Blanche Fury

Is Marc Allegret a director?Or does he simply(but smartly) use others' talents?His most memorable pre-war movies are not really his.For instance ,"Fanny" owes everything to its actor,Raimu,and its writer,Marcel Pagnol:it is actually a Pagnol movie.Ditto "Entrée des Artistes" which is remarkable by Henri Jeanson's lines ("I wear my Légion d'honneur to impress the fool" ) and Louis Jouvet's acting genius.

A short English period occurred just after the war -when he other French directors such as Renoir and Duvivier worked abroad during the war.Which leads us to "Blanche Fury".This movie is par excellence an effort in which Allégret uses the others' skills.Objections remain:an arguable editing ,too much ellipse (the relationship Lawrence/Blanche is botched,and the pace is often too fast and hasty :again the Blanche /Thorn love affair is believable only because of the actors' splendid performances).

And the screenplay,however ,is wonderful:snatches of lady Chatterley,Jane Eyre ,the turn of the screw,My cousin Rachel,Wuthering Heights and more come to mind.Even Vincente Minelli's "home from the hill"(1960)!This is a romantic story par excellence. Heredity and fatality play a prominent part is this story of silence and fury:Thorn (a great Stewart Granger) is a bastard,but Blanche( a majestic Valerie Hobson) is akin to him,because,at the beginning of the movie,she's a governess,and only marriage can provide her with a place in the sun;but her husband is probably impotent :here the writers use a metaphor.his father wants him to show his authority over their valuable property,that is to say to be a man.At the beginning of the movie,Blanche is a go-getter,but as soon as she meets Thorn,her fate is sealed,she reacts to events ,she no longer initiates them.Ultimately,she will try to stop the impending disaster ,but what she does finally backfires on herself and turns it into a final Thorn victory.Thorn is much more complex than he appears at first sight:actually he should own the property and he sees the Fury family as impostors;his attitude with animals makes us side with him for a while.Then,when he's about to win,he treats the servants as his predecessors used to do,and we discover his love for Blanche takes a back seat to his love for the domain.Then the lovers' fate is sealed.

Color treatments are visually astounding :when we go from Blanche's deathbed to a flashback at the beginning,then the final pictures,hellish glimmering red glow ;Blanche's arrival in the castle,in a snowed up,misty landscape;the barns fire ,which seems to set ablaze the darkest night.

Afterwards,Allégret's career straightly goes downhill."L'amant de Lady Chatterley" which I haven't seen but which he may have intended as "Blanche Fury II" ,poor Brigitte Bardot's vehicles ("en effeuillant la marguerite') or abysmal works(a segment of the horrible made up of sketches movie "les Parisiennes") .His brother Yves was much better ("Manèges" "Dédée d'Anvers" "une si jolie petite plage" "les Orgueilleux").

"Blanche Fury" deserves to be seen anyway.

I first discovered this little gem on tv a few years ago and loved it , i taped it and for some unknown reason kept watching it over and over it has a kind of hypnotic pull to i mean you have to really get into, i guess its not for everybody but it has been held in some regard up until recently,martin scorseses mentioned this as one of his guilty pleasures in film comment years ago and popular film presenter and critic from australia bill collins said while presenting another film that this would have to be one of the best british films from the forties.I totally agree it has a great gothic feel and the decor is marvelous as is the estate it was filmed on it has good solid performances and stewart granger is espescially good.Take note of the gypsy elements because at the time these points were crowd pullers other granger films to watch out for with similarities - "moonfleet","caravan","saraband for dead lovers","madonna of the seven moons"

This dark, engrossing drama centers on a beautiful English girl(Valerie Hobson) who goes to live at her uncle's Gothic estate where she engages in an illicit affair with the head-strong steward(Stewart Granger). This is one of the Rank Studio's most impressive Gothic melodramas. It's rich in creepy, menacing atmosphere, and features solid direction by Marc Allegret and terrific performances by the multi-talented British cast. Most of these classic '40's British dramas were rightfully filmed in black and white. BLANCHE FURY was filmed in color, but color actually suits this film well and makes the wonderful Gothic architecture all the more enjoyable.

A classic example of a very well-made historical drama of the late 1940's. In every respect it is faultless, given the constraints of time and the story compression inherent in all movie making. There are simply no movie actors or actresses today who could play the star roles with the same enormous presence, dignity, grace, self-assurance, and acting skill manifested by the superb and striking Hobson and Granger---not to mention their precise and exemplary articulation of the English language. These were manifestly adults, not today's mumbling urchins posing as adults. Photography, production values, and historical accuracy are beyond praise. This was Valerie Hobson's personal favorite of her film performances.

"Blanche Fury" is one of those films that is rarely aired on TV, impossible to find on video, and OUGHT to be released to DVD for magnificent production values, use of color, and all out dripping-with-Gothic eeriness. The leads are compelling (Valerie Hobson and Stewart Granger at both their primes). This is also one of those rare opportunities to see Michael Gough doing what he does best; behaving thoroughly despicably! (unfortunately, Gough is familiar to contemporary audiences pretty much only as Alfred the butler from the "Batman" films of the 90's, which is rather a crime since he's most proficient playing cads and sinister megalomaniacs).

Watching "Blanche Fury" is like diving head first into a Victorian Gothic romance novel, and is pulled off with style and panache in every sense. It's a film for revival houses, ripe for restoration and preservation on DVD/VHS, and would surely find an audience in today's society which seems pretty much preoccupied with escapism. Escape into the world of "Blanche Fury" and you might not want to resurface (yes, it's that good).