उपयोगकर्ता समीक्षाएं

Errol Flynn had quite a gift for comedy that was sadly rarely exploited. Given the right material this film demonstrates that he could have happily been quite at home in Cary Grant style, gentle comedies. Out of his various forays into the genre this is certainly the best. Patti Brady gives a fine performance in the child part and Eleanor Parker looks simply stunning throughout the film. An added bonus is the wonderful Hattie McDaniel who is sadly underused in this film- a welcome presence none the less. Flynn carries off his comedic duties with the same easy style that he brought to his swashbuckling roles. The fact that he makes it look like it's easy doesn't mean that it is. A super little family comedy, great for the Christmas period or any other time you feel like being cheered up.

Errol Flynn is a highly successful commercial artist trying to reconcile with his ex-wife (Eleanor Parker) in "Never Say Goodbye," a 1946 comedy featuring Patti Brady, S. Z. Zakal, Lucile Watson, Hattie McDaniel and Donald Woods.

Phil Gayley's (Flynn) philandering (he draws beautiful women in swimsuits) caused the breakup with his former wife Ellen. As a result, their 8-year-old daughter Phillipa (Brady), whose nickname is Flip, spends six months with her father in New York City and six months with her mother, who also lives in New York City.

Flip wants her parents back together in one place. They want it, too, but every time it's about to happen, a woman shows up because Phil forgot he made a date with her.

Then a marine (Forrest Tucker) comes to town, eager to meet the woman who has been writing to him. It's Flip, with the help of a book and the typing of her nanny (McDaniel).

There was one other helper - Phil, who when Flip wanted to send her photo, suggested she send her mother's instead. The marines land just at the right time, when Ellen is out to give Phil a dose of his own medicine.

This is a rather silly script that is helped immensely by a fine supporting cast, the incredible charm of Errol Flynn and the loveliness - and gorgeous gowns -- of Eleanor Parker. She is stunning in this movie, and, as a fan of hers, why her star didn't burn brighter in Hollywood is beyond me.

Flynn was wonderful in light comedy, and many people believe it was the right niche for him. The problem is, other actors did comedy as well or better, and Flynn's swashbuckling/adventure work is exceptional. However, it's always fun to see him in something different.

His Bogart imitation is suspiciously good; that's because Bogart dubbed the voice. In "Never Say Goodbye," he is just beginning to show a little dissipation around the edges; the major part of his career would be over four years later. It was too short a run.

As others have mentioned, the best part of the film occurs with the appearance of Forrest Tucker, so young he's practically unrecognizable. In fact, he's 27! Worth seeing for the cast.

While I can't say too much for the script, NEVER SAY GOODBYE proves that Warner Bros. should have let ERROL FLYNN have his way with playing comedies more frequently. After a weak start with FOOTSTEPS IN THE DARK, they decided he was better off as the stalwart hero of adventure films instead. But his performance here is a genuine delight.

And FORREST TUCKER as a big Marine lug who thinks ELEANOR PARKER has written him letters during his war service, is another big surprise. His handling of the lovable Marine is downright enjoyable without an excessive amount of mugging. He ambles through the part with authority and the sort of restraint that makes the part just believable enough.

Otherwise, the script is on the uninspired side--with little Patty Brady as a girl who wants her parents (Flynn and his ex-wife Eleanor Parker) to reunite. Naturally all of her plans make for the mishaps and misunderstandings until all ends well.

On the down side, there are a few unfunny scenes during a restaurant rendezvous, but the best part of the film is ahead once Forrest Tucker shows up. From then on, it takes on a breezier style.

Donald Woods has his usual thankless role as the suitor Eleanor is thinking of as marriage material and Lucille Watson does a nice turn as her mother who disapproves of her ex-son-in-law.

Nothing special but it passes the time pleasantly and shows Flynn did have a gift for comedy. His Bogart act is priceless.

This film stars Errol Flynn and Eleanor Parker as a reluctantly divorced couple whose seven-year old daughter, Flip, desperately wants to see back together. In this film, you get the sense that it was Parker's mother who pushed for the divorce voicing her constant suspicions about Flynn--suspicions which stemmed from Flynn's career as a commercial artist. Errol agrees with Flip and wants nothing more than to win Parker back.

Sure, it's not an award contender and it's not even among Flynn or Parker's best performances, but I love this film. It's fluffy, it's sappy, but whatever. I enjoy it. Flynn sings in the film. He dresses like Santa. He participates in a parody of the mirror scene in Duck Soup. He does a hilarious Bogart impression (which Bogart's real voice dubbed in). Parker is gorgeous. Flynn is gorgeous. Flip is funny. SZ Sakall is funny. Hattie McDaniel is funny. It's just a great feel good minor classic Christmas film. I'd recommend it.

The premise is one of those that could go either way of charming and fun or corny and over-sentimental. Yet, after it appeared as a recommendation here, 'Never Say Goodbye' immediately had me intrigued reading up on it. Have always liked Errol Flynn in his swashbuckling adventure roles and seeing him do comedy was a big interest point. The rest of the cast are a very talented bunch, including Eleanor Parker, Lucile Watson and SZ Sackall.

'Never Say Goodbye' didn't disappoint me and it turned out, despite not being perfect, to exceed my quite high expectations. It is a lovely film and deserves to be a lot better known, proving that Flynn could indeed do comedy very well and should have had more chances to show that. After seeing a fair share of disappointing films recently and going through a difficult period health-wise, 'Never Say Goodbye' was something of a breath of fresh air.

Maybe it is a little too sickly sweet to begin with, one can feel and taste the sugar at the beginning. The ending also felt a little too easy and safe, it certainly wraps things up so that was good but it does so too neatly.

Anybody that criticises 'Never Say Goodbye' as being cliched is right, it is cliched and in a somewhat recycled way. Donald Woods has a thankless role and is pretty bland in it.

However, it is really difficult to be too hard on 'Never Say Goodbye'. Flynn is his usual dashing self, while also showing ounces of charm and energy and with no signs of being taxed in comedy. Parker doesn't have as interesting a role, but she is also very charming. Patti Brady is adorable and just about avoids being too cloying, apart from at the start perhaps, and doesn't overplay the precociousness. Watson does snobbish beautifully, with force and acid wit, while Hattie McDaniel is both amusing and endearing. Sakall is a lot of fun and Forrest Tucker is beautifully restrained and reassuring. The characters are ones that may be stereotypes but aren't thin or personality-free ones, Woods excepted, and they are worth rooting for. Tucker's character is so loveable.

Really liked the writing on the most part, even if it is not the most original or inspired it to me was at least written well. The humour is breezily timed and very amusing (hilarious in the case of the mirror scene parody that would make the Marx Brothers proud) and the sentiment is sincere, warms the heart and tugs at the heart-strings. The pace is bright and breezy and the chemistry between the cast is beautifully done. It's directed with a loving and not too heavy hand, and handles the comedy, sentiment and cuteness well. The film is very nicely shot as well.

In conclusion, a more than worthwhile watch and underseen regardless of its flaws. 7/10

This movie is a hidden gem. I can't understand why this movie doesn't get more air time. Errol and Eleanor Parker make for a real attractive and dashing couple. And their chemistry is impeccable. I really liked the touch of his daughters reference to him as being her Robin Hood. I highly recommend this to anyone who enjoys Errol Flynn. It's nice to see Errol playing a father as well. By all accounts from his very own children, he was a very attentive and loving father in real life. Also, the supporting cast is wonderful as well. You can't go wrong with supporting players such as Hattie McDaniel and Lucile Watson. Hattie McDaniel makes a movie that much better from the get-go. This movie has now become a Holiday tradition in my home. Enjoy!!!

Never Say Goodbye was one of three films Errol Flynn did for Warner Brothers where apparently Jack Warner tried to change his action hero image somewhat and broaden his appeal. No doubt at the behest of Flynn himself who was complaining to Jack Warner the same way Tyrone Power was doing over at 20th Century Fox with Darryl Zanuck.

Errol's a little less than heroic here, just your average divorced father who happens to be a commercial artist. He and Eleanor Parker have been divorced a couple of years now, but daughter Patti Brady so wants them back together again, especially as a Christmas wish.

Errol's willing enough, but he's got some stiff competition in the persons of Donald Woods who is courting Parker and Marine Forrest Tucker who Brady's been writing to. On the imbecilic instructions of her dear old dad who knows what Marines like, she sends a picture of Mommy in a bathing suit. Of course that piques Tucker's interest quite a bit. Errol himself has model Peggy Knudsen interested in him, but she's not going to wait around forever.

Add to this scene stealing veterans like Lucille Watson as Parker's mother and restaurateur S.Z. Sakall and you've got the makings of a nice family type picture, the kind that Errol Flynn so rarely made in his career. Flynn does fine in the part, but for comedy he's far better in Footsteps In The Dark as the millionaire/mystery writer. Flynn's first effort at comedy was The Perfect Specimen done early in his career with Joan Blondell. I've not seen that one, I do so wish TCM would run it.

Never Say Goodbye neither changed Flynn's image with the movie-going public nor did it chart any new directions for him. But it's a pleasant enough comedy diversion. Note that 'imitation' of another Warner Brothers star towards the end.

a fine romantic comedy. errol flynn shows what a deft touch for comedy he possessed. a talent that probably shows some of his true prankster self. the comedic writing on this film is excellent. eleanor parker does a nice job as flynn's ex wife whom errol is trying to win back. eleanor is also easy on the eyes. the sets exude 1940's glamour and style where appropriate.

flynn's comedic timing and wit are displayed to full effect here, watch his double takes, his ability to verbally counter punch with a snappy comeback or act the straight man, and his total believability and sincerity where required, this guy could act! it is a shame errol did not get a chance to do more roles like this throughout his career, he was multi-talented to the extreme. if you enjoyed "it happened one night" with gable and colbert or some of the william powell and myrna loy comedies you will enjoy this.

well paced and lots of laughs. a lost diamond of a movie.

I agree with most of the comments I've read. The 'Luigi' character is flustered and hilarious, especially at the beginning. While it's a fluff look at serious divorce and the heartache it plays on children, and though there's a goofy lawyer but no corresponding goofy judge; the main thing here is the wonderful child actor, the mysterious Patti Brady as the precocious daughter 'Flip.'

She is so much more natural and delightful than her predecessor Shirley Temple, I don't understand why she didn't continue on for more than a few years. I went and looked up the time frame to see if Shirley could have been copying her, but no, I guess it was the other way around.

This girl went beyond the normal child stereotypes and would have been an improvement in many other Christmas & family & WW II movies (tied in by young giant, Tucker's Marine character, 'Wickie'). I can't find anything on Brady; she must have kept private, later.

When you're watching the stream of standard Christmas repeats, don't miss this one!! It's B&W, but still worth it.

Ho hum, one of those predictable puffballs about a feuding loving couple where the wife's insincere flirting with another man makes her husband fume -- and the wise-ass little kid has to conspire to get them back together. OK, Errol Flynn works well. Much better fun watching him not take himself too seriously in a comedy than not take life seriously in his routine swashbucklers. (I guess he was drawn to predictable art.) The whole "Uncle Phil" thing became tedious through repetition. And the naive corporal was too naive to ever let loose with a uniform and a gun. The wife was beautiful and a trouper, and read her lines well. But the fun part for me was guessing whether or not it really was Bogie's voice dubbed over Errol Flynn's Bogie parody scene. I'm betting it really was Humphrey Bogart. Can anyone verify?

I thought this was very well done and quite funny. Predictable of course, but great script. I laughed out loud a few times. I wasn't that crazy about the contrived ending that seemed more like a cop out (literally) to wrap things up, but up until the end the action is fast paced, lively and hilarious at times.Flynn does a great job as the father. There are some funny references to other movies, such as Robin Hood and Christmas in Connecticut. Sparks fly between the 2 stars and the supporting cast is great, especially Cuddles and the little girl. Even though I wouldn't consider this a Xmas themed movie, if you are looking for something fresh and new (in terms of if you haven't seen it yet) instead of A Christmas Carol or It's A Wonderful Life, try this as a family friendly Xmas alternative.

In New York City, Flip is a little girl who only wants to bring her divorced parents back together. Her father Phil Gayley (Errol Flynn) is a painter and her mother Ellen (Eleanor Parker) was one of his pin-up models. They try to reconcile while going out to a restaurant but he had forgotten that he had a date with model Nancy Graham at the same place. Head waiter Luigi tries to help Phil which leads to constant failure. Next, Phil tries to win Ellen over by dressing as Santa and sneaking back into her home. Then, Flip's full grown Marine pen pal shows up.

Luigi is great. He's the best part in the early section of the movie. The movie doesn't really set up the couple's relationship correctly. The reconciliation dinner is too easy. Flip should set them up unknowingly and Nancy could still join in on the fun. The dinner needs a better setup. The movie gets better. The Santa is a great start and the pen pal is terrific. It's got solid gags and much better sitcom setups. The Marine turns into quite a funny screwball premise. This is fun.

Errol Flynn is an illustrator who is divorced from Eleanor Parker. They share custody of a 7-year old daughter.

There are a couple of set pieces in this largely unfunny movie: a frantic dinner where Flynn has absent-mindedly invited Park and one of his models to the same restaurant so he has to keep switching tables. I didn't laugh. And at Christmas he and some wet sack of rice wear Santa Claus outfits and recreate the Marx Brothers scenes where Groucho and one of his brothers mirror each other's movements wearing pajamas and caps. By the time Flynn is handing out the gifts while pretending to be the wet sack of rice it was as painful was a Saturday Night Live skit.

This movie also has two MAJOR strikes against it: a kid with too many speaking lines and S. Z. Sakall. With very few exceptions, kids are not funny. They are not charming. They are obnoxious. This particular kid and that stupid accent are unbearable. Obnoxious and unfunny only begins to describe Sakall. I think he holds the record for ''Most Movies Ruined" that not even Oliver Platt will ever break.

By the time F-Troop shows up thinking he's finally meeting Smoochy, the woman he thinks wrote him intimate letters during WWII (it was actually the daughter writing the letters) I was time-checking the movie. Depressed to realize I was barely an hour into this mess. I wonder whether it inspired the movie title, ''Death To Smoochy." I support the notion, anyway.

None of this was Flynn's fault. Or Parker's. But it just didn't work.

Warner Brothers tried several times to put Errol Flynn into contemporary dress in dramas and comedies. This was welcomed by Flynn himself, who didn't want to be typecast in period action films, however popular he was in those roles. Somehow the public was not having it. They adored him in action films but were indifferent with his other films. Why is a mystery, as he was very good in light comedies. He had the right gentlemanly manner along with the sense of fun he showed as Robin Hood, to fit right in the light comic style. Of all these attempts this is the best by far. Although it was never meant to be anything more than a small film, it's full of warmth, charm and humor and has a good heart.

The plot is absolutely standard fare, so don't expect any surprises. Flynn plays Phil Gayley, New York artist, divorced from his wife Ellen (played by Eleanor Parker) for almost a year. His art is of a calendar girl variety, and his frequent association with attractive models sowed seeds of suspicion in Ellen. These were magnified by her society woman mother, Mrs. Hamilton (Lucille Watson) who never did approve of Phil and pushed her daughter into seeking a Reno divorce. The two are obviously still in love in every scene and yearn to get back together again but as this is a comedy, circumstances constantly conspire to break them up every time they are about to reconcile.

In addition, they have a daughter, "Flip" (Patti Brady) who is split between them in a custody arrangement and she more than anyone wants them back together. Of course we know how this will end, but the fun is in getting there and this film offers a great deal of fun. The setting is mostly in Phils Manhattan apartment, Ellen's mother's palatial mansion on Fifth Avenue, and Luigi's restaurant. The palatial mansion setting is more of a standard thing in 1930's films and why it was used here is probably more to provide a feeling of glamor, an opulent set and so Eleanor Parker could wear a succession of dazzling outfits in which she always looks sensational. I really liked seeing her in a role where she showed she could do comedy in an ensemble. She was just as good in 1952's "Scaramouche" and it makes me wish that Hollywood had used her in more films. Now she is only known by most in the thankless role of the Baroness in "The Sound of Music".

Luigi's is quite a place. It's a restaurant with several well-appointed rooms, catering to an upper class crowd. There is a fairly large dance floor but they seem to play records because there's no visible orchestra, so it's not a supper club. It seems to feature some of Phil's paintings on the wall. Luigi himself is S. Z. Sakall, who of course is Central European, not Italian, but as he explains later, the sign existed when he bought the restaurant and it was cheaper to change his name than get a new sign. I enjoy Sakall's appearances, even though he always plays essentially the same character. I'm glad he played Carl, the bartender in "Casablanca" so we could see him in a more serious role.

The most difficult role is the daughter, played by nine year old Patti Brady. She's on camera in a majority of the scenes and has loads of dialogue, so it's a major role. That's a lot to put on a kid's shoulders but she does quite well, doesn't mug or over act and is credible. Some of her scenes, especially at the opening with Flynn, are a bit too saccharine, but that's in the screenplay and mirrors the sensibilities of the late 1940s. Also in the primary cast is a bespeckled Donald Woods playing the man Ellen shouldn't marry even though he shows interest. There's also 6'4" Forrest Tucker, convincingly playing a marine who takes an interest in Ellen himself and puts Flynn in some of the film's funniest scenes. Hattie McDaniel as the family maid and Charles Coleman as their butler have a few nice moments but unfortunately are not on long enough to make the most of their parts.

The film was Directed by James V. Kern, not exactly a well known name. He only made eight films but had a big career directing many popular television shows, capping his career with 99 episodes of "My Three Sons". He co-wrote the script with I. A. L. Diamond, who often worked with Billy Wilder, which is probably why the lines are wittier than usual for a film like this. This is a good family film that deserves a wider audience.

THE DVD: This is a Warner Archives made to order DVD, one of a great number of films that they have made available to the public this way. These films had too presumably small an audience to distribute nationally in the DVD era and which are unlikely to be streamed. This is a great service for which I am thankful. The picture is good enough. But in both this and Flynn's "Footsteps In the Dark", ordered at the same time, the audio was so low that I had to turn the volume all the way up to hear it, and even then it was not very loud. There is no closed captioning so it was a problem. I've ordered Warner Archive discs before with absolutely no problem so This must have been a fluke, but I thought it worth mentioning.

A surprisingly good screwball comedy, lighthearted, charming, engaging and tons of fun. Good watch for the holiday season. I had no idea Errol would fit so well in such a movie. Watch it if you like this genre, there is no way you will regret it.

Schmaltzy comedy about a precocious little girl trying to reunite her divorced parents. The parents are played by Errol Flynn and Eleanor Parker. The little girl is Patti Brady. I have no problem with seeing Flynn in a change of pace role but he really doesn't get to shine in this. You could replace him with a dozen other actors and there would be no noticeable difference. Same with Parker but I always found her rather nondescript. Flynn does sing a little, which will be of interest to fans. Patti Brady is cute but got on my nerves pretty quickly. Lucille Watson is Parker's bitch of a mom. Forrest Tucker plays a marine the mom uses to make the dad jealous. He's probably the best part of the movie. Hattie McDaniel is the maid, Cozy. S.Z. Sakall is a restaurant owner named Luigi (yeah I know but it's explained). Everybody plays their part fine but it's just all so hokey. Pretty much every scene with the little girl is like swallowing a cup of sugar. The romance isn't particularly noteworthy and the comedy is bland. There are some tearjerker moments too. If you don't have a stomach ache by the end of this, consider yourself lucky. Flynn fans might want to see it for curiosity's sake. Everybody else will probably be bored.

While much of Never Say Goodbye is side-splittingly funny, the basic premise is a bit sad. Errol Flynn and Eleanor Parker play a divorced couple who share custody of their young daughter, Patti Brady. They're both juggling their new single lifestyles, and while Patti and Errol would love to reconcile the family, Eleanor remains firm in her decision. This was made during a time when it was alright to show audiences that divorce was bad for children, not when broken families were commonplace.

This is a lighthearted comedy, and a very sweet one. You don't get to see Errol Flynn as a dad in very many movies, and he's just adorable. He and Patti have cute, playful banter, and his comic timing is at his best when he juggles his romantic conquests with his ever-present plot to win his ex-wife back. His loyal sidekick isn't Alan Hale in this one, but instead the lovable S.Z. "Cuddles" Sakall. There's a hilarious sequence where Errol has to flit in between different sections of Cuddles' restaurant as he accidentally makes a date with two women during the same evening! If you've never seen Errol Flynn in a comedy, you've got to rent this sweet family flick. Just when you thought he couldn't get any cuter, he gives his heart stopping smile as Patti laughs, "Daddy, you're such a flirt!" You'll also get to see him give a Humphrey Bogart impersonation! (If he sounds spot-on, it might be because he had a little help...from the man himself.)

Seven stars. At one level, this is just another generic rom-com. Divorced couple, still in love. Hijinx ensue. If you've seen The Awful Truth, or any of hundreds of subsequent films, you get the picture. The thing that raises this above the majority of the lot is the way it lampoons and subverts the "Errol Flynn" schtick. Not only does Phil (Flynn) sign notes to his daughter as "Robin Hood", he gets soundly out-macho'd by Wicky (Forrest Tucker, so young that I didn't recognize him!). Phil's interactions with Flip (his 7 year-old) are consistently brilliant, and the two actors had great chemistry. S. Z. Sakall and Hattie McDaniel showered their supporting-actor gold in every scene where they showed up. And we even, eventually, get to know us why Sakall's character was called Luigi. We also get a howlingly funny bit where Bogie overdubs Flynn. That was a price of admission moment for me. I've been a fan of Flynn since I was a kid. No one has ever topped him as a swashbuckling matinee idol. So it was a real treat for me to see him play so splendidly with that cliche' in the film. That's the reason I say you should watch it. 13 March 2025.

An innocuous romantic comedy from 1946 starring Errol Flynn & Eleanor Parker. A divorced couple share a daughter between them, their marriage fizzled because Parker felt Flynn's career as a calendar illustrator was leading him to extramarital affairs which he vehemently denies. The daughter, hoping to get them back together, engineers a scheme by writing to a military man (posing as her mother) who shows up to woo Parker sending Flynn into a panic pretending to be her brother in order to keep an eye on them. Feeling a bit out of place, Flynn valiantly tries his damnedest to make this material work (I think Cary Grant would've been a better choice) even though its own innate silliness (at one point we get a crib of the famous mirror scene from a Marx brothers film) upsets any romantic notions the film tries to get across. Bottom line they seem to be getting back together more for their daughter than for themselves. Co-starring S. Z. Sakall (from Casablanca) who is wonderful as always & Forrest Tucker (from TV's F-Troop) playing the mail order groom on leave.

Watching this movie I couldn't help but think it was pity that Warner Bros didn't put Flynn in more romantic comedies. He proves to be quite charming and witty. This film elicited quite a few chuckles from me, loved Flynn's impression of Lucile Watson, his attempts to one up he man Forest Tucker, as examples. I thought the script was pretty good and Eleanor Powell was great as Flynn's ex. Flynn's facial expressions, while not as obvious as Cary Grant's were pretty good. Errol Flynn is quite the charmer with that mischievous sparkle in his eye

Surprisingly enjoyable romantic comedy! Errol Flynn is just as brilliant at comedy as he was at adventure and drama. And Eleanor Parker is a wonderful match for him. The script is quite delightful, too.