier John Waldron (Arthur Kennedy) that has fought in the World War II is captured in another town, the witnesses identify him as the killer and he is forced by Robbie and his men to sign the confession of murder. The he claims innocence, but everybody believes he is the killer. However the righteous State's Attorney Henry L. Harvey (Dana Andrews) finds inconsistent evidences and decides to investigate against the opposition of the politics and the society.

"Boomerang !" is a film based on a true story about the morality and honesty of a State Attorny that risks his career to prove that a man is innocent and scape goat of a political situation. The plot is engaging and holds the attention of the viewer. It is beautiful to see the story of men like the lead character that faces the Powers That Be to keep his ethic and principles. My vote is seven.

Title (Brazil): "O Justiceiro" ("The Righteous Man")

The names are changed and updated, the story takes place post World War II instead of World War I. But Boomerang is the story of how the man who eventually became United States Attorney General, Homer Cummings, used his prosecutorial office to prove the INNOCENCE of an arrested murder suspect. How often do you see that happen?

In fact Boomerang is a primer for those people who wonder how the Supreme Court under Earl Warren could render such decisions as Escobedo and Miranda which set a few ground rules about interrogating a suspect. Today poor Arthur Kennedy who plays the veteran accused of murdering a priest in cold blood might have lawyered up and never given the confession in the first place.

Under a different name Cummings is played by Dana Andrews with Jane Wyatt as his wife. Lee J. Cobb and Karl Malden play the investigating police detectives who do a thorough job and apparently have gotten their man. What the crime consisted of was person unknown in the evening hours on one of the town's main streets firing a pistol into the back of the head of a popular clergyman in the town. Several witnesses do see it, but none are close enough to really be sure.

One witness nearly sinks Kennedy, but when Andrews questions Kennedy before the trial and he tells her that waitress Cara Williams is mad because he dumped her, that sets Andrews thinking about his case. His examination of her on the stand is devastating.

The film was directed by Elia Kazan who got the New York Film Critic's Award for this and his work on Gentleman's Agreement. This was a banner year obviously for Mr. Kazan. Boomerang got one Oscar nomination for Best Screenplay for Richard Murphy.

After over 60 years Boomerang holds up very well and should be required viewing for those attorneys who wish to become prosecutors. It ain't all about another notch in the belt.