Mysterious Intruder

The Whistler was both a radio show and a B-movie series from Columbia Pictures. Unlike the usual B-films (which were mostly detective films), this series was more like episodes of the "Alfred Hitchcock Presents" television series--each a unique story involving human nature and each one being unique and unrelated to the others. Additionally, all but the final film starred Richard Dix--who played very different characters in all the films.

In this film, Dix plays a private detective who isn't especially honest. When a kindly old man comes to him for help, Dix appears willing to use a bit of larceny to cash in on the man's trust. Throughout the film, you see that above all else, Dix is a man out for himself. Additionally, other selfish characters abound--and soon practically everyone wants to cash in on the old man's secret.

This film is probably the best in the series because the script is much tighter and without the plot holes that sometimes impeded the series. While there are many twists and turns, the script never becomes too complicated and it ends with a wonderful and ironic twist. Additionally, the supporting staff is much better than usual--having many great character actors on hand, such as Mike Muzurki, Barton MacLane and Charles Lane.

The score of 8 is relative to other B-movies. For the genre, it's among the best and not to be missed by old film buffs.

The 1940's were full of private eyes from Sam Spade to Phillip Marlowe. None, however, equals the sheer sleaze of key-hole peeper Don Gale. He's a distinctive creation of writer Eric Taylor's clever little screenplay, with more twists and turns than one of those old Toni home permanents. The brief opening between Gale and his secretary tells all we need to know about his brand of professional ethics and is a great bit of subtle innuendo. Richard Dix is perfect as Gale with all the phony charm and shifty eyes of an oily medicine man. If Gale has any redeeming qualities like Spade or Marlowe, I can't find them, making him one of the most unusual lead characters of the day.

The movie starts off posing a neat little mystery-- why would anyone want to kill for some worthless old keepsakes. The solution is a novel one, although the story sometimes unfolds in a complex fashion that's hard to follow.There're some nifty little touches, such as the trigger-happy neighbor who apparently shoots at anything that moves or the safe-house matron who looks like she could go a few rounds with Mike Tyson. However, not everything is roses. Little old man Stillwell should carry a sugar-overload warning, while plug-ugly Mike Mazurki mugs it up shamelessly as the towering menace. The bare-bones street scenes might blemish most movies, but here they come across as just plain cheap like Gale himself.

How surprising that the schlockmeister of 1950's gimmick movies, William Castle, stands as the moving force behind many of these little Whistler gems. He had a real feel for them. Too bad he's identified now with such exploitation flicks as The Tingler (1959) and 13 Ghosts (1960), (Tingler wired certain certain theatre seats for a mild jolt and then insured the patrons! ). Anyway, the ending here is particularly ironical, even for a series that prided itself on irony. As they say, they just don't make 'em like this any more. Too bad.

The improbable plot for this entry in "The Whistler" series has something to do with valuable cylindrical disc recordings of Swedish nightingale Jenny Lind, a double-crossed antique dealer, a femme fatale blonde who knows the recordings are worth $200,000, and some crooked thieves. RICHARD DIX is the gumshoe detective in the mold of Philip Marlowe, but his dialog isn't quite as sharp.

Dix, of course, has to play fast and loose with the police on his trail and there are enough plot twists to keep any mystery fan mystified. Another factor in the plot is the femme fatale posing as someone else while scheming to get the money. As you can see, for a film that only runs one hour there's enough to keep you busy watching for the next development.

The supporting cast includes BARTON MacLANE, PAMELA BLAKE, CHARLES LANE, REGIS TOOMEY and MIKE MAZURKI.

Crisply written and directed, it's a good series entry.

Mysterious Intruder (1946)

** 1/2 (out of 4)

Fifth film in Columbia's The Whistler series has Richard Dix playing a private investigator who gets a case from an old man who is looking for his niece. Soon the old man is dead and the PI might have had something to do with it. This is a pretty good entry in the series, although the screenplay falls short when compared to the previous film. I think the biggest problem here is the plot itself, which is quite confusing and even in the end it didn't seem to work itself out very well. The film only ran 61-minutes so perhaps that's why the story didn't have time to work itself out as well as it should have. Dix once again turns in a good performance with Charles Lane, Barton MacLane and Nina Vale offering fine support. Castle's direction is good throughout, although it could have probably been better with a better script.

Here's another fine entry in Columbia's noirish Whistler series, the fifth chronologically, and fourth directed by soon-to-be schlockmeister William Castle. Like the first in the series, Castle imbues the film with an especially sleazy atmosphere. The shadowy b&w photography, threatening background detail and desperate lowlife characters evince a cynical view of the urban world, and the writers obliquely hint at sordid relationships and motivations which simmer below the surface of the story. Series lead actor Richard Dix, normally emotively challenged, gives a rather eccentric interpretation of a venal, socially inept gumshoe seeking a big score, who is ironically given the opportunity for redemption. Buffs will certainly savor the parade of iconic supporting actors like Mike Mazurki and Charles Lane. Much better than one would expect from a mystery series, this picture reflects the seamy side of life usually glossed over by the Hollywood veneer.