Tarzan and the Leopard Woman

TARZAN AND THE LEOPARD WOMAN (1946)

A bizarre Tarzan offering featuring a freaky cult of worshippers who dress up in leopard skins with claws and attack people, taking out their hearts to sacrifice to their god! The high priestess of the pack is the pretty Acquanetta (CAPTIVE WILD WOMAN) who was never a good actress at all but is probably used to better advantage here than she ever was before here. Tarzan becomes aware that something's not right when the attacks are blamed on real leopards. A very strange chapter indeed.

**1/2 out of ****

The Johnny Weissmuller Tarzan series continues at RKO with the fourth film (tenth overall, counting the MGM films). This one's pretty different from those that came before it. There's a different vibe to it, particularly in the early scenes where Tarzan acts as a sort of jungle detective. He's asked by a commissioner (of what I don't know) to look into a series of leopard attacks on travelers. Tarzan doesn't believe leopards are the cause of the attacks and, as you might have guessed by the title of this picture, he's right. So it's Tarzan versus leopard skin-wearing cultists, led by Queen Lea (Acquanetta).

I'm used to seeing Acquanetta in Universal films from around this time. They tried to make her a star in their horror stable but it didn't really work out. She's very attractive but not the strongest actress. This is arguably the best acting job of her short career, for what that's worth. Dennis Hoey is amusing as the commissioner. He's best known for playing Inspector Lastrade in Universal's Sherlock Holmes series. Tommy Cook is very creepy as Kimba, the Leopard Boy. What a little psycho. Brenda Joyce appears as Jane for the second time and does a fine job, although she's nowhere near the presence Maureen O'Sullivan was in the role. Johnny Weissmuller and Johnny Sheffield are both good, as usual. Weissmuller's first scene has him wrestling hirsute Tongolo the Terrible, whose voice I strongly suspect was dubbed. Speaking of voices, Johnny Sheffield's voice continues to change. Puberty's rough on us all, Boy. Cheeta is still lots of fun, which I'm sure surprises no one.

It's one of the better Tarzan RKO films. Personally I like them all but you have some fans who think of the RKO films as nothing but kiddie stuff. Then you have the people who don't like any Tarzan movies, RKO or otherwise. I try my best to avoid people like that. If you can't enjoy the adventures of Tarzan and his family, you're probably not much fun to be around.

In his tenth outing, jungle king Johnny Weissmuller (as Tarzan) leads the charge against a cult of leopard-emulating white folk. The story is exceptionally silly, but perfect for Saturday afternoons at the cinema. This is the point in the "Tarzan" series where you would have to say "Boy" sidekick Johnny Sheffield became a young man; he shows off his muscles and deeper voice proudly in a shower scene. Beautiful and leggy Brenda Joyce (as Jane) appears very comely in her micro mini-skirt. "Cheeta" the chimp is an excellent musician. Appearing as the titular "Leopard Woman" is curvy "Acquanetta" (as Lea). However, the main guest star is "Leopard Boy" Tommy Cook (as Kimba), who makes the most of the film's best-scripted role. Director Kurt Neumann and photographer Karl Struss set up most every scene for good visual appeal.

****** Tarzan and the Leopard Woman (1/20/46) Kurt Neumann ~ Johnny Weissmuller, Johnny Sheffield, Brenda Joyce, Tommy Cook

TARZAN AND THE LEOPARD WOMAN (RKO Radio, 1946), directed by Kurt Neumann, brings forth Tarzan, the jungle lord, in another Saturday afternoon matinée adventure story.

The story opens with Tarzan (Johnny Weissmuller), Jane (Brenda Joyce) and Boy (Johnny Sheffield), along with Cheetah, strolling through the village doing some afternoon shopping. Tarzan is seen having fun by wrestling with a strong man named Tall Bull the Terrible (Tor Johnson), while Cheetah watches a snake charmer and nearly getting bitten by one of the snakes. Then comes a wounded man riding on an elephant who soon succumbs from wound scars acquired by a leopard. Tarzan examines the dead man and tells the authorities that the man's death was not caused by a leopard, but by people dressed in leopard skins and iron claws. Aside from solving the mystery, Tarzan and his family find themselves in danger after taking in Kimba, a native boy (Tommy Cook), who not only happens to be the brother of the evil high priestess (Acquanetta) of the leopard tribe, but trouble to all those around him.

The supporting cast includes Edgar Barrier as Lazar; Dennis Hoey as The Commissioner; Anthony Caruso as Mongo; and Doris Lloyd as the Superintendress. Acquanetta, best known for her role as Paula, the Ape Woman in Universal's CAPTIVE WILD WOMAN (1943) and JUNGLE WOMAN (1944), makes a fine tribe leader this time around.

With the Tarzan movies being distributed in theaters on an annual basis, the writers attempt to come up with new and fresh ideas surrounding the old, familiar characters, headed by Weissmuller. Brenda Joyce returns as Jane for the second time, while the teenage Johnny Sheffield, outgrowing his part, appears to be a bit too old now to be called Boy. One scene in the shopping village finds young native girls giving Boy the eye, but Boy becomes bashful and passes up on them. The native tribes from the MGM movie days seem to have moved to another part of town, thus, being substituted by a jungle shopping mall. Another noticeable change finds Tarzan acquiring neighbors with each passing film, this time a Leopard tribe who don't seem to be the sorts to be calling on Tarzan and Jane at their treehouse for a cup of sugar this time around. For the first time since TARZAN'S SECRET TREASURE (MGM, 1941), Boy is able to bond with another lad close to his own age, but with friends like Kimba, who needs enemies? One highlight finds Boy in a fight to the finish with Kimba attempting to endanger Jane with a knife, with Boy subduing Kimba, having his hands tied behind his back and placing the little demon in a cage like a wild animal. As for Tarzan, he's captured by the leopard tribe and held captive by the priestess.

Not bad entry in the long running series, but by this time, the yarns are becoming routine and still quite watchable by fans of the series. Aside from commercial television revivals during the 1960s to 1980s, this and the other Tarzan adventures did enjoy frequent reruns on American Movie Classics (1997-2000) before moving to Turner Classic Movies (TCM premiere: June 11, 2011). TARZAN AND THE LEOPARD WOMAN has been distributed to video cassette but did become part of the Tarzan/RKO package on DVD around 2009. Next in line: TARZAN AND THE HUNTRESS (1947). (**1/2)

TARZAN AND THE LEOPARD WOMAN is the most entertaining of the Tarzan films Weismuller made for RKO. Things were starting to get dreary at the RKO backlot jungle, and this film gave the series a boost. The story of a murderous cult who worship a leopard god, has the kind of plot found in the Tarzan comics I used to read as a kid. The plot seems to be in part based on a real life leopard worshiping murder cult, somewhat like the murderous Kali cult of 19th century India; this secret all male society terrorized East Africa until it was put down by the British. Acquenta is exotically gorgeous as the cults leader, Queen Lea.

So what if TARZAN AND THE LEOPARD WOMAN is only escapist entertainment. If you highbrow types are looking for art, what are you doing watching a Tarzan movie anyway?