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Till the Clouds Roll By

  • 1946
  • Approved
  • 2 घं 12 मि
IMDb रेटिंग
6.3/10
2.9 हज़ार
आपकी रेटिंग
Till the Clouds Roll By (1946)
Official Trailer
trailer प्ले करें4:22
1 वीडियो
31 फ़ोटो
क्लासिक म्यूज़िकलजीवनीज़्यूकबॉक्स म्यूज़िकलसंगीतमय

अपनी भाषा में प्लॉट जोड़ेंSongwriter and Broadway pioneer Jerome Kern is unable to find immediate success in the U.S. He sought recognition abroad. He journeyed to England where his dreams of success became real and ... सभी पढ़ेंSongwriter and Broadway pioneer Jerome Kern is unable to find immediate success in the U.S. He sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva Leale.Songwriter and Broadway pioneer Jerome Kern is unable to find immediate success in the U.S. He sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva Leale.

  • निर्देशक
    • Richard Whorf
    • Vincente Minnelli
    • George Sidney
  • लेखक
    • Guy Bolton
    • George Wells
    • Myles Connolly
  • स्टार
    • Robert Walker
    • Van Heflin
    • Lucille Bremer
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.3/10
    2.9 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Richard Whorf
      • Vincente Minnelli
      • George Sidney
    • लेखक
      • Guy Bolton
      • George Wells
      • Myles Connolly
    • स्टार
      • Robert Walker
      • Van Heflin
      • Lucille Bremer
    • 74यूज़र समीक्षाएं
    • 15आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 2 जीत

    वीडियो1

    Till the Clouds Roll By
    Trailer 4:22
    Till the Clouds Roll By

    फ़ोटो31

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 23
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Robert Walker
    Robert Walker
    • Jerome Kern
    Van Heflin
    Van Heflin
    • James I. Hessler
    Lucille Bremer
    Lucille Bremer
    • Sally Hessler
    June Allyson
    June Allyson
    • Jane (segment "Leave It to Jane")
    Judy Garland
    Judy Garland
    • Marilyn Miller
    Kathryn Grayson
    Kathryn Grayson
    • Magnolia Hawks (segment "Show Boat")…
    Lena Horne
    Lena Horne
    • Julie LaVerne (segment "Show Boat")…
    Van Johnson
    Van Johnson
    • Bandleader in Elite Club
    Tony Martin
    Tony Martin
    • Gaylord Ravenal (segment "Show Boat")…
    Dinah Shore
    Dinah Shore
    • Julia Sanderson…
    Frank Sinatra
    Frank Sinatra
    • Frank Sinatra
    Gower Champion
    Gower Champion
    • Dance Specialty (segment "Roberta")
    Cyd Charisse
    Cyd Charisse
    • Dance Specialty (segment 'Roberta')
    Harry Hayden
    • Charles Frohman
    Paul Langton
    Paul Langton
    • Oscar Hammerstein II
    Angela Lansbury
    Angela Lansbury
    • London Specialty
    Paul Maxey
    Paul Maxey
    • Victor Herbert
    Ray McDonald
    Ray McDonald
    • Dance Specialty (segment: "Leave It to Jane")…
    • निर्देशक
      • Richard Whorf
      • Vincente Minnelli
      • George Sidney
    • लेखक
      • Guy Bolton
      • George Wells
      • Myles Connolly
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं74

    6.32.8K
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    फ़ीचर्ड समीक्षाएं

    8gftbiloxi

    Inspired Musical Numbers For Lightweight Bio-Pic

    Jerome Kern died while MGM's bio-pic TIL THE CLOUDS ROLL BY was still in the pre-production stage--and while Kern had been more than willing for MGM to tell all, his estate was considerably more reticent. In order to avoid any legal issues, MGM scrapped their original intentions, wrote up a fluffy script that bore little similarity to Kern's life, and crammed the film with every musical star available in a non-stop series of drop-dead-stunning production numbers.

    The result may be extremely bad biography, but leading man Robert Walker and co-star Van Heflin keep the sentimental story moving--and the musical numbers are piled on top of each other so quickly that one doesn't really question it. The film opens with a lengthy montage from SHOWBOAT, Kern's innovative masterpiece, that features knock-out performances from Lena Horne, Katheryn Grayson, and Virgina O'Brien, and then quickly segues into a series of star-solos that feature June Allyson, Gower Champion, Cyd Charisse, Angela Lansbury, Dinah Shore, and Frank Sinatra.

    Along the way we are also treated to an extended cameo by Judy Garland, performing "Look For The Silver Lining" precisely as Marilyn Miller played it on stage and singing "Who?" to a staircase of chorus boys--which Garland was said to find most amusing, considering that she was pregnant at the time. Also notable is Lucille Bremer in the role of Robert Walker's stage-struck ward; although her star quickly faded, Bremer is an attractive performer and shows her talent for song and dance here by teaming with Van Johnson for a spirited version of "I Won't Dance." TIL THE CLOUDS ROLL BY will not appeal to most casual viewers, for the story line and script are much too weak. But musical fans will love this one all the way from Lansbury doing a Cockney "Spoon With Me" to Sinatra belting out "Old Man River." As a Jerome Kern song-and-dance fest, the movie can't be beat, and it should have a place in every musical fan's collection.

    Unfortunately, TIL THE CLOUDS ROLL BY has slipped into public domain. DVD releases abound, but none seem to offer respectable picture or sound; if you can find the original MGM video release, grab it.

    Gary F. Taylor, aka GFT, Amazon Reviewer
    Snow Leopard

    Several Good Sequences Make It Worth Watching

    This biographical movie about the life and music of Jerome Kern has a number of good sequences that make it worth watching. A great deal of the movie consists simply of recreations of stage numbers from Kern's many musicals, and indeed these account for many of the best parts of the movie. It also adds a light and highly stylized account of his career, which is often bland, but occasionally has some nice moments.

    It starts with Kern, at the height of his popularity, attending the opening of "Show Boat", and it features a lengthy staging of portions of that show. From there, it has Kern telling the story of his career up to that point, his work with a fictional mentor and later with collaborator Oscar Hammerstein, and his marriage. These episodes are frequently interlaced with more musical numbers of varying lengths.

    The pattern works well enough in general, as something of a slight variant of the usual musical format. The main flaw is that it is really a bit too long for the material it contains. Much of it has little real substance as a story, and it works better as light entertainment. It does at times touch on some real issues, most particularly in following the mentor's daughter as she grows up.

    Robert Walker is solid as Kern, and Van Heflin gets some good moments portraying the wise, slightly grouchy mentor. But some of the best moments are provided not by any of the main characters but by stars like Judy Garland, Lena Horne, and June Allyson, who appear in the musical numbers. Most of these are enjoyable, and a couple of them are show-stoppers. They probably provide the main reason for watching the movie as a whole.
    7greatbritain1989

    An interesting film where MGM was at the highest of heights

    Well this is an interesting film from the times when MGM was simply an enormous studio pouring out more film then, it seems we could ever watch.

    I have to say this film is simply boring and the length is far too long. The idea of the film is great and there's one more factor that makes it memorable.

    They say MGM had more stars then were in the galaxy. They have plenty in this film and some still stand today. Judy (Garland), Angela (Lansbury) and Frank (Sinatra) all gave the film zest with their musical numbers. However the only problem with the film is, it's very hard to watch in just one showing.

    However if you like the history of MGM, watch the studio with power, zest and plenty of stars to pass the time as those clouds roll by.
    7jotix100

    The music man

    Jerome Kern is the subject of this biopic that MGM put together as an after thought because even though it's about the great composer's life, little is learned about him. The movie was directed by Richard Whorf as a great spectacle, one in which the magnificent talent employed by the studio is showcased interpreting Mr. Kern's music.

    The composer is seen arriving in New York and being referred to a man who is supposed to be the best in arranging songs. The fictitious James Hessler is seen as an influential figure who worked close with Mr. Kern and acted as his mentor and collaborator. By his own admission Mr. Kern was not an exciting figure, but he left behind a body of work that still is vital and has survived the passing of time, as his songs became standards.

    The main reason for watching the film is to enjoy the MGM stars doing what they did best, singing and dancing for our benefit. In a spectacular and colorful finale, we are treated to a wonderful production number involving Jerome Kern's best known songs.

    Robert Walker's take on the composer makes a bland figure out of Mr. Kern. Van Heflin as Hessler proves to be much better. In the musical numbers we are treated by Lena Horne, June Allison, Tony Martin, Cyd Charisse, Lucille Bremen, Van Johnson, Frank Sinatra, Judy Garland, Angela Lansbury and others.

    Although the film doesn't break new ground, it's a wonderful way to catch up with the stars in the background in some great renditions of Jerome Kern's beautiful songs.
    5bkoganbing

    Fictional Biography of Jerome Kern

    Back in the day when Hollywood was doing biographical pictures of some of our most famous popular composers, it was generally acknowledged that they were nothing more than an excuse to string musical numbers together. Till the Clouds Roll By is the best example of that tradition.

    Jerome Kern wrote some of the best music ever heard in the world. But he was a pretty dull fellow in real life. He married the love of his life, had one daughter and was never linked with any of the famous stars he wrote for.

    He actually did have two incidents in real life that would have made great screen drama. He had a heart attack that almost took him in 1938 where he was actually dead for several minutes. Kern always claimed after that any music he did write was due to heavenly intervention.

    When he did die in 1945, he collapsed on the street near Carnegie Hall in late 1945. He was back in New York after several years in Hollywood to negotiate with Rodgers&Hammerstein who were going to produce a musical about Annie Oakley. Of course we know who got that assignment eventually.

    His wallet must have fallen from his pocket and gotten lifted because Kern remained unidentified for a few days and was in a charity ward at a NYC hospital when he died. Kern in fact died while production plans were being made for Till the Clouds Roll By. Still those two true incidents would have made great cinema.

    The film opens with a montage of melodies from Show Boat, his greatest musical success. In fact that whole sequence could have been released as a short subject. The rest of the film is Kern in taxi giving a fictional flashback of his life up to Show Boat which premiered in 1927. We fast forward through the next several years when in fact he wrote his best music for stage and then the screen. And there is a musical finale.

    Curiously enough MGM had two guys on their lot at the time who actually had sung Kern songs on the screen, Fred Astaire and Gene Kelly, and neither of them got in this film. Kathryn Grayson later did full adaptations of Show Boat and Roberta, but hadn't sung anything of Kern's up to that point. The only one in the cast actually performing a song he actually was identified with was Tony Martin. He sang Make Believe with Grayson during the Show Boat sequence, but also had made a hit record of one of Kern's best songs All the Things You Are which came out in 1939. Martin sang it beautifully during the finale.

    You certainly can't complain about the vocalizing here though. With such additional folks as Lena Horne, Van Johnson, June Allyson, and Judy Garland contributing their talents who could complain.

    Caleb Peterson who is a black baritone sang Ol Man River in the Show Boat sequence. During the finale, it's sung by Frank Sinatra. Sinatra sings it great, but given the song's identification with Paul Robeson it should have been done by him. Of course Mr. Robeson was having blacklist problems then. Still and all the white suited Sinatra was out of place to say the least.

    If you're a fan of Jerome Kern as I am, just put the plot out of your head. Sit back and listen to the music.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      When M-G-M asked Jerome Kern what he thought about Robert Walker portraying him, Kern said it was fine but wanted to hear his wife's opinion. He phoned her from the studio and she told him to stay there, portray himself and send Walker home to her.
    • गूफ़
      When Kern goes to see Sally at Club Elite in Memphis, he hasn't written Show Boat yet. Therefore, it would be before 1927. However, the song she performs with Van Johnson, "I Won't Dance", wasn't written by Kern until 1935.
    • भाव

      Victor Herbert: [congratulating Jerome Kern on his composing ability] My boy, you've got a song to sing.

    • क्रेज़ी क्रेडिट
      [Scrolling Prologue] This story of Jerome Kern is best told in the bars and measures, the quarter notes and grace notes of his own music - - that music that sings so eloquently his love of people, love of country, love of life. We who have sung it and will sing it to our children can only be grateful that he gave his life to music - - and gave that music to us.

      On December 27, 1927, the curtain went up on the most exciting night of his life - the opening of his immortal "Show Boat." And there we join him -
    • कनेक्शन
      Featured in MGM Parade: एपिसोड #1.5 (1955)
    • साउंडट्रैक
      Till The Clouds Roll By
      (uncredited)

      Music by Jerome Kern

      Lyrics by P.G. Wodehouse

      Performed by the M-G-M Studio Orchestra Conducted by Lennie Hayton

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल18

    • How long is Till the Clouds Roll By?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 3 जनवरी 1947 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Silver Lining
    • फ़िल्माने की जगहें
      • Los Angeles County Arboretum & Botanic Garden - 301 N. Baldwin Avenue, अर्काडिया, कैलिफोर्निया, यूएसए
    • उत्पादन कंपनी
      • Metro-Goldwyn-Mayer (MGM)
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    बॉक्स ऑफ़िस

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    • बजट
      • $28,41,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 2 घं 12 मि(132 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
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    • पक्ष अनुपात
      • 1.37 : 1

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